"Thirty-six Peaks Caotang Poetry Notes" a volume (Qing) written by Xu Baoshan
Qing Jiaqing Period Manuscript (Qing) Gu Han Approving (Qing) Liu Sixuan Inscription One Letter and One Volume
Plutonium: Li Tang (Zhu Fang), Si Xuan (Lian Zhu Yin)
This manuscript of Xu Baoshan's poem, the original title of the first line of the volume is "Thirty-six Peaks Caotang Poetry Banknote", and then it is checked out with an ink pen and changed the title to "Ruyuan Poetry Banknote". The original signature of the second line was "Tiandu Xu SanbaoLian Feng", which was changed to "She Xu Baoshan Lianfeng", and the lower column "Wang Ruan Tingzang", this yin is not Wang Yuyang, and the age of The activity of Gai Xu Baoshan is more than a hundred years after Wang Yuyang, so it may be another book lover. The paper is a blue-grid manuscript paper, and the heart of the plate is engraved with "Thirty-six Peaks Caotang Poetry Banknote", and the word "Xuan" in the volume avoids secrecy. Xu Baoshan (1790-1838) Lian Feng, a native of Shexian County, Anhui. Qing Jiaqing twenty-five years (1820) jinshi, selected Hanlin Yuan Shu Jishi, taught editing, Jinshan West Province Supervision Imperial History, canonical examination of Zhejiang. In his lifetime, he read everything in books, was familiar with various histories, and his peers showed the talent of his writings, and the officials took the scriptures as their business, and authored four volumes of the "Huyuan Collection". This is all obtained from the "Dictionary of Chinese Writers" edited by Qian Zhonglian, but from the title of the first volume of this manuscript, it can be seen that Xu Baoshan once used the name Xu Sanbao, also known as Lian Feng, the room name Thirty-six Peaks Caotang, RuYuan, "Ru" and "Jug" pronounced similarly, or two is one.
Xu Baoshan's manuscript "Thirty-Six Peaks Caotang Poetry Banknote" at the beginning of the volume
The "Evening QingYi Poetry Collection" contains five poems by Xu Baoshan, preceded by a brief introduction and poems: "There is "Huyuan Poetry Banknote". Lian Feng's poems, from Han and Wei to Tang and Song, are all immersed in depth, and then they are dedicated to Han and Du, so there is no bias in temperament and discipline. At the same time, Bao Juesheng, Zhang Nanshan, Wu Lanxue, Gu Nanya, and Huang Shuzhai set their sets. Lian Feng people, poetry will be rigid and soft, soft as white, and just in the bone; just like Han, and soft in the bone. Those who learn Han and those who learn white lose both. Tasting the "Five Generations of New Music House", the commentators said that the simplicity was not as simple as the West End, and the steep refinement was far above the "Ming Shi Le Fu" of Yussai Hall. ”
Xu Baoshan's manuscript "Thirty-Six Peaks Caotang Poetry Banknote" Liu Sixuan approved the proofreading
The "General Catalogue of the Collection of Qing Ren Bei" contains Xu Baoshan's Huyuan, a native of Shexian County, who moved to Kunshan, and wrote "Huyuan Poetry Notes", "Huyuan Trial Posts", "Huyuan Fu Copy", "Huyuan Complete Collection" and "Five Generations of XinleFu", etc., all of which are engraved, and there are "Ruyuan Poetry Copy" that is not divided into volumes, manuscripts, there are Qing Wu Songliang, Bao Guixing commentary, Xiong Fang's inscription poems, Chen Yongguang inscriptions, and now in the Jiangxi Provincial Library. It is not known whether the "Ruyuan Poetry Copy" in the museum's collection and the original title of Hanzhai "Thirty-Six Peaks Caotang Poetry Banknote" are the same book. In front of the main text of this text, there is a small title "Mr. Supplement you Zhancheng 'Proposed Ming Shi Xinle Fu]", preceded by a small quotation: "Mr. Xitang's "Ming Shi Xinle Fu", with the subtle words of style and elegance, alludes to the great righteousness of Spring and Autumn, resists Bai Fu on the top, hides the tea tombs under the lower, and poetry and history. Yu Yijia traveled to study Zhangmen, satirized the whole compilation, selected his relevant worldly teachers, and wrote more than twenty articles to make up for his gaps. Not daring to shao the currents of his predecessors, Shu Jibei forgot about him Riyun'er. "Because I know that this collection of poems was written by Xu Baoshan to supplement YouTong's "Ming Shi Xinle Fu".
