Wen 丨 Spring and Autumn letter
Title 丨 Guo Degang's "Wife and Son" scolded whom? It has nothing to do with Hou Yaowen and Dai Zhicheng! Do you agree?
Welcome to leave comments and exchange views on Guo Degang!
When brushing the news, I saw a very interesting point of view, saying that Guo Degang's cross-talk "Wife and Son" has another deep meaning, not like some cross-talk, just to amuse the audience, but to satirize some people, for their master Hou Yaowen, with the filial piety of the whole apprentice.
Driven by curiosity, the author also consulted a number of materials, hoping to restore the truth of the matter as much as possible. However, through the author's investigation, it is found that this statement is most likely interpreted maliciously, and there is no deep meaning for many viewers to understand.
Before formally sharing the author's thinking process, the author first introduces to you why the cross-talk work "Wife and Child" will be over-interpreted by the melon-eating masses.
This also has to start from the history of Guo Degang's master, Mr. Hou Yaowen's feelings, blood and tears, in the words of Guo Degang's ridicule in the cross-talk paragraph, that is, "there is blood, there are tears, and there is Xiang." Why? As a public figure, it is rare to be a little gossipy, even if it is Guo Degang? Isn't there also a "Beiwei First Sister" revelation? Or the "disciple" Cao Yunjin's material.
In 1990, when Hou Yaowen was filming, he suddenly wanted to change a heroine without warning. At this time, the old drama bone King Kuirong recommended Yuan Yin, who was still studying in Beiying, to play this vacant role through his own connections.
Because Yuan Yin often brought her sister to the crew to play when filming, Hou Yaowen liked children very much. In this way, between the two sides, the two sides will become familiar. Over time, it is also gradually confirmed from a friend relationship to a lover relationship, and the little life is quite happy and very happy.
However, at the beginning of this relationship, it was not recognized by Yuan Yin's parents and relatives and friends.
Because Hou Yaowen's age is really a little inappropriate, only a few years younger than the age of Yuan Yin's parents, and Yuan Yin is two generations away. But even so, it still failed to stop Yuan Yin's moth from putting out the fire, and Hou Yaowen entered the palace of marriage and became a small two. A few years later, he gave birth to a child for Hou Yaowen.
After giving birth to a child, Yuan Yin also gradually began to fade out of the entertainment circle, began the life of a husband and a godson, and became an excellent sage. According to Hou Yaowen's own response to the interview, it is said that one of the representative works, "The Evolution of Beijing-Kowloon", was created by Yuan Yin and obtained very good market feedback.
But the good times were not long, but the people's hearts were old, and the feelings between Yuan Yin and Hou Yaowen eventually had problems, cracks, and a third party.
At this time, Dai Zhicheng of "Virtue and Art Double Xin" appeared!
Dai Zhicheng is not only Jiang Kun's partner, but also Hou Yaowen's nephew. Hou Yaowen is Li Boxiang's disciple, and Dai Zhicheng is Li Boxiang's apprentice, and the three of them are very close, especially Hou Yaowen and Dai Zhicheng, or the relationship between going up and downstairs, which is even more intimate. Dai Zhicheng and his wife and Hou Yaowen have a very good relationship.
For a while, Hou Yaowen often flew to all parts of the country on business, afraid that Yuan Yin would stay at home without anyone to take care of, so he entrusted Dai Zhicheng to help take care of Yi Er. In this way, between the two, Dai Zhicheng is really very qualified and excellent, and he is directly taken care of to bed.
But fortunately, Dai Zhicheng and Yuan Yin are still barely a person who pays attention to people, not shameless to the point of "Fan Zeng", and his good friend's wife secretly had an affair for ten years, only to be punctured, and then entered the palace of marriage with dignity.
Dai Zhicheng and Yuan Yin soon went through the divorce procedures with their partners and entered the palace of marriage. Hou Yaowen is a very real person, and many people speculate that it is precisely because of this incident that Hou Yaowen fell into a heart disease, laying the groundwork for future "death" and also letting Wang Shuo carry the pot.
It is precisely because of this incident that Guo Degang's cross-talk "Entrusting Wives and Offerings Children" was interpreted by countless melon-eating masses as another meaning, saying that he was avenged by his master Hou Yaowen and used to mock Dai Zhicheng and Yuan Yin's reckless behavior, especially: "One noble and one lowly, friendship is to see; one death and one life, it is to see friendship; through the house, the wife does not avoid" Words, saying that Hou Yaowen entrusted non-people, saying that Dai Zhicheng harbored evil intentions.
As for why the author said that there is no such deep meaning? First of all, Guo Degang basically did not involve the Hou family's family affairs, in addition to the "inheritance case", but the fuse of this matter must be traced to Hou Yaohua's body, if there is no Hou Yaohua's mixing, it is estimated that Guo Degang will not be mixed with this Hou family affair.
There is also "Entrusting Wives and Offerings Children", which is not created by Guo Degang because of Hou Yaowen's affairs, as some melon-eating masses said, but is derived from an adaptation of an old passage.
As early as the 1990s, there were two elders in the cross-talk circle who recorded a version of "Wife Dedication", respectively, Tian Lihe and Wang Wenyu, using Zhang Shouchen's version of the performance style, the two of them took advantage of the wife between one singing and one harmony, unlike Guo Degang's version of "Wife Dedication", almost all of which were Guo Degang saying, holding only a few words, used to point out the question, the consistent Guo Degang style.
From the perspective of adaptation, the content structure of Guo Degang's version is still relatively innovative. Of course, this innovation refers to the form of performance of praise and comic, not cross-talk content. If you look at the content of crosstalk, it is to design some laugh points to have the characteristics of the times, and the skills of shaking baggage are still the same as the old version.
Through the above indications, the author's personal understanding can only be said to be an adaptation of Guo Degang, and there is nothing that needs to be over-interpreted in "Wife and Childbirth". After all, it is the emotional history involving the master, how much grievance and unwillingness there is, Guo Degang, as an apprentice, can have his own views and attitudes, but if there is no master's indication, it is certainly not possible to mix without authorization, which is the minimum respect.
1) Guo Degang and Deyun She: Is it really a deception of "characters" to destroy ancestors? The reason for being scolded by peers, do you recognize it
2) Yu Qian's wife: No wonder she was "worried" by Guo Degang, 41 years old frozen like a girl, but unfortunately there is no chance
3) Guo Degang's road to fame and 5 dry fathers, one stronger than the other, who is who is the backer
4) Chen Hanbai, who recognizes his father, marries a "daughter", and sells fake goods, why would he be cannibalized with Guo Degang?
5) Got into a scandal with Guo Degang? Married to Jiang Hu in one marriage, strong in the second marriage, how charming is the "Beiwei First Sister"
This article is [Cao Jingming] original, picture source network! #Headline Entertainment Guide ##郭德纲 #