"The Octagonal Pavilion Mist" is over.
The story is so-so, and the director has successfully turned the criminal investigation drama into a family drama with shaky shots and trivial narrative methods.
The heroine, who was supposed to amaze everyone, became the public face of the crowd.
Of course, this play is not useless.
The most desirable thing is the performance of a group of old drama bones.
Their performances elevate the texture of the play.
I want to talk about the three actresses in the play, Hao Lei Wu Yue and Wen Zhengrong.
These three actresses are almost the ceiling of middle-aged actresses' acting skills.
But in this play, their image is not worthy of their acting skills.
I don't know if it's them or the director, but there seems to be a very stereotypical impression of middle-aged women.
It seems that middle-aged women are either fat or ugly, and they do not have to strengthen this feeling.
<h1 class="pgc-h-arrow-right" >01, Wen Zhengrong</h1>
Wen Zhengrong was once red.
Wen Zhengrong was born in 1978 and graduated from Nortel as a student of Huang Lei.
In 2005, he cooperated with Han Xue in "Wrong Love A Lifetime".
In the film, she plays the sinister and vicious villain Gu Yiluo, who is vicious but lonely at heart.
In the domestic dramas at that time, there were very few heroines with such black bellies.
Wen Zhengrong performed the character's contradictions and entanglements and determinations very well.
It is reasonable to say that this kind of villain is not very pleasing, because Wen Zhengrong's performance is really too good.
With this unflattering role, she became a hot star at the time.
The film came one after another, but after Wen Zhengrong became popular, for various reasons, it faded out of the screen for many years.
In 2020, it became popular again through "Actors Please Take Place".
Wen Zhengrong's acting skills are unquestionable, although sometimes there are some problems with excessive force.
But overall, it was passed.
Unexpectedly, in "The Mist of the Octagonal Pavilion", she let herself become Zhang Yishan.
This fake meditative hair cover, this emaciated face to the extreme.
This face was actually similar to Zhang Yishan.
Although in the play, she played a middle-aged woman who was nagging.
But in general, middle-aged women are not thin enough to burst into such green tendons.
More importantly, this is a woman who has been trying to conceive for many years.
Even beauty-loving female celebrities know to eat fatter when they are pregnant.
How could this woman, who had been pregnant for many years, allow herself to be thin like this.
Although, Wen Zhengrong's appearance on camera is very self-sacrificing.
But this state is really uncomfortable to look at.
Paradoxically, the actors have made the sacrifice of plain face.
I think it's for the sake of trying to be real.
So can you get a better hood?
A face that really can't be real anymore, topped with a fake hair cover that can't be faked anymore.
It's weird.
The hood of the old lady of the Xuan family is also very fake.
I don't know why such a delicate play, the actor's hairstyle will be so fake.
It feels like this mother and daughter can perform the sketch "More Fake Than Whose Hood Is" together.
Of course, Wen Zhengrong's acting skills are still good.
<h1 class="pgc-h-arrow-right" >02 Hao Lei</h1>
Hao Lei is ambitious.
She said she wanted her acting skills to be written into textbooks.
Hao Lei was born in 1978, and her debut is "17 Years Old Don't Cry" is the peak of her debut.
In 2002, it attracted much attention because of "Young Heavenly Son".
Because of the young Tianzi, Hao Lei met Deng Chao.
But Hao Lei's love path has always been particularly unsmooth, breaking up with Deng Chao, then Li Guangjie, and then Liu Ye.
Love breakup, marriage and divorce, more than ten years later, except for a pair of twins, is a chicken feather feeling.
If ordinary people had made such a fuss, there would have been no movement for a long time.
But Hao Lei is different, she has not been out of the mainstream line of sight, the only thing she relies on is acting skills.
Over the years, almost no one has criticized Hao Lei's acting skills.
Perhaps knowing that her acting skills are good, Hao Lei almost completely gave up the management of her appearance.
But the image is also part of the performance, and in "East Fourth Archway East", she was called greasy for the first time.
