Love Letter (1995)
The film tells a love letter originally sent to heaven out of mourning, but unexpectedly received a reply from the same name and surname, and gradually excavated a love story of innocent unrequited love that has been buried for many years but has always been quiet.
Write your name on the library card over and over again, look at an English test paper that doesn't want to know the answer over and over again, and secretly draw you on the back of the card before saying goodbye, hoping that one day you will know that I like you!
II. The Tale of Tokyo (1953)
The film tells the story of Shuyoshi Hirayama, who lives in a small town, and reunites briefly with their children who have started a family in Tokyo, quickly separated, and returns to their original life trajectory.
What a perfect woman! She is gentle, virtuous, filial, tireless, modest and sincere, and her smile can melt the glacier of all hearts. More than any other film, a closed and hopeless film needs an outlet, a well-intentioned embodiment that saves all characters and audiences, and Noriko is one such person. By today's standards, Noriko's obedience and flawlessness may be a product of a patriarchal society, but in the film, she is imperfect. She finds herself gradually forgetting her dead husband and gradually drifting away from her former family, but she fights against her selfishness, even if her selfishness has always been another kind of selflessness.
III. Spirited Away (2001)
The film tells the story of Chihiro's unexpected arrival in the world of the gods, and in order to save his family who became pigs due to punishment, the story of many tribulations.
Everyone will see different content, which is the charm of a great movie. It's easy to get confused the first time you see this movie, perhaps because Miyazaki has placed too many ideas in this anime, and if you only watch it once, you will be bothered by too many ideas, and you really feel "what are you talking about." When reading carefully, the imagery that Miyazaki tried to express came to mind little by little.
IV. Little Forest Summer and Autumn (2014)
Based on the manga of the same name by manga artist Daisuke Igarashi, the film tells the story of the protagonist Ichiko who returns from the city to the countryside, lives a self-sufficient life in the harsh nature, and has to learn to farm for the sake of daily ingredients.
I photographed a simple vegetarian meal and a meal in the Japanese countryside with a very textured, beautiful and life-like feeling. In the country of the Heavenly Dynasty, which has a rough aesthetic, the Japanese mood seems so "forced". However, when people pursue the so-called "Zen" of Japanese aesthetics, it is precisely the most Zen to speak of. The deliberate pursuit of a sense of form, and the effort to strive for an attitude towards "beauty" and "refinement", are actually far from Zen. Zen is a piece of food, a scoop of drink, all of which are ordinary minds, meaningless beauty and ugliness.
Five or Seven Samurai (1954)
The film mainly depicts the story of the Japanese Sengoku period, the poor villagers joined forces with seven hired samurai to fight off the bandits in order to defend their homeland.
In a chaotic world, the most difficult thing is to persist, not to fall in morality, and not to extinguish the fire of the heart. For most ordinary people like me, who only want to live at home, this sentence inevitably seems arrogant and big and inappropriate, but for the Japanese samurai of the Sengoku period, this kind of persistence is a spiritual exercise that must be faced every day, and the unavoidable foundation of the body: persistence or abandonment, poverty or wealth, cutting the belly or surviving?
VI. Kikujiro's Summer (1999)
The film tells the story of a young boy Masao and his uncle Kikujiro next door who have a series of funny and tearful stories on the way to their summer vacation adventure.
It's a movie about childhood, a movie about growing up, a movie about summer. An unhappy middle-aged man who doesn't want to see an unhappy little kid. Is it because I think of my unhappy childhood, or because of what?
VII. The Life of the Rejected Pine Nuts (2006)
Adapted from the novel of the same name by Soki Yamada, the film tells the story of Matsuko's longing for love and the longing to be loved and the bumpy and tortuous life.
When you think life is over, it goes on, when you think life can start all over, life is over. Pine nuts' life is magnificent, every time the moths are foolish for love, I believe that most people have absolutely no such experience in their lives - but just because we dare not give so much, we always calculate too much. But who doesn't have such a traumatic memory? It's a woman after all.
8, Confession (2010)
The film tells the story of One day, Yuko Moriguchi discovers that her beloved daughter has been killed in the school swimming pool. Although the incident was judged to be an accidental death, Moriguchi announced to the students that the prisoner was in the class and took revenge on himself.
"Confession" is a work of reasoning with a conscience, the murderer is absurd, but there are social causes, the avenger is cold, but it is intended to warn the world. There are not many characters in the story, but the pattern is large. There are a lot of paragraphs and angles, but the narrative is very efficient. Compared to many stories that emphasize the magic of murder, this is a good story that really pays attention to reality and does not fall into the clichés.
9. The Tale of Hachiko the Loyal Dog (1987)
The film tells the story of a dog named Ah Ba, who has been waiting at the station every day for nine years after his death to wait for his owner's return.
In such an impetuous world, it is really not easy to wait. The people in the film respect the rights of animals very much, and from the perspective of the script, it must be the embodiment of social civilization, which eliminates my serious resistance to Japanese culture to some extent. It is far from possible to make ordinary people respect the vulnerable life of dogs, at least in many parts of China. I admire the Japanese for that.
10. No one knows (2004)
The film tells the story of a single-parent family in Tokyo, where four siblings are abandoned by their mothers and live alone.
Why should a film with such a heavy and sad heart be described in such a bland and even brisk tone? Unable to go to school, unloved, cut off water and electricity, lack of food and clothing, and even face death. But isn't it life that numbs us day in and day out? Or become strong.
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