Qingli good words, Wei Zhuang "Qing Ping Le, Where is the Girl?" 》

Among Wei Zhuang's several "Qing Ping Le" words, I am most excited about the following one:

Ching Ping Le

Wei Zhuang (Tang Dynasty)

Where are the girls? The shu kingdom is cloudy and rainy. Yun Xie has a love flower explanation, embroidered with golden wisps.

Dress up as an untidy golden tin, and be shy to the moon swing. He lived in the shade of the green locust, and the door was near the Chunshui Bridge.

The brushstrokes of this song are clear and clear, the artistic conception is soft and romantic, and the so-called "yellow warbler on the string" is also.

The film writes beautiful women playing, surrounded by clouds, and the poet can't help but ask, "Where are the wandering women?" Is it "unthinkable", the wandering girl by the Han River? No, it is an amorous Bashu woman, just like "Dan is the morning cloud, twilight is the rain", the amorous and beautiful Wushan goddess.

The next film focuses on the mood of the wandering girl. She is idyllic and delicate, lightly dressed, not much decoration, shyly thinking of her sweetheart, like a swing waiting for the moon in the courtyard. And her residence, in the shade of the green locust, beside the Spring Water Bridge, painted a quiet and soft artistic conception, in which there are female shyness, such as the moon, like clouds.

Most of the ancient poems pay attention to the rendering of the artistic conception, and set off people and things in the artistic conception. Modern poetry is better at depicting imagery, conveying emotions and realms.