The epidemic is a severe test for the entire film industry, especially private film companies. After the end of the epidemic, the film industry should recover, or content should be king. It is suggested that some special funds can be set up at the national level to solve the cash flow in the industry and make it turn up, and the special funds can also be used to reward future excellent films. Although audiences can watch movies online during the epidemic, we should not underestimate the Chinese film industry, which is only more than 60 billion yuan a year, and its impact is huge. In the past of the epidemic, the audience still had to go to the cinema, because the physical structure of the film made it difficult for the film effect to be achieved on the Internet. If you want to pull the audience back to the cinema in the future, you must concentrate some advantageous resources, including publicity resources, scheduling resources on the film schedule and even some solid ticket supplement resources, to support some real blockbusters and pull the audience's enthusiasm back to the cinema.
In fact, the real threat to China's film industry is not the epidemic, but the blind pursuit of box office by film works, losing the artistic and technical quality of films, which is by no means alarmist! The pandemic will hit Hollywood's box office ambitions, and of course, China's film box office will also be seriously affected. Surviving film practitioners will face changing consumer habits and a lack of supply due to a long period of production stagnation. The immediate priority is that China's film industry must rely on emergency bailouts, or many players will not be able to survive this difficulty. Under the nest, Ann has finished eggs. Only by sharing weal and woe with one heart and one mind can Chinese films and films overcome difficulties and overcome difficulties together. Only by making sincere films and making Chinese their own films is the way out for Chinese films.
As a visual art form, film has always been an important carrier for Chinese and foreign artists to shape the image of heroes and inherit heroic feelings. In the history of the development of new Chinese films, the shaping and expression of heroic images has always been an important theme of the jump on the screen. Reviewing and examining those heroic theme film works that are full of brilliance and weather can provide ideological inspiration and artistic mirror for the future creation of such themes. But the hero is not a solidified and tall image that does not eat human fireworks, but an ordinary person with flesh and blood, feelings, advantages and shortcomings. Hollywood movies have a better grasp of creation, while Chinese movies are often biased in the creation of heroic characters, making it difficult for the audience to accept and believe.
Chinese film creation should stand at the height of history, society and philosophy, and any film is a Chinese film, a world film, and a human film. The community of shared future for mankind will become a major creative theme facing Chinese films in the post-epidemic era. The first is to establish a sense of pattern. The second is to strengthen cooperation. The third is to find a good script. Film is different from literature, literature and film are not the same in the final expression and expression, and excellent literary works may not be able to be transformed into successful films. The film creation pattern must be large, we must stand in the film pattern of China and the world, adhere to the international vision, domestic first-class, in order to make a good movie. Film creation follows the law of the market is to respect the creation law of film art.