The dramas of the past few years have really become more and more incomprehensible.
The immortals in the fantasy drama, the age is not moving to use ten thousand as a unit. The status is getting higher and higher, but the dress is getting poorer and poorer, and you can appear in the camera with loose hair and a mosquito net.
In the costume drama, the princess and the county lord run everywhere, but not only does the shape not have the ancient charm of the past, but the behavior is also outrageous. Walking on the shoulders, sitting down with crossed legs, if it is not a post-dubbing, it is estimated that you can still hear the mouth of the dinner bar. Put into the original old drama, some elders have already jumped out and shouted "into what body"!
The daughter of the famous and prestigious family in ancient times paid attention to "smiling without showing her teeth and not moving her skirt", which can be summarized in one word as "stable". This has been done in many classic old dramas in the past.
The 87th edition of "Dream of the Red Chamber" as a benchmark for costume dramas has too many merits. The script is solid and the shape is brilliant, the key is that the actor and the role are highly integrated.
First take Chen Xiaoxu's Lin Daiyu, who sat alone in the cabin when he appeared, without a single line, and everyone's dignified elegance and cowardice that belonged to the characters were all displayed.
When the car curtain is lifted, it is to gently open a corner. When getting out of the car, a fibrin hand was first probed from the inside (the crew made two hours of makeup for Chen Xiaoxu's hand for this shot). When he entered the house with the support of the beard, he walked unhurriedly, his eyes were slightly downward, and he never looked left and right.
When gargling and spitting out water after a meal, turn your head slightly to the side and cover your face with a handkerchief. When drinking tea, hold the tea cup with one hand and press the lid of the cup with the other hand, and the movement is elegant and gentle, without making any sound.
In contrast to the later version of Li Shaohong, Dai Yu grew a small steamed bun face, and after the palanquin landed, the servant woman just opened the car curtain, and she looked down and drilled out, giving people a feeling of impatience. When she entered the house, there was no maid to help her, and she still stood in the doorway, looking at the splendid mansion in front of her with a country maid's attitude of entering the city.
When gargling, the director let the camera face the actor, filmed the whole process of spitting, and completely collapsed the grace that the character should have.
Xue Baochao, played by Zhang Li, is in line with the character's appearance and rich appearance, and his demeanor is dignified and elegant.
Bao Yu wanted to see the red musk string on Bao Chao's hand, she faded down and put it on the table, and then gently got up to avoid it. Just such an action, the girl's shyness and the reserved grace of the famous bridesmaid are delicately expressed to the bone.
For Baochao, who has always been dignified and self-sustaining, Di Cuiting fluttering butterflies may be the time when her most girlish heart is exposed. But at this time, her movements were still implicitly restrained, and only the eyes that moved with the flying butterflies exposed the joy and liveliness in her heart at this moment.
There is also Jia Yuanchun, played by Cheng Mei, who raises his hands and feet, including the speed of eye movement, which is half a beat slower than others. Although the head is full of pearls, the shaking amplitude of the phoenix and earrings is very small, which truly reflects the essence of "step shaking is equal to not shaking", which has the stability of everyone's boudoir and the power of the noble concubine.
Xu Cairen, played by Li Jianqun in the 95 version of "Wu Zetian", although there are not many scenes, is the Yang Chunxue and White Moonlight in the memory of many audiences. The temperament is gentle and elegant, and it is as elegant as an orchid, and it is also permeated with the arrogance and coldness of plum blossoms.
The Shangguan Wan'er, played by Ru Ping, is less cold and more feminine. The water spirit in the eyes is like hiding two clear springs, and the smile is sweet as if the durian flower has just bloomed.
Later, Shangguan Wan'er, played by Ruan Danning, although not as influential as Ru Ping's version, has the same temperament. The scene of the costume carrying the fire and smiling is so beautiful that it makes people drink alcohol.
Du Bingyan in "Marrying the Wrong Flower Car to the Lang" is also a model of gentle and sweet everyone's boudoir. When sad, do not lose your attitude, gently sob, soft wipe tears, when you turn your face, the tears in your eyes and the smile on your lips make people feel pity even more.
Looking at Du Bingyan in the remake version, the same crying scene is a closed eye, a grin, and all five facial features are wrinkled into a mess. Not only will I not see pity, but people have an impulse to make up a punch.
Emperor Zhou E, played by He Qing in "Love Sword Mountain And River", looks at the appearance of bright and illuminating people, and the temperament is gentle and gentle, and every move is permeated with the "soft Yi Junde" that Li Yu once praised in history. After that, the version played by Liu Tao, although the appearance is also bright and delicate, but in the end it is a loss in terms of temperament.
In "Dressing everyone in a girly show", Wang Yan's Qing'er is quiet and noble.
Liu Xinyou's Martey. Ruolan is bright and atmospheric.
The meizhuang of The Rainbow is graceful and elegant.
Li Xiaoran's Nalan Minghui Xianshu was dignified.
Although several characters have different personalities and encounters, they are common in terms of everyone's style. That is, the manners are elegant and stable, the talents are full of poetry books, and the righteousness is clear when encountering things.
There is also a kind of big girl show, which is different from the above.
The Jing Concubine played by Hao Lei in "Young Heavenly Son" is a well-known "crazy critic beauty" in the hearts of many viewers. She is arrogant and sharp-tongued, and she is the type who can't rub sand in her eyes. In the end, under the catalysis of various factors, others and themselves were injured to the flesh.
Bai Xiuzhu, played by Liu Yifei in "The Golden Powder Family", is also a little princess raised in the jade bush of Qiluo Zhu, beautiful and arrogant, arrogant and willful, with a stubborn stubbornness that does not accept defeat.
But even if they are not as stoic and restrained as the traditional bridesmaids, and know how to focus on the overall situation at key moments, they will never let go of themselves like in the current drama in their behavior. Even if the emotions are out of control, they will maintain the manners that aristocratic women should have because of the instructions they have received since childhood.
For example, the rivalry between Hao Lei and Yang Rong.
Even if you already hate the other party in your heart, you hide all the resentment in your smile. Obviously, it is still so beautiful, but people can't help but feel cold in their hearts. Not to mention that in the early days, before she went black and went crazy, the graceful atmosphere between her low-looking eyes was really a standard model for noble maidens.
Therefore, when Zhang Meng and Chen Derong recreate the "Young Heavenly Son" segment in the variety show, using hoarseness and unsteadiness to express Jingfei's grief and pain, Hao Lei will say that she ignores the most basic identity setting of the character.
Bai Xiuzhu hit a wall in front of Jin Yanxi, and the little princess was full of grievances and dissatisfaction. But when filing a complaint in front of the elders, it is just a small handkerchief to wipe tears and complain. Even if I knew that she was acting, I still couldn't help but feel pain. Later, when I saw her retaliating against Jin Yanxi, I felt very relieved.
Actors are just materials for shaping the role, and when they should throw themselves away, they have to throw them away, so that they can play the play well. And those negative examples of bad performance are to let the role accommodate themselves, and naturally become the role of everyone who is the same, not to be scolded!