You Tong (1618-1704), character tongren, more character exhibition, the number of repentance, Genzhai, the late number of the old man of Xitang, Jiangsu Changzhou. In the fifth year of Qing Shunzhi (1648), he bagong, and in the eighteenth year of Kangxi (1679), he held up the erudite Hongzi, taught the Hanlin Academy to review, participated in the revision of the "History of Ming", and wrote more than 300 articles in separate biographies, as well as five volumes of "Yiwen Zhi", "Erudition and Versatility in his life, poetry and lyrics are famous for a while, and he is the author of "The Complete Collection of Xitang", "Xitang Qu armpit", "Xitang Lefu", "Heqitang Collection", "Hundred Words" and "Ming Shi Lefu". You Tong's "Ming Shi Le Fu" was written in the twentieth year of the Kangxi Dynasty (1681), and all one hundred poems were written in The History of the Ming Dynasty, which was written in imitation of the Ming Dynasty Li Dongyang's Twenty-one History of ancient Lefu, preceded by a self-prologue: "To undertake the lack of revision of the "History of Ming", the discussion of the time, intermittently take his relics can be used to prepare for the precepts, broken into rhymes, also intended to be a hundred pieces of le fu, although he did not dare to steal than Xiya, a few surviving yong history of one body." ”
Xu Baoshan's so-called "Mr. Xitang's "Ming Shi Xinle Fu" is "Ming Shi Le Fu", and there are also those who call "Ming Shi Le Fu". Wang Yuyang's "Chibei Occasional Talk" tried to remember the book: "Changzhou You zhan cheng dong, late into the history museum with erudite macro words, in the bureau, imitating Li Xiya's style to compose a hundred pieces of "Ming Shi Lefu", the best place is not reduced Li. Shen Deqian's "Collection of Qing Poems" contains twenty-five poems by You Dong, preceded by a short commentary on Gui Yu: "(You Dong) Yong "Ming Shi Le Fu" a volume, especially a work of god. All the people who have received in this election are those who have a voice, so that the people of the art garden can see it, and the consensus is the face of the West Hall. ”
Xu Baoshan composed twenty-four poems, namely: "Red Plate Warehouse", "Asking for Blunt Words", "Record of the Traitorous Party", "Dongjiaomen", "Gua Man Copy", "Halima", "Zhidong Factory", "Yumu Chuan", "Neishutang", "Kaiyinchang", "Craftsman Officer", "Hu Banzai", "Punishment Official", "Daqing Dharma King", "Bu XuanZi", "Tao Song Zhai", "Neifu Camp", "Mr. Zhang", "Mining Tax", "Heavenly DrumMing", "Point General Record", "White Pole Soldier", "Fulu Wine", "Shi Dushi", and there are small notes after each poem, outlining the historical events. Reading its endowment, it can be seen that Xu Baoshan has a wide range of followers, and almost all important historical events in the Ming Dynasty have ink, such as Dongchang, Donglin Dang, Jingqing Thorn King, etc.
Among them, there are two songs that talk about mining, one of which is "Opening the Silver Field": "Sealing mines and stealing days, and mining people benefit from each other." The people's poverty breeds thieves, and the interests and stakes are intertwined. The official family decreed the establishment of taxes and rents, and the governor of the court was Du Xu. The officials are as angry as tigers, and the small people are like rats. Look at the eyes, the multitude. The lower one is fat, and the upper one is in the government. The room people laugh, the passers-by are bitter, and the officials are strong and semi-private. Bad government is the only silver field, and it is indeed a disaster for the people to be cautious and not to change the law lightly. ”
The other is "Fighting for The Mining Tax": "Heaven and earth are plugged, the monarch is absolute; the reward is exhausted, and the mine is out." Tianzi gathered in a hurry, and Zhongheng bribed and overflowed. The people are in distress and the commotion is raging. Emperor's illness, reform of maladministration, winged sun fistula, repentance of the former order. The envoy urged, lest the foreign court carry out his orders. Woo Woo Si Li fought hard, and Xiang Gong's guide had already stopped. The small note after the poem reads: "The emperor does not look at the dynasty for a long time, and there is no gap between the upper and lower levels." In February of the 23rd year, the emperor suddenly fell ill and summoned Shen Zheng to discuss the strike on the mining tax and the maladministration of weaving and pottery. The Yi Ri Emperor repented and sent more than ten generations to recover the former edict. Consistently handed in, when the eunuch Tian Yi fought hard, the emperor was furious and wanted to blade it, and the righteous words became more powerful, and the envoy had already held the previous edict. Hou Yi saw the consistency, spit: Xiang Gong held a little, the mining tax was withdrawn, and He Timid was also. ”
The chaos of the mining administration in the Ming Dynasty can bring calamity to the country, and zhao Yi of the Qing Dynasty said in the "Twenty-two Historical Notes on the Harm of Mining Tax in Wanli": "The tongdu Dayi added tax supervision, so the two supervisions of mining tax were all over the world... It was when the courtiers and courtiers were not aware of the introspection, and the tax inspectors played a role, and they reported it at the end of the day, and all the impeachment was bent. For this reason, the tax inspectors are arrogant and arrogant, and they are raging, and the people are not happy with their livelihoods, and they are radically changing everywhere. Emperor Qi, who began to use the will, was dismissed, and poison. It's all over the world. Commentators say that the death of Ming is not due to Chongzhen, but to Wan Liyun. "Nowadays, when people study the economy of the Ming Dynasty, many of them start from the tax system, record these two songs, or supply them to the family.
