#中日动画片pk谁是王者? #日本动漫不光是给小孩子看的动画片, because of the technological innovation caused by the development of the technology industry, Japanese animation technology is far ahead of domestic production. Of course, in addition to technology, there is also content. Just to give an example; Episode 14 of InuYasha, Kirito's ashes are stolen. On the way to retrieve the ashes by Inuyasha and Ge Wei, every sentence said by Feng Grandma actually contains the author's profound sense of life. The living need the grave more than the dead, not only for remembrance, but also for comfort.
Inexplicably, I think that the previous two years of "Dream Quest" is a bit similar to this episode!
Domestic animation also has content for the king to win the work, such as the majority of 80, 90 after the most impressive before the update triggered the circle of friends to brush the screen of the first, second and third parts are very excellent, (I am also a Qin fan) At that time, many people felt that the technical perception of this animation was very backward and crushed, but still attracted a large number of votes after 80 and 90 with excellent content, so this animation that combines many elements such as power plots, struggles, conspiracies, fantasy and so on has become the youth memory of our generation. The score of the previous update of "The Sea of Vicissitudes" fell off a cliff. As an audience, all you can feel is perfunctory and consumed. Just like the current TV drama market, when domestic animation can treat the audience with care for silent cultural output, domestic animation has the possibility of winning.