Because she turned a 10-year-old geek into a greasy middle-aged woman.
Acting has also been rarely criticized.
Although Hao Lei's acting skills are not a problem.
She wouldn't shake her head and pretend to be tender, but this time the size did hold her back.
Fat girls are not nothing, but the beauty of the capital will not be a greasy fat man.
Wide clothes can't stop the big shoulders.
"East Fourth ArchWay East" Douban score is only 4.3, which can not be regarded as a pass.
Of course, this score is not Hao Lei's problem alone.
But there is definitely a problem with Hao Lei.
In "Octagonal Pavilion Mystery Fog", Hao Lei continued to continue her laissez-faire of body shape.
There is no doubt that Hao Lei's face is still beautiful.
The expression is also very tense, and it can catch people's hearts without moving.
But her image and character setting are really a bit off.
In the film, she plays a woman who looks cold and doesn't care about being injured.
Although Hao Lei's expression was very good, this face perfectly destroyed Hao Lei's indifferent expression and made her look fierce.
As soon as she appeared, she played the role of Xiao San, who was chased by his wife.
Look at this rejected wife, white skin and beautiful temperament.
The two characters always have a feeling of being reversed.
Of course, there are also people who do not look at appearance, and the three do not have to be beautiful as flowers, but Hao Lei also has her own positioning in the play.
Hao Lei's personality is a person who left home in his 10s and wandered around.
A high-level professional who breaks through the world on his own and often goes abroad to be fluent in foreign languages and knowledgeable.
Or the great beauty of the population.
In a place like Shenzhen, a beautiful woman in her 30s should not be like this.
To be honest, just this shot.
She was really a good fit to play a beautiful and out-of-favor housewife.
The only thing to be thankful for is Hao Lei's acting skills online.
She used her acting skills to make up for most of the flaws in her body.
Speaking of acting skills alone, she can indeed seal the gods.
But performance is a comprehensive art, and form is also part of performance.
This part, she said, is not very qualified.
Although appearance and body anxiety are not advocated now.
But Hao Lei's figure is really dragging her feet.
Now there is no need for her to reflect the word figure, but at least she looks like an ordinary person.
After all, if she is fat, she can only be a special actor.
Although self-confidence is a good thing.
But the weight is still moderate.
<h1 class="pgc-h-arrow-right" >03, Wu Yue</h1>
Wu Yueren is as light as a juju, born in 1972, graduated from the opera.
As soon as he debuted, he played a role with a name and a surname, and he had never played soy sauce and run through the dragon set.
In 1995, she starred in the first TV series "The Story of Late Autumn in Beijing", and in 1997, she won the excellent supporting actress of Golden Eagle with Wen Lu in "The Age of Peace".
Wu Yue is not a stunning type, but has a faint and elegant temperament.
Coupled with the soft voice and fresh lines, it is easy to make people feel good.
Wu Yue seems to have been misunderstood by the directors and always let her appear in the camera.
In the first half of my life, she appeared in the film in order to contrast with the housewife played by Ma Yili.
In the human setting, she is a yellow-faced woman who is reluctant to eat and wear a small family.
So in that play, it is normal for Wu Yue to be sloppy and tasteless.
The appearance of a plain face is also the ugliness of the highlighting role.
Then came "Sweeping The Black Storm".
This is actually the most correct way to open the face.
Not ugly, not beautified, naturally it is the appearance of middle-aged women seen in life.
Some are old but not too old, some are haggard but not decadent.
Because Wu Yue looks relatively light, whether there is a change in makeup is indeed not much.
But what is the situation of the plain face of "Octagonal Pavilion Mist"?
Wu Yue looked at least like an old lady in her 50s or even 60s.
It can be seen that the dullness and wrinkles of the skin tone are deliberately emphasized.
But even if this character has a heavy psychological burden, the health is not good.
But she really wasn't that old.
The actresses of this play, especially those with good acting skills, are almost all collectively ugly.
I don't know when it started, there was a kind of ethos.
Regardless of the actor or actress, as long as they look good, it seems that they have no chance of winning the award.