There are still two poems in the volume that deal with women, but neither of them is embroidered, and the sword and light shadow are full of paper, such as the battlefield. One is "White Pole Soldier", endowed with the hero Qin Liangyu, who has "a peach blossom sword, I don't believe that moth eyebrows can kill thieves." The other is "Tao Song Zhai", which describes the Mongolian woman Tao Song Zhai in Jiajing. Tao Song Zhai was a concubine of Xin Ai, the son of Li Da Khan, because he had an affair with others, and after the defeat, he defected to the Ming Dynasty, and the governor of Datong sent him to the capital to ask for merit and rewards. The "History of Ming" records this incident: "Xin Ailai could not ask for it, but plundered the Datong Zhudun Fort and surrounded the right guard for several turns." ”
Xu Baoshan's poem "Tao Song Zhai" has a sentence cloud: "A horse riding red makeup is stuffed up, and the border city bleeds for three thousand miles." The woman He Guanyu is heavy and heavy, and the seventy forts are new ghosts. The note said: "Xin Ailai could not ask for it, Kou Yingshuo, destroyed more than seventy forts, and surrounded Datong." Next year, the KouLuan River, stationed in the interior for five days, the Beijing Division was shaken. The poem has an ink pen eyebrow at the head of the poem: "Weeping six armies are all vegetarian, chong guan is angry and red." This poem also feels wu sacrifice wine! Thinking about it a little, Tao Songzhai and Chen Yuanyuan were indeed somewhat similar.
Ink pen critic, Gu Hanye. Gu Han (1783-1860), zimu tian, number Kuitang, a native of Wuxi, Jiangsu Province. In the fifteenth year of Qing Jiaqing (1810), he was the official Xuancheng and Jingxian Zhixian, returned to Wuxi in the evening, taught donglin academy, died in the rebellion of the Taiping Heavenly Kingdom, there are four volumes of "BaishiShanFangzi", Tan Xian tasted the preface: "Mr. Putang, my friend Xu Junmai Sun Shaocong also received poetry scholars. Mr. Yike, sinking into the subordinates, died in the simple book of officials, haggard in his later years, and returned, and died in Kou, and had the knowledge to mourn. ”
Qian Zhonglian edited the "Chronicle of Qing Poetry" to quote Hou Xueyu's "Continued Liangxi Poetry Copy": "(Baoshan) Shaocheng family study, Gong poetry ancient words." With Gu Han, Gu. , Zhao Han, Yang Fusheng are equally famous, singing harmony in poetry, and the number is 'Tong Cen Five Sons'. "Tong cen" refers to Wuxi, these five people are either Wuxi nationality, or their ancestral nationality is Wuxi, or sent to Wuxi, so it is called "Tong cen five sons". In the ninth year of Daoguang (1829), Jiangxi Zeng Yi compiled the poems of the five people as "Tong cen five family poems", which were four volumes of Xu Baoshan's "Huyuan Collection", Gu Han's "Baishi Mountain House Collection" four volumes, and Gu Han's "Collection of Baishi Mountain Houses". Golden Millet. Two volumes of the Collection, two volumes of Yang Kuisheng's True SongGe Collection, and two volumes of Zhao Han's Collection of Le Qiantang.
