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Hong Kong Film: The old tune repeats the work, if the difficulty, breadth and depth are discussed, who can represent it?

"Preach in the text." --Tang Tears"

Commercial actors are still active in the Hong Kong film industry, but only two palms.

In their respective careers, they have presented a number of classic works.

In terms of difficulty, breadth and depth.

Who can be represented?

Hong Kong Film: The old tune repeats the work, if the difficulty, breadth and depth are discussed, who can represent it?

The representative actors of the acting school are Liang Jiahui, Wu Zhenyu and Liu Qingyun.

Idols and powerful actors are represented by Liang Chaowei and Aaron Kwok.

Start by listing your top-notch masterpieces.

Leung Ka-fai has been in the film industry for thirty-nine years, and his representative works include "Fire Dragon", "Lover", "Black Gold", "Dragon City Years" and "Cold War", in addition to the uneven role of "King of Chess" and "New Dragon Gate Inn" Maggie Cheung is too strong, all of which are not listed.

Wu Zhenyu debuted thirty-six years ago, and his works include "Gunfire", "Infernal Affairs 2", "Banishment", "Juliet and Liang Shanbo" and the latest one, "Turbid Water Drifting", which is also exactly five.

Liu Qingyun and Wu Zhenyu debuted in the same year, and can pick two parts: "Divine Detective" and "Death Gold".

Aaron Kwok has been on the film road for twenty-two years, and can choose five works such as "Father and Son", "Favorite", "Centennial Floating City", "Blood Seeking Plum" and "Peerless", in addition, "Taoist Down the Mountain" has a full score but the film's reputation is polarized, and exploration works such as "Murderer" are not nominated.

Liang Chaowei and Liang Jiahui debuted in the same year, and the five works can be selected "Spring Break", "Dark Flower", "Fancy Years", "Infernal Affairs" and "Color Ring", and group dramas and repetitive drama works are not nominated.

I don't know if anyone has seen all the above works.

If you want to choose more rigorously, the performances of the five works of "Cold War", "Favorite", "Peerless", "Infernal Affairs" and "Color Ring" can be listed separately again, based on the difficulty of performance and unprecedented creativity.

The answer is already on the horizon.

Hong Kong Film: The old tune repeats the work, if the difficulty, breadth and depth are discussed, who can represent it?

Shuang Liang and Aaron Kwok represent the highest difficulty and the strongest creativity.

The corresponding roles are Li Wenbin of "Cold War", Zhao Deyi of "Favorite", Li Qing of "Peerless", Chen Yongren of "Infernal Affairs" and Mr. Yi of "Color Ring".

In addition, many people really lack the ability to appreciate and judge the performance.

They completely confuse the difficulty of the performance with the abilities of the actors, so the conclusions they come to are completely wrong.

In other words, it should be understood that for Hong Kong films, the vast majority of them are actually not extremely difficult, or most of the actors' performances are running with the bright rhythm, and there is very little deep thinking that has been precipitated.

The above five films and five roles can roughly represent a certain degree of extreme performance of Hong Kong movies and actors, and only one of them, "The Favourite", is an example of Hong Kong actors starring in mainland movies.

The role of Zhao Deyi, the entire Hong Kong film industry, or only Aaron Kwok alone can control, and makes it a top masterpiece.

The key lies in the actor's strong empathy, abundant emotion and strong creativity.

On the observation of these films, the two abilities of empathy and emotion, the first to promote Leung Chao-wai and Aaron Kwok, throughout the Hong Kong film industry, similar to the in-depth performance of Chen Yongren of "Infernal Affairs" and Zhao Deyi of "The Favourite", or only the brief outbreak of Zhang Jiahui in "The Great Hunt" is slightly closer, and other actors may not even be able to pick out a single clip, including Leung Ka Fai.

And "Infernal Affairs", "Cold War" and "Peerless" can represent the peak of commercial film genre performance.

Hong Kong Film: The old tune repeats the work, if the difficulty, breadth and depth are discussed, who can represent it?

For now, Leung Ka Fai can still be called the first person in the breadth of the drama road.

It was followed by Aaron Kwok, due to the non-repetition and self-renewal of his drama path.

If we talk about the depth of performance, we first recommend Liang Chaowei and Aaron Kwok.

Aaron Kwok has a big advantage, others have passed the peak, but he is still on the rise.

The other actors are listed behind.

If there is any disagreement, you can nominate.

However, it is difficult to surpass the above five works and character performances.

That's what the work says.

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