
This poem is a five-piece poem, although short, but it has a mood and a scene, and it is written gracefully. The river is microwaved and rippled, which is an extremely beautiful and pleasant scenery. But with the sudden addition of "distant guests" in the picture, the previous pleasure has become somewhat uncertain, and even a slightly suggestive sadness has loomed. Yes, on the banks of the Yangtze River, the poet, as a "distant visitor" who is about to travel south, bids farewell to his brother, and his reluctant mood can be imagined.
The poet feels parted, sees the falling flowers, and feels even more lonely. Jun did not see the fallen flowers one after another, at first resigned, is this not also a kind of separation? They fell softly to the ground, without a trace of sound, and their pain could only be delicately understood by the poet at this moment.
The poet seems to be a whole with the falling flower, and they suddenly have an emotional channel that can communicate. The Song Dynasty scholar Li Zhongmeng once said: "The ratio of asking for things is to support affection, and those who are attached to things are also; those who touch things are said to be happy with emotion, and those who are emotional are also." (Wang Yinglin's "Chronicles of Sleepy Studies", Vol. 3) This poem can be described as both xingxing and fun, and it makes people feel angry when they read it.