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Wu Haiyan
Wu Haiyan was one of the hot actresses in the 1980s, starring in more than ten classic films such as "Haixia", "Waiting for the Mountains to Be Full of Red Leaves", "White Lotus", "Homecoming", "Prosecutor", "Sartor Girl", "California Visitor", "Tears of Laughter", "Girlfriend of the Same Age" and more than ten classic films, enjoying the reputation of "a flower on the film".
The outside world thinks that Wu Haiyan has unlimited scenery, who knows that she has experienced nine deaths in filming. Wu Haiyan's husband is a well-known Peking Opera veteran, and the two have developed from classmates to husband and wife...
Wu Haiyan was born in Shanghai in 1954, after his father Wu Shijian transferred from the army, he served as the secretary and vice president of the Shanghai Peking Opera House, and his mother Tang Huakui was an actor in the cultural and industrial troupe of the Southern Jiangsu Military Region.
Director Qian Jiang
Wu Haiyan has an older brother and an older sister, and she is the third in line at home. Because his father was the leader of the Peking Opera, Wu Haiyan began to learn to sing Peking Opera at the age of 5, and was later admitted to the Fujian Provincial Drama School, focusing on Dao Ma Dan.
In 1965, before she was 11 years old, Wu Haiyan graduated from a drama school and was assigned to work in the Peking Opera Troupe in Fujian Province. She also became the youngest secondary school graduate in the country.
In 1974, the Beijing Film Studio was preparing for the film "Haixia", and the photographer was Qian Jiang. His father was a well-known underground worker in our party, Qian Zhuangfei. After Qian Zhuangfei's sacrifice, Qian Jiang grew up under the care of Premier Zhou and Sister Deng.
At that time, Qian Jiang came to the Fujian Peking Opera Troupe to select actors, watched Wu Haiyan's performance in "Ode to longjiang", and made her a candidate for the female number one "Haixia". In addition to Wu Haiyan, another candidate is the famous film actress Xie Fang.
After following Qian Jiang to Beijing, Wu Haiyan auditioned for the film, and the crew sent her back to Fujian. After repeated comparisons, the final director team chose Wu Haiyan.
Half a month later, Wu Haiyan went with the crew to an island in Fujian to shoot a scene. She played a fisherman girl, because the skin was too white and delicate, the director let her be exposed to the heat of more than 50 degrees, and also let her practice target shooting on the beach and go out to sea to fish.
Stills from Wu Haiyan's "Haixia"
When the other actors were eating, Wu Haiyan packed up the gun, carried it to the warehouse, and then polished the gun.
Shortly after the scene was filmed, Ling Feng, the director of "Haixia", was said to be useless, and then he left the crew. The film was co-directed by Qian Jiang, Chen Huaikai, Wang Haowei and Xie Tieli.
Soon Xie Tieli also suffered unfair treatment and was forced to leave the crew. Wu Haiyan and the young actors in the crew are innocent, but some people want them to expose each other. Because Wu Haiyan played the female number one, she was said to be a "bourgeois lady" and suffered all kinds of unfair treatment.
Stills from "Haixia"
Wu Haiyan wanted to leave the crew, but she couldn't control her fate at all. After the filming of "Haixia", everyone in the crew returned to Beijing, and they were not allowed to leave the Beijing Film Studio.
Because Qian Jiang showed the sample of "Haixia" to Premier Zhou in advance. One night, everyone was gathered in the north studio, and a huge spotlight shone on them, and someone asked sharply, "Who showed the sample of "Haixia" to the central chief?" ”
Qian Jiang stood up and admitted that Qian Jiang's home was raided that night. The next day, Wu Haiyan was inexplicably locked up in a small dark room in the North Film Studio and lost her personal freedom. Often no one brought her food, and she sometimes ate once a day, sometimes twice a day.
At that time, Wu Haiyan was only 19 years old, a simple-minded girl, but often people came to the dark room to do work for her, forcing her to expose so-and-so, and let her go out.
Wu Haiyan just shed tears and did not speak. At that time, she had a nervous breakdown and doubted her future and life. Wu Haiyan was imprisoned for more than 4 months before being released. If she were to stay locked up, she feared she would go crazy.
After coming out, the crew arranged for Wu Haiyan and other actors to make up the shots, and they had to make up more than 300 shots in more than 20 days. Because of the workload and lack of nutrition, Wu Haiyan suffered from low blood sugar, fell down the stairs several times during filming, and fainted from exhaustion.
After the reshoot, Wu Haiyan was locked up in a small black room again, and she was completely desperate. Fortunately, more than two months later, Wu Haiyan was sent back to Fujian from Beijing and asked to work in sin. Wu Haiyan did not understand that she, a 19-year-old girl, had only made one movie, what was wrong?
After the release of "Haixia", Wu Haiyan became popular across the country. In 1977, Wu Haiyan was transferred to the Shanghai Film Studio and became a professional film and television actress.
Poster of "Wait until the mountains are full of autumn leaves"
Since then, she has taken over films such as "The End of the Green Sea" and "Wait until the mountains are full of red leaves". It is worth mentioning that "When the Mountains Are Full of Autumn Leaves" and "Lushan Love" began filming almost at the same time. The director of "Lushan Love" is Huang Zumo, who did not let Wu Haiyan audition, and decided to let her play the female number one "Zhou Jun".