Gu Han still has many criticisms in this poem manuscript, such as the previous "Opening Silver Field", eyebrow criticism: "The famous theory has been through the ages, and people read and hit the knot." At the end of the volume: "On history, it is extremely broken, and the pen is also strong, which is enough to be a fierce enemy of the West Cliff and the West Hall." In the early winter, He read in Kyoshi Yuzhai . Gu Hanzhi. This "Xiya and Xitang Two Houses" refers to Li Dongyang's "Quasi-Ancient Music House" and You Tong's "Ming Shi Xinle House", and Xu Baoshan is derived from this line. At the end of the passage, Zhu Fang is "Litang", because he knows that Gu Han still has the title of "Litang".
However, before Gu Han approved the reading of this poem, this draft was deleted and revised, and there were deletion marks in many places in the volume, of which "Red Plate Warehouse" and "Mr. Zhang" were checked from the poem to the note, and it is unknown why. The poem "Red Plate Warehouse" describes the accumulation of grain to support the families of the students, and "Mr. Zhang" describes that Zhang Juzheng holds the law very strictly, and the inconvenient people complain a lot. In addition to these two poems being completely deleted, there are also some deletions in the Yu poems and notes, and the intention of their deletion and correction is also unclear gu Han, such as the first three words of the "Gua Man Copy" poem "Jing Dafu" are checked, Gu Piyun: "Why go to these three words?" ”
Xu Baoshan's manuscript "Thirty-Six Peaks Caotang Poetry Banknote" was approved by Gu Han
I didn't know who the editor was, although there was still an ink pen inscription line before the home page: "C Zi Qiu Ri Si came over." And there is a small seal of "嗣绾" (嗣绾) lianzhu (嗣绾), but according to this, it is not certain that the person who deleted it is Si Xuanye. At the end of the poem "The Record of the Point General", you can see a line in small characters: "The last two words are more robust." Wan. "The one who knows the deletion is Si Xuan.
Xu Baoshan's manuscript "Thirty-Six Peaks Caotang Poetry Banknote" Gu Hanbao
Liu Sixuan (1762-1820), the character alcohol Fu, a word Cambodian, Jianzhi, fuchu, Jiangsu Yanghu people. Qing Jiaqing thirteen years (1808) into the priesthood, the Hanlin Academy editing. Shao Yinghui, an early tour of the Beijing Master, got his name at that time, and wrote "Shang Yu Tang Collection". Liu Sixuan's life has quite ups and downs, which makes people sigh. The "Outline of the Poets of the National Dynasty" says: "Fuchu learned from the ancient performance of Xiang menzi, and he was able to write in a young age, but his green shirt was downcast, and he was broken and relied on people, which can be described as poor." However, the pawn is the first in the list of ceremonies, and it cannot be said that it is not Tatsuya. After Gu middle-aged, his mental strength declined, and he did not work in Xiao Kai, and he was not given the envoy Hengwen. Living in Beijing, the heart is related to the homeland, returning to the chant "Follow the Whip", out of the still negative rice. Trace his life, cover the poor and reach, reach the poor also. Liang Zhangju's "Talk on the Traces of the Waves" also records Liu Sixuan's affair, which is even more desolate to read: "Remembering that in the Jingshi and Fuchu knotted the Xuannan Poetry Society, Fu Chuben was amazingly talented, and the recent works were not as big as before, and the same people were more talented than Jiang Lang. Fu Chu came out of Beijing with illness, and her home was particularly poor, and she suffered from wind paralysis at night, and she still bothered her mother's wife to feed her every meal. Only when people end up here, they can even be hurt. ”
Gu Han's book seal "Li Tang" Liu Si's book seal "Si Xuan"
Xuannan Poetry Society is a Beijing poetry society that was active in Jiaqing and Daoguang years, because the place of association is mostly in Xuanwu Mennan, so it is called Xuannan Poetry Society, the most famous people in the society are Gong Zizhen, Wei Yuan, Lin Zexu, etc. At that time, Liang Zhangju, Liu Sixuan and Xu Baoshan were all members of the Xuannan Poetry Society. Gu Han not only had the "Tong cen five family poetry banknotes" with Xu Baoshan and others, but also had the moment of "Seven Family Words and Banknotes" with Liu Sixuan, Wang Du, Yang Kuisheng, etc., which shows that the exchanges at that time were quite frequent. Gu Han and Liu Sixuan were both inscribed in the year of Chengzi, which was for the twenty-first year of Jiaqing (1816), when Xu Baoshan was twenty-six years old, Gu Han was thirty-three years old, and Liu Sixuan was fifty-four years old. Today, this collection can not only be used as a condiment for the study of the Xuannan Poetry Society, but also for the academic community to study the Yong Shi LeFu.