In order to reflect the acting skills, it is necessary to play ugly, it seems that as long as you are willing to play ugly, you are sacrificing for art, that is, you have acting skills.
It's actually a strange circle.
Also in this film, the actor Da Tao Hong, did not play ugly, did not deliberately look plain or show himself fat and thin, but the role was based, and the acting skills were very stable.
Although the setting of her role is somewhat nonsensical.
But no matter in terms of looks and stature, people are not out of the play.
This also shows that there is no need to dress up ugly for the so-called authenticity, after all, authenticity also includes beauty.
<h1 class="pgc-h-arrow-right" >04, strange circle</h1>
Now film and television actors have a strange circle.
The post-85 generation represented by Yang Mi, Zhao Liying and Liu Yifei has been beautiful for more than ten years.
Basically, the main theme is beauty, and most of the performances are idol dramas.
Although some of them also often market their acting skills, in the end, it is the occasional performance with a flash of inspiration.
And this wave of post-70s specializes in acting.
There is even a custom of specially dressing up ugly in order to reflect the acting skills.
After the 90s and 95s, there is no color art double.
The good-looking Naza acting skills are almost non-existent.
Tan Songyun's acting skills are very good, and her appearance is well-behaved and not a beautiful woman route.
The current post-95s and post-00s seem to have taken the same path as the post-70s, of course, it may be related to the current choice.
The most beautiful girls in the past have all gone to be actors, and now they are all going to do live broadcasts.
This can also be seen from the decline in the quality of Hong Kong sister and Asian sister every year.
But the strange circle now is that it seems that if you look good, you can't highlight your acting skills.
But think about Chen Hao, when a "Pink Girl" she made the role of millions of people fascinated by her beauty stand.
It's about the charisma and acting skills of the characters.
The Korean film "Miss" Douban scored 8.2 points and won numerous awards.
Actor Kim Min-hee is beautiful in every frame of the film and can be used as wallpaper.
But the despair, desire and humanity she performs can say is not beautiful.
Wong Kar-wai's "Fancy Years".
Maggie Cheung wore a swaying posture in a cheongsam, becoming a model of Chinese beauty.
Isn't it the same as a classic?
Or in other words, when Hao Lei was a little younger and more beautiful, she didn't have acting skills?
Nor is it.
Therefore, ugliness is really not the key to reflecting acting.
Even if you want to be close to life, it is not ugly gender and fat bloated.
After all, in life, most of them are ordinary and have no characteristics.
<h1 class="pgc-h-arrow-right" >05, appropriate is the most important</h1>
Back to The Octagonal Pavilion Mist, if it has to be real.
It is better to change the roles of Wen Zhengrong and Hao Lei.
In the "Truth" of the same period, although Wen Zhengrong is still a little haggard, this dress temperament is very in line with the urban beauty who works alone.
Walking with a variety of styles, raising your head and flaming red lips are also very attractive.
Hao Lei's expression was stoic, her look was vicissitudes, and she wanted to say that she would return hugh.
Physique is also seen.
It is also like a housewife who is very eager for children but suspicious of ghosts.
Moreover, the temperaments of Hao Lei and Duan Yihong are very compatible.
After all, there is a tacit understanding in having acted in a drama together.
And compared to Wen Zhengrong's somewhat sensitive performances, Hao Lei and Duan Yihong's path is more similar.
It's all still water deep currents.
Of course, the aesthetic of these adaptations has always been backward compatible.
Including the most beautiful female Xuanzhen in the play.
This beautiful school must be picked up and dropped off.
The teacher is obsessed with it.
Girls of the same sex love her, and girls of the opposite sex love her, and they are also very plain.
Therefore, beauty and strength are not contradictory to acting skills.
Sacrificing beauty for the character is also admirable.
But just to highlight the acting skills, it is not advisable to weaken the wireless and even ugly appearance.
After all, the strength faction is talking about good acting, not ugly looks.
The powerful actors are sober, and don't pretend to be ugly and old anymore.