Unplanned first fire.
A domestic drama has been frequently ordered "want to see" these days.
But I don't really want to see it, but I want to scold it —
What was done?
Be mentally prepared, just listening to the name may make your blood pressure explode -
"Reasons I Like To Work Overtime".
The outrageous of the outrageous is that it adapted the Japanese drama, the original name was originally -
"I, Get off work at the point".
This wave of reverse output, really big husband?
Don't be in a hurry to scold.
If you don't know, the title is irony, it is a special effect.
But after reading the introduction, Sir does not stop you, this is all something:
The more overtime, the more love?
Why don't you tell me that the more you smoke, the longer you live, the more bald the more fashionable, the more you go online, the more you are admitted to Tsinghua?
before.
We hate an adaptation: copying as it is.
Right now.
A more shameful adaptation is called: Inverted Black and White.
Sir would like to ask, how many times has this been?
How dare you blatantly PUA the audience?
It's time to say, hypocritical and arrogant domestic adaptation.
In recent years, many Japanese dramas have been adapted.
Japanese drama captures the hearts of today's young people with three axes:
The explosive golden sentence, the title of the "strange" film, is real in the world.
It boils down to the point that —
Get me!
Fully know what you are thinking in your heart, how dangerous it will be in ordinary life, and completely stand on your side to help you speak.
The title alone won the show.
Some people say that it is only "political correctness" and "currying favor with young people" that is not a skill.
Well, let's see if people's plots are so simple.
The Japanese version of the heroine Higashiyama Yui (Yuriko Yoshitaka), the head of the Internet company's department.
Although she is a backbone, she pursues a workplace philosophy of "lying flat just right".
The attitude of life is:
What you want to do doesn't have to be ambitious
Just make yourself happy
Against the "happiness" trap at work:
Rest if you feel tired
Physically and mentally exhausted, you cannot feel happiness
In Sir's view, it's more than just a bowl of healing chicken soup.
It also conveys the fatigue of Japanese society and the value orientation of Japanese young people.
Higashiyama Yuyi, the top 2 Internet advertising company in the industry.
Party B, how hard it is to do it is clear.
Be careful with your customers, beware of their otherworldly needs, as well as temporary modifications...
The person directly in charge of the project, in addition to thinking about creativity, writing plans, and comparing drafts, also needs to coordinate the programmers, art designs, and interns in the team to ensure that the project does not fall off the chain.
In our understanding, the person in charge has so much work, not in the office to change the PPT to 10 o'clock, good meaning.
Higashiyama Yui was an exception, she was so embarrassed.
When 18:00 arrives, it is like a human-shaped alarm clock, automatically punching the clock, decisively rushing to the elevator, stepping out of the office door.
10 minutes, you must rush to the opposite Chinese restaurant, a glass of beer, a bite of small dumplings, this is not better than overtime.
On the way to work, when the leader scolds, he does not instigate.
I wouldn't have worked harder and would have left work on time
If you want to take annual leave, take annual leave
I myself was after making this decision
Only to enter this company
Hearing this, the old bird who has been soaking in the workplace for many years will say.
Like her, within a few years, she will be beaten to the point of leaving.
At this time, the chicken blood and romance of Japanese dramas will come, and this drama is to tell you -
Not only do they not work overtime, but they also have to pull back those overtime "shame".
One of the biggest difficulties, the male protagonist Kotaro Taneda, the deputy manager of the department, and the well-known 996 players in the industry.
"I, To the End of Work" although the title attitude is clear.
But it has never regarded the "overtime faction" as absolutely correct, and the "overtime faction" is an evil force.
The interaction between The two people of Higashiyama Yui and Kotaro Taneda is not like the domestic adaptation of the pull frame - the chicken blood belt flying flat, the male protagonist pulls the female protagonist back to the right track.
It is the mutual understanding of two attitudes towards life.
At the important moment of the parents' dinner, Kotaro disappeared.
It turned out that he was so busy that he forgot his days, and he fainted from overwork, and only work was in his mind.
The concept did not match, resulting in the two breaking up.
After reuniting in the workplace, Kotaro goes further and further down the road of workaholics.
Slippers, convenience store fast food, and an exclusive midnight office are all standard.