Wu Haiyan wanted to pick up these two plays, but the factory did not allow actors to shoot across groups, and Wu Haiyan could only choose one of them. She took both scripts home and asked her parents to help her refer to them, and as a result, her parents tended to let her shoot "Wait until the Mountains Are Full of Autumn Leaves".
After the release of "Waiting for the Red Leaves of the Mountains", although it caused great repercussions, its influence was still not as good as "Lushan Love", and the fame of the heroine Zhang Yu overshadowed Wu Haiyan.
In 1980, the Shanghai Film Studio was preparing to shoot the film "White Lotus", and the director team searched for a whole year nationwide, but did not find a suitable actor, so the director team asked Wu Haiyan to star.
Wu Haiyan felt that the distance between her temperament and Wulin Haojie's "White Lotus" was too great, and she did not dare to pick it up. At that time, more than 20 countries had booked copies of the film and had to be filmed.
Zhang Ruifang, a famous performance artist, gave Wu Haiyan a job and encouraged her to boldly change the path of the play and take down the role. In this case, Wu Haiyan took over the filming of "White Lotus".
At this time, Wu Haiyan was already married, and her husband was Zhang Xiaoshen, an old actor at the Shanghai Peking Opera. He is also a Shanghainese, and Wu Haiyan was a classmate of the Peking Opera House, and the two are similar in age.
When studying the script at home, Wu Haiyan still lacked confidence, so her husband studied the script with her, analyzed the inner world of the character, and designed the martial arts action with her.
White Lotus poster
Zhang Xiaoshen also found films such as "Red Light" for Wu Haiyan to learn. The couple jointly designed the shape and movement of the swashplate braid, waist tie, throwing cloak and other cool and heroic postures.
The location of "White Lotus" is in Shaanxi, and there are many horse riding scenes in the play. The big white horse that Wu Haiyan rode was also filmed in the film "Ji Hongchang". On the third day of filming, Wu Haiyan fell off her horse, and as a result, the horse's hoof kicked her in the head, and suddenly the blood flowed, and Wu Haiyan was rushed to the hospital by her colleagues, and 8 stitches were given to her head.
Half a month later, when Wu Haiyan filmed the scene, she experienced a life and death horror. It turned out that the great white horse was sick and had diarrhea. An explosion was heard, and it was running wild on the mountain road. On the left side of that mountain road is a mountain, and on the right is a cliff.
Stills from Wu Haiyan's "White Lotus"
According to the needs of the plot, Wu Haiyan galloped on horseback while shooting at the traitor. The horse was frightened and desperately ran forward, and the gun in Wu Haiyan's hand accidentally went off, and a shot hit the horse in the neck. As a result, the great white horse did not run against the mountain, but ran to the edge of the cliff. There was no one on the whole mountain road, and Wu Haiyan felt that even people with horses would fall into the abyss, and her brain was blank.
When she turned the corner, Wu Haiyan saw a car parked in front of the film crew, and the actor's actor Gong Xibin was standing next to the car. Wu Haiyan trembled and asked him for help, and Gong Xibin's face suddenly turned pale. He galloped forward and grabbed the reins of the horse, but the horse still ran forward lifelessly, throwing Gong Xibin with its tail as he ran.
After running for about 20 meters, a large rock appeared in front of it. Wu Haiyan strangled the horse with all his strength, Gong Xibin dragged the horse and crashed into the stone with it, and the big white horse finally stopped.
After experiencing the horror of life and death, Wu Haiyan was paralyzed all over her body, and she didn't even have the strength to get off the horse, and she was carried down by her colleagues. For the rest of his life, Wu Haiyan was in tears. From then on, she regarded Gong Xibin as a savior.
In the next few years, Wu Haiyan starred in many films such as "The Prosecutor", "Homecoming", "Special Zone Girl", "California Visitor" and so on, becoming a popular actress in the 1980s.
Just when Wu Haiyan was at her most popular, she faded out of the film world and shifted the focus of her career to the drama stage. She starred in dramas such as "Inside and Outside the Country" and "The First Half of the Female Painter's Life", which caused widespread influence.
Later, Wu Haiyan focused her time and energy on script writing and documentary production, and her 20-episode feature film "Wind and Rain Towel" was well received in the society.
Wu Haiyan recent photo
Wu Haiyan and Zhang Xiaoshen sang Peking Opera
Over the years, directors have constantly invited Wu Haiyan to shoot, but she has declined. Therefore, after 2000, audiences rarely see Wu Haiyan's new works, and her style is still stuck in the 1980s and 1990s. But Wu Haiyan did not regret it, she felt that it was good to live an ordinary life.
Wu Haiyan and her husband have been married for decades, and the couple has never had a red face, let alone a fight. They are like-minded, raise eyebrows, whether in life or career, cooperation is very tacit. Many actresses of the same era as Wu Haiyan are divorced, and some even marry twice and three times, but Wu Haiyan and Zhang Xiaoshen have been from a young couple to an elderly partner.
Wu Haiyan (4th from left) and Zhang Xiaoshen (5th from left) attend the event
In 2021, Wu Haiyan will be 67 years old. Usually, she and her husband participate in social activities, cook at home, plant flowers, visit relatives and friends, worry about their children's affairs, sing Peking Opera together, and live an ordinary life of ordinary people.
Although she was far away from the spotlight and the aura above her head had disappeared, Wu Haiyan was content with this ordinary life!
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