China Youth Daily Client News (China Youth Daily, China Youth Daily reporter Shen Jiequn) A few days ago, the expert seminar on "Knife Walk in the Snow" was held in Beijing. Producer representatives and experts and scholars discussed the content theme, genre characteristics, industry value, and social significance of the play.
"Knife Line in the Snow" is directed by Song Xiaofei, Wang Ti as the screenwriter, and Zhang Ruoyun, Li Gengxi, Hu Jun and other leading actors. The drama tells the story of Xu Fengnian, a son of the family, who gradually grew up in the rivers and lakes, and finally carried the battle flag of the Northern Starling, protected all sentient beings, and became the King of the Northern Starling.
As a generation that was deeply inspired by the spirit of martial arts, Yang Chenghu, deputy dean, professor and doctoral supervisor of the School of Arts and Media of Beijing Normal University, fully affirmed the return significance of the play. "This is the most comprehensive tribute to the classic among the martial arts works I have seen in recent years. On its body, you can see the shadow of the ancient dragon, as well as Jin Yong's wind bone, and a series of original martial arts story elements such as Liang Yusheng. This kind of return and tribute makes our post-70s look quite cordial."
Wang Yichuan, vice chairman of the China Literary and Art Critics Association, pointed out that the play uses a new way of writing about growth in the portrayal of the protagonist Xu Fengnian. "In the past, the growth narrative was that the young and young son grew up and became an adult with the help of the divine father, but in this play, this growth writing has moved to a new pattern - 'reverse' growth writing."
Yang Chenghu summarized the narrative of temples and rivers and lakes in this drama as "cloud and mud compatible". "In the past, we often said that there is a difference between cloud and mud, and the chivalrous person is either carrying a deep hatred in the blood sea or being born into a famous family, and the solidification of this kind of persona appears to be chivalrous in heaven and not in the earth." However, Xu Fengnian, the main character in "The Sword In the Snow", is an outlier in the middle of the rivers and lakes, and also an outlier in the temple, realizing the possibility of advancing from mud to cloud and benefiting society."
Hu Xiang, editor and researcher of the Development Research Center of the State Administration of Radio, Film and Television, pointed out that the protagonist Xu Fengnian has taken on the responsibility of responsibility from pursuing his personal freedom and enjoyment to the rise and fall of the world, and the significance of this value transformation is very important.
He Tianping, deputy secretary-general of the Film and Television Art Professional Committee of the China Television Art Exchange Association, believes that many male FREQUENCy IP adaptations have not been paid by men after being introduced to the market, and they have not been favored by women. "However, like "Qing Yu Nian", "Knife Line in the Snow" has found a more self-consistent idea and method for dealing with male frequency IP, at least at the level of genre significance, forming its own expansion, so that the work forms a unique style of integrity."
Source: China Youth Daily client
!["To reject Chengdu is to reject life", "All the Way To Sing" explores the fireworks of the city[fig]](data:image/gif;base64,R0lGODlhAQABAIAAAP///wAAACwAAAAAAQABAAACAkQBADs=)