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Hisaishi Jean – The man behind Hayao Miyazaki

I have a lot of dislikes for Japan, because they know it well but they don't recognize the historical reasons, but I have two likes, one is their technology products, such as toilet lids, and the other is their anime, such as Miyazaki's animated movies.

Hisaishi Jean – The man behind Hayao Miyazaki

Hayao Miyazaki

Hayao Miyazaki is a good comrade! Because on July 13, Miyazaki publicly urged Abe to admit the history of the invasion of China at a press conference and believed that he should apologize to Chinese.

Hisaishi Jean – The man behind Hayao Miyazaki

22-year-old Hayao Miyazaki, small fresh meat ah~ ah

Miyazaki is anti-war, and his love of peace can be felt in his animated film works. Speaking of animated movies, I counted with my fingers, and the animated movies that the Chinese people came into contact with, those who could make a deep impression, did not use their toes, they counted. In addition to the Hiyo and Gray Wolf series and the Bear Haunting series that accompany the bear children at home, I will watch nothing more than doraemon theater version (reminiscing about childhood), various princes and princesses of Disney (talking about friends), various diaosi counterattacks of DreamWorks (skimming sentiments), and the rest are All Miyazaki's.

Hisaishi Jean – The man behind Hayao Miyazaki

Castle in the Sky (1986)

Miyazaki's career exploded after he and Takahata founded Studio Ghibli, and starting with Nausicaä, a series of works such as Castle in the Sky, Totoro, Princess Mononoke, and Spirited Away became the memory of a generation. Incidentally, many people think that Tomb of the Fireflies is also the work of Hayao Miyazaki, but it is not, but the work of another promoter of the studio, Takahata Hoon, which was screened at the same time as "Totoro" in 1988.

Hisaishi Jean – The man behind Hayao Miyazaki

Totoro (1988)

Hisaishi Jean – The man behind Hayao Miyazaki

Spirited Away (2001)

Miyazaki's films always make me touch two tears, but it seems that the plot should cry at this point, just like the music of The plot should come out at this point, and it is not abrupt at all.

Hisaishi Jean – The man behind Hayao Miyazaki

Hisaishi Jean

Hisaishi jean was nine years younger than Miyazaki, and the pair first met in 1983, when Miyazaki was working on Studio Ghibli's pioneering work, Nausi No Naushin, and took half a day to meet Hisaishi in a studio converted from a broken bar. It was this meeting that allowed subtitles from "Director: Hayao Miyazaki" and "Soundtrack: Jean Hisaishi" to appear in the opening credits of Nausicaä of the Valley of the Wind, and this combination lasted for 25 years.

Hisaishi Jean – The man behind Hayao Miyazaki

If Disney's animated film score pays more attention to the auditory and visual impact and grandeur, then Hisaishi's film score is euphemistic and simple, like a cry. In "Spirited Away", the beginning of "Summer Day" and the ending of "The Day Home", although using the same melody, but express the protagonist Chihiro's completely different state of mind, after multiple tribulations, from a cowardly, loose child, to a strong, know the meaning of "living" girl; in "Howl's Moving Castle", Hisaishi Jean chose a waltz round dance as the soundtrack, which is a good match for the European style and romantic taste in the film; and the soundtrack of "Princess Mononoke" is quite characteristic of traditional Japanese music. The use of strings caters to the ethereal and sad feeling of the film. In Miyazaki's films, the soundtrack is not abrupt, and it is integrated with the plot and fascinating.

Hisaishi Jean – The man behind Hayao Miyazaki

At the "25 Years of Hisaishi Jean and Miyazaki Animation" concert, the organizers played a video of Miyazaki on the big screen, and when he heard Miyazaki say " Hisaishi, please keep up the effort", Hisaishi smiled with some embarrassment. After the concert, in the enthusiastic cheers of the audience, Hisaishi returned to the stage several times, while Miyazaki, who was sitting in the audience, raised his hand above his head, clapped excitedly, and even waved his hat mischievously.

Heroes cherish heroes, but that's it.

Hisaishi Jean – The man behind Hayao Miyazaki

Director Jiang Wen", Let the Bullets Fly (2010)

By the way, Mr. Hisaishi and Mr. Jiang Wen also have a basic relationship. Director Jiang Wen's work "Let the Bullets Fly", the beginning of the film begins with a white horse riding a steam train through the mountains and forests, and the lyrical and beautiful soundtrack "The Sun Also Rises" is also the work of Hisaishi Jean.

(The content information in this article comes from the Internet, and the copyright belongs to the original author.) )

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