△ Hurriedly grilled rice without even noticing the plastic decoration
Take one project after another, become the company's trump card, what is the picture?
outstanding achievement? Promotion? Raise? Or is it simply power generation for love?
Neither, he was just clumsily expressing tenderness.
Subordinates have urgent matters, I will follow up on the work; the superior has loopholes, it doesn't matter that I can hold it, adding oil can drive the project out...
Kotaro habitually takes on his own responsibilities to protect his boss, subordinates, and team.
The parents of both sides were still working on the eve of their meeting, just to:
Hurry up and finish the project, change jobs, and marry your girlfriend.
He is like the older generation, going out and running around, but also trying to support a whole family.
To make such a person learn to reconcile is to tell him to give up completely.
Persuading responsible people to lie down completely is not respectful.
It is better to let them try and rely more on the people around them.
"I, Get Off Work at The End" does not completely oppose work and rest, outside the cold and hard system, it has insight into the stubbornness of the overtime party.
Willing to endure is to hope that you can become stronger, strong enough to let the cherished people have the right not to bow to life.
Don't the young people who have not escaped from the "north, the vast and the deep" all have such stubbornness?
They shouted so much "to rest", "to balance" and "not to work overtime".
Isn't it worth saying:
You've worked hard, but with me, let's go.
Some people will say that although the plot of Japanese dramas is beautiful, domestic adaptations should consider reality.
Don't insult reality.
Today, there is often a saying that film and television dramas are described, "the ×× of changing the country."
But most of the time, not being able to change is the norm.
For example, Naoki Hanzawa is enshrined as the bible of the workplace.
But Sakai Still Advises —
Honest adults don't learn Hanzawa
Otherwise they will be fired immediately
Although "I, Get Off Work" sounds quite free.
But working overtime in the hardest-hit areas is the reality of Japan.
The documentary produced by NHK has repeatedly reviewed Japan's high-pressure work.
The "poor and busy people" work overtime, but their salaries have not increased accordingly, they cannot afford to buy a house, and they have to worry about pensions.
In 2015, the suicide of an intern at a Japanese advertising agency caused a heated discussion in society.
This incident is also the prototype of "I, to the point of work".
A movie, a drama, of course, can't change reality.
But at the very least.
It can not be an accomplice to reality.
Don't say cool things to everyone who has endured reality hard, "existence is reasonable" and "it is right to endure it like this".
Shouldn't a truly empathetic creator, while speaking of reality, question reality and use fiction to provide another possibility beyond reality?
"I, to the point of work" screenwriter borrowed the heroine's knot dress very realistically spit out, the previous generation of desperate work, so touched ah.
The result is nothing.
Bubble economy, bamboo basket to hit the water empty.
Some foreign works can become popular in China, often because of the warmth.
The domestic adaptation is focused on this heart-warming.
But it has been adapted into a cold heart again and again.
Point out the reality, stay on the surface of various anxious topics, taste it, warm chicken soup, and put on a lofty posture.
In the early years of "Late Night Canteen", a representative of Japanese drama healing. (Japanese version 9.2, Chinese version 2.9)
The underworld-like boss silently cooks home-cooked rice and grilled sausages.
A home-cooked dish is also a medium for connecting marginalized people who wander late at night.
For example, amateur boxers, single mother and daughter, three people who would not have met in the first place.
The little girl said that she liked to watch Ah Sheng's game, so she ordered a pork chop rice, and every time she saw a good night and a good night.
At that moment, Ah Sheng found the person who tried his best to make him happy.
He competes hard, makes an appointment to win the final, invites his mother and daughter to eat pork chops, and proposes to his single mother, Mingmei.
However, the physical fitness is getting worse and worse, and the strength is not enough.
He lost.
Fortunately, Mingmei saw all this, she thought that Ah Sheng only cared about the game, but she did not expect that Ah Sheng only wanted to be his hero.
At this time, the boss sent for middle-aged love, no longer a high-calorie pork chop rice that should be helped.
It's a steaming, parent-child meal.
Food seems to be an embellishment of the story in "Late Night Canteen", but it can always play a role in finishing touches.
When the plot is most touching, it does not teach people to cry, but just eats silently.
It is permeated with the Japanese philosophy of life: those who eat well can always go on.
