Today to bring you a seriously underrated high-scoring movie, Overlord Bieji, the original has not seen, only watched the movie before also heard friends say the plot, highly recommended me to see (now it seems, is there a problem with the friend orientation?? ），
Bawang Bieji is a historical film directed by Chen Kaige and starring Gong Li, Zhang Guorong and Zhang Fengyi. The plot is set in Peking Opera. The emotional contradiction around the "corner" Cheng Dieyi to Duan Xiaolou reflects the special background of the times at that time, the social characters ups and downs with the trend of the times, the film has a strong metaphor, there are impressive figures, and it has a unique role in promoting the development of the story. The film repeatedly appears in rock sugar, gourd, grinding scissors, choking kitchen knife and other voiceovers, kitchen knives indicate that XiaoDouzi is about to start her own dramatic life.
The film uses a lot of various gongs and drums to complement the picture, full of rhythm, I was originally a female jiao'e and not a boy, according to the opera throughout the whole text, around Cheng Dieyi's life, but also for his feelings for Xiao Lou as a foreshadowing of fruitless feelings and tragic endings. The film's unique color is amazing. The film is originally gray and white, suggesting a social background. The development and prevalence of drama during the War of Resistance Against Japan. After the founding of New China, the Communist Party talked with Di Yi Xiao Rou, which had a red background. The Tiananmen Red Flag appeared, showing the festivities of the early days of the founding of New China, and the stage costumes also became red warm colors, giving people a beautiful feeling. Xiao Douzi was raped by Zhang Gonggong, and the background cheng was blue, symbolizing desolation and rendering a sad and depressing atmosphere.
When Fourth Master Yuan talked to Chen Dieyi, the blue light reflected by the sword in his hand expressed his inner pathos, with allegorical shots, the use and scene scheduling showed the profound skills of director Chen Kaige. In the film, the mirror is used many times as a prop, reflecting the facial expression of the characters from the mirror, and the disc and Xiao Lou look at each other's looks from the mirror reflection, melancholy and deep, on the night of Ju Xian's wedding, he said to Xiao Luo in the mirror: Don't sing, live a peaceful life. From the late Qing Dynasty to the War of Resistance Against Japan, the Kuomintang to the Communist Party and finally to the founding of New China, and then to WenGE. All reflect the change of the times and hint at the stage of tragedy. The two photographs presented with repetitive montage techniques make the harmonious relationship between the two brothers contrast sharply with the self-willed degeneration of today's butterfly clothes.
Long shot fixed shooting and the use of overprinting techniques to show the WenGE period, Xiao Lou butterfly clothes were overthrown, Xiao Lou in order to survive, betrayed the butterfly clothes, reflecting the changes in the character image before and after. With a rich and changeable audiovisual language, a unique color, the character image and social background are profoundly displayed, from the change of the times, it deeply portrays the current situation of Chinese society in different periods, reflects the persecution of people's physical and mental health in the WenGE period, exposes the characteristics of human nature, and finally sings the overlord Bieji on stage with Xiaolou Butterfly, and the suicide of Butterfly is the end, which is the inevitable of history, and it is also the choice of Butterfly.