Talk about the appearance of Xu Fengnian's father and son brothers in "Snow Knife Line", which is reversed layer by layer between Kit Kat and Park, which is very dramatic.
The first layer of Xu Fengnian's appearance is the contrast between the grand narrative and the light comedy humor painting style.
A bamboo pole paints qiankun on the sand, leisurely narrating the general trend of the world, the big vision and the big pattern, the typical heroic epic tone;
Then the camera brings little by little to the true face of the narrator, ragged clothes, black face, and "tattered" painting style; just after talking about the world's major events, the landing point is "please let people owe a mouthful of sweet potatoes on credit".
Construct a grand pattern, explain the background of the story, and at the same time shape the characters and promote the progress through the story of the light comedy "The Poor Baba Begging for Sweet Potatoes".
The second layer is the comparison between the rumored "world's first cunning" Xu Fengnian and the real Xu Fengnian.
Although it is not a suspense theme, it is always important to bury a small hook of unknown cause and effect in the course of the story, which is always important to enhance the audience's curiosity.
At the beginning of "Knife In the Snow", through the contrast between "Shizi" and "poor boy who can't even afford to eat sweet potatoes", the laughter is laid out and suspense is also buried: Why did Shizi "fall" to this point? And why are they being hunted down?
When catching fish in the river, facing the Western Chu people and horses, Xu Fengnian was ignorant and unconscious on the surface, and after turning his head, he and Lao Huang carefully analyzed, observed carefully, and thought carefully.
When the broken temple was settled, he was threatened by the other party with a knife, and four or two thousand pounds of lying nonsense prevaricated, behind which was the minhui insight who quickly guessed the identity of the other party.
After entering the city, the identity is reversed, Xu Fengnian interrogates the other party in prison, the strong and weak relationship of "killing and being killed" in the feng shui rotation has long been reversed, Xu Fengnian guessed that the other party's willingness to surrender is another plot, and still presents the other party's banner with the intention of respect.
It is also true that the life-and-death hostility of different camps is true; "you have invited me to eat meat and drink wine" and "I was born too late to see the style of euphorbia"; the former is a table of wine in the rivers and lakes, and the kindness of Meeting in Pingshui and not forgetting, and the latter is the respect dedicated to the opponent.
In just a few scenes, from many sides, clear and three-dimensional, a very interesting Xu Fengnian was created.
As for Xu Xiao, the first layer is a bloody rumor profile, the second layer is a humorous witty appearance, and the third layer is a silent bystander's gaze.
First of all, it is rumored that Xu Xiao, who was rendered when Xu Fengnian was begging for sweet potatoes, was the first king with a famous surname on the zhenshou side, the tyrant of the world; the Xu Xiao in the mouth of the Western Chu people when they took revenge, killing people like hemp and bleeding into a river, vaguely describing a brutal image of "killing".
However, Xu Xiao's own positive appearance is a humble "teasing father"?
See if I'm dressed as Zhou Zheng?
He also instructed the butler and the new maids to repeat the rule: Even if the prince was killed, he should not see it.
Son beat Lao Tzu, what is this strange rule?
Soon, this legendary Xu Xiao, who was brave and fierce to kill, was beaten by his son and ran around the courtyard.
The painting style is very humorous.
At first glance, the very improper and abnormal father-son relationship gradually revealed substance in the normal dialogue between the father and son after the son interrogated the father: the son pretended to be "the first in the world" to hide his clumsiness, and the father let the son avoid marriage and let him travel the rivers and lakes alone and one servant and one horse for three years.
For example, unveiling the tip of the iceberg on the surface of the water, the story of the boundless underwater is faintly revealed, which makes people curious.
The appearance of Xu Longxiang is also very interesting.
In the first shot of the scene, Xu Long squatted on the stone lion at the door like a fool, letting the servants dissuade or even point behind their backs, and they could not die, just like a "Wangge Stone" appearance, and had the posture of waiting for the earth to be desolate.
However, after hearing his brother's whistle, he quickly "took off", like a flying dragon in the sky and like an eagle into the clouds, soaring freely and kung fu.
There is an interesting contrast between the silly personality of crouching on the stone lion and the amazing flying martial arts.
General Ning Emei, who had come to pick up Xu Fengnian on his return journey, did not seem to particularly obey Xu Fengnian's words, but as soon as he saw Xu Long's elephant figure, he immediately turned over and knelt down to greet him.
A bowl of water is uneven and the difference is obvious.
How did the relationship between Xu Xiao's palace surge? Why does the military only respect the second prince and not the son of the world? It's all very interesting foreshadowing.
The warm painting style of Xu Fengnian's brothers getting along also forms a reverse contrast with the cold and tense confrontation between the swords and soldiers.
The details are rich in layers and full of characters, which are rare and look forward to follow-up.