Back to the Chinese drama version, you will find that in addition to taking bubble noodles to indiscriminately charge the number.
More often, it ignores the meaning of "late-night canteens" for people.
Invite the stars to form the "three sisters of instant noodles", show off brand-name bags and noble women's clothes in the canteen, and complain that it is not the bitterness of life, but the love, and the "sisters tearing each other" caused by the "scumbag".
The drama "Problem Restaurant" (Japanese version 8.8, Chinese version 5.7) discusses "equality between men and women in the workplace".
The original version of the small restaurant, enlarged to the restaurant group.
The protagonist "Tang Yu" (Jiao Junyan) is also portrayed as a cool girl.
Friends encounter workplace sexual harassment, the domineering female protagonist a bucket of "blood water" will be thrown on the male boss.
Look at the relief, but later you will find that the heroine has been concave "domineering".
The clothing iron T, the suit remains unchanged, walking with the wind, not forgetting to lift the tie, overwhelming how many male elites.
Comfort the female friend, look back at a cool apology, and then put your arms around the friend and leave.
Hey, are you sure it wasn't the heroine who took the script of the overbearing president?
But if you think about it, in order to show women's self-improvement, put the strength of men on them.
Is this equality?
The original Japanese drama heroine Tamako (played by Yoko Maki) also looks capable of daily casual wear.
Ability in her will always know how to understand, exude positive energy.
On the one hand, it is fine enough to pay attention to every detail of the restaurant, and the psychology of diners, including where people with heavy perfume should sit, how to make guests with babies more comfortable...
On the other hand, she also has to take care of the psychology of colleagues with different personalities, such as housewives, transvestites, housewives who run away from home... Everyone is ostracized by the mainstream and is biased against the mainstream.
But the infectious power of Tamako is to tell everyone through such a small restaurant.
The way to fight against the world is not only hatred, but also a kind of "revenge".
See here you should find out.
The starting point of Japanese dramas is often innovative, alternative and rebellious.
In the workplace, there is a self-contained "end-of-work" "end-of-work", a "late-night canteen" that provides comfort for the marginalized and unsatisfactory, and a "problem restaurant" that acts as a dispute mediator.
But the drop point.
It's always common sense, common sense, common sense.
It tells you:
Everyone has the right to be different from others.
No matter how small the group, no matter how marginal the crowd, it is worth a spotlight that belongs to them.
Whether realistic or contrarian.
What these plays are about inclusion.
Embrace every self-respecting and self-reliant lifestyle in society.
It's caring.
Care for the hardships of everyone who chooses their own path and insists on going on.
Crucially, they never assume the so-called "mainstream" and "right".
Success, success in the pluralism of values.
Destroyed, destroyed by the blockage of values.
"Reasons I Like To Work Overtime", which collapsed before it was broadcast, from the title to the plot summary, revealed a strong didactic meaning -
Overtime is the positive direction of work.
Like overtime, life is happy and complete.
If you don't like overtime, then you must be "not resilient", too unmotivated, not good enough...
That's enough.
Enough is really enough.
Not to mention whether such overtime is reasonable.
In this one-sided narrative, in the eyes of the creators of domestic adaptations, how can they ever see the helplessness of the other side, the anger of the other side, and the freedom of the other side?
On this side is overtime.
But on that side, there can be many, many.
Don't teach us how to live.
Don't tell us what is the right answer.
If "I, get off work at the end of the hour" is a heartfelt confession.
Then the "Reason I Like To Work Overtime" adapted by it is cold and selfish, hypocritical and arrogant to pretend to be emotional, but actually wants to play with the audience's PUA.
If it doesn't stop again.
Then sooner or later we'll have to wait —
Adapted from "Escape Is Shameful but Useful", "Escape is Useful but Shameful".
Adapted from "What About the Loose Generation", "I Don't Want to Be a Loose Generation".
Adapted from "The Most Perfect Divorce", "The Most Perfect Without Divorce".
Adapted from "Still a virgin at 30, it seems to become a magician", "Still a virgin at 30, it seems to be fined".
Adapted from "The Lonely Foodie", "The Foodie in and Out".
Adapted from Your Name. I want to write your name on the household registration book. 》。
The picture in this article comes from the network
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