Song Yaru
He is a member of the Shandong Branch of the China Artists Association
He is a member of Jinan Branch of Shandong Artists Association
He is a member of the China Association of The Federation of Trees
He is a member of the Calligraphy and Painting Art Committee of the China Association of Chinese Associations
He is a member of Shandong Yuelian Artists Association
He is a member of the Chinese Hard Pen Calligraphy Association
Registered teacher of China Hard Pen Calligraphy Association
He is a member of Shandong Hard Pen Calligraphy Association
He is a member of Jinan Chinese Culture Promotion Association
Deputy Secretary-General of Shandong Ronghan Calligraphy and Painting Institute
The quality is faxed, and the product is self-indulgent
——Song Yaru's Artistic Sundanese
Text/Crooked Wood
Landscape painting since the Wei and Jin dynasties, after a thousand years of precipitation, has formed an art form with flowers, birds, characters side by side, and has become the most representative of traditional aesthetics, philosophy of the art form, covering the ancient and modern, all the famous families, especially into the new era, under the guidance of the idea of "pen and ink when the times" and "for the motherland's mountains and rivers to establish a legacy", a hundred flowers bloom, a hundred schools of thought, produced many excellent classic works, and formed a complete painting system, so that the art cause of the twenty-first century showed vitality. Shandong, as the state of Qilu and the birthplace of Confucianism, has a long history and humanistic essence, and there is no shortage of painting masters, such as Li Cheng, Zhan Ziqian, Zhao Mengfu, Zheng Xie and other masters and masters, mo bu born or live in Si, so the qilu land is full of humanities and has a long cultural context. After the founding of New China, Shandong's art industry is even more vigorous, with the reputation of "Chinese painting to see Shandong", especially the young generation of painters, according to tradition and can open up new, save the trend of thought and consolidate the roots, Song Yaru is one of them.
Song Yaru (real name is Yong), has passed the age of not being confused, but has always maintained the "source kinetic energy" of youth vitality and positive progress, the momentum of painting is high, the conversation is often "student" humble, not boasting, not exaggerated, but down-to-earth, sincere as an art, which comes from the experience of his troops, but also attributed to the influence of family style, so that Song Yaru is a person who is trustworthy, humble and low-key, never pursues vanity, but takes simplicity as a shang, diligence and hard work, and whenever he contacts him, he can feel the enthusiasm emitted by him. It is a love for life, but also a love for painting. Huang Tingjian in the "Title Jinan Fusheng Map" Yun "Yushi Chao Dafu is steep and deep, and the shape of the view seems to have not yet arrived. Ran Fusheng, like the old Confucian Shengye of qi; and the victory woman, YuRan is a Confucian character, which is also the magic of Danqing", no matter the cold winter and heat, Song Yaru can often see him hugging the painting manuscript, or asking for a mentor, or communicating with friends, the power and energy of art guide and lead him to move forward. In the past few years, Song Yaru's improvement in painting can be described as obvious to all, and the achievements achieved can be seen by everyone, which is the expansion of Song Yaru's own efforts and the butterfly of art.
Admire a piece of work, the first and foremost weather. Whenever you read Song Yaru's works, you can feel a strong "rural atmosphere", which is not only the perception and feeling formed by his birth in the countryside, but also the presentation of his true colors. Successive generations of painters, there are the atmosphere of Forest Spring, the atmosphere of Jinshi, the atmosphere of Wensi, but the "atmosphere of the countryside" is the most simple, the ancestor of Shen Zhou Kaihua in the Ming Dynasty, often with Lou Dong's vision into painting, the achievements are remarkable, Zhuo Er became the wind. Song Yaru's paintings pursue the plain realm, maintain the "atmosphere of the countryside", both the picture is true, Jing Hao expounds with "the source of the object", that is, "the son is good at writing the landscape of the cloud forest, the source of the object image, the life of the husband, for the nature of it". The peaks and peaks presented in Song Yaru's paintings are not towering clouds and waters that do not reverberate, but mountains that are endless and endless, and can be seen with all their hearts. The water is clear, around the village around the alley, if you can play, like seeing fish and shrimp, is a natural "painting realm", not the source of life can not be presented, look at it, if you can look back, you should remember the innocence. "Zhuangzi Qiwu Theory" "a large piece of spirit, its name is the wind", Song Yaru also likes to paint the morning rise or rain twilight scene, smoke rises, surrounds the mountains, enchanting cottages, like a fairyland and like cooking smoke, is the poetry in the painting, but also the dream of life, gradually and metaphysically, the water does not stay, the clouds do not stop, the weather is natural.
Painters, who give up pen and ink, Song Yaru also attaches great importance to the tempering of pen and ink, under the guidance of his mentor Zhao Dexun, copied a large number of ancient classic works, Fan Kuan's Xionghun, Li Cheng's Xiao Ser, Wang Meng's flourishing, Ni Zhan's dry cold, Shi Tao's elegance, the impermanence of the four monks, all of which do not affect his pen and ink "realm" and pen and ink experience, so from his paintings, he can not only appreciate the mutual reference infiltration of thick and light dry and wet, but also taste the magic of "technique is almost like the Tao", just as Mr. Huang Binhong said "Painting Sect Taiji". Yun Shouping's "Nantian Painting Trek" pointed out that "qi rhyme is equal to pen and ink, pen and ink are all into qi rhyme", so in the use of the pen, Song Yaru pursues simple and thick, capable cohesiveness, like curved iron paddling sand, producing a sense of calm and quiet, such as painting mountain cliffs, Qi is not even, the pen is like Tuna, the painting water is clear and clear, and the pen is affirmative, such as the floating surface of the duck, and the momentum is absolute. The use of ink lies in the interest, the thick ink is metaphorical to its yin, the light ink is clear of its light, in the midst of trepidation, the xixi is accomplished, and the non-painter does not know. Zhang Yanyuan pointed out that "fu yun thinks of waving, the meaning is not in painting, so it is in painting", Song Yaru uses ink thick and light to grow together, splash and break together, the two sexes echo, and the fun is to come up with pen and ink and materialization. Jiao Mo thinks that it is eye-catching, splashing ink thinks that it is a business, it lies in the possibility of being between what can be done, more rationality is dry stem, less sensuality is no phase, so it is all in the hands of the painter, of which "Mountain Countryside Day", "Deep Valley Spring", "Xishan Qingyun" and other huge masterpieces are representative works.
Painters, illegal preparation and achievements, their education, literary thinking is both the core, and Song Yaru for several years, achievements and progress in the eyes, sometimes envious, his daily class efforts, the perfection of creation, should be good to learn. Now that I am already a good friend, Song Yaru asked me to comment, and I can say that I hope for diversified development, multi-realm improvement, vertical opening up of art history, horizontal penetration of the times, more reading, more copying, more exhibitions, more communication with high people, forming a three-dimensional pulsating upgrade, so that the art of painting can go further and reach a higher level.