Three-five-seven words ● autumn wind words
Tang Dynasty Li Bai
The autumn wind is clear, the autumn moon is bright, the fallen leaves are still scattered, and the jackdaws are re-perched.
When do you know when you see each other? At this time, this night is embarrassing!
[Translation]
The autumn breeze is clear, and the autumn moon is clear. When the leaves fall in the wind, the scattered jackdaws have already perched, and they are startled by the bright moon. Friends look forward to seeing each other, but they don't know what day, this season, such a night, the dream of lovesickness is difficult to achieve.
[Notes]
Huan Scatter: Write about the scene of fallen leaves gathering and sometimes scattering in the wind. Jackdaw: "Compendium of Materia Medica": Ci Bird, known as the Jackdaw by the Northerners, is especially prosperous in winter.
[Appreciation]
This poem is written in the late autumn night, the poet saw the bright moon hanging high in the sky, and the jackdaw perched on the tree that had fallen leaves, perhaps at this time the poet was thinking of an old lover, this scene can not help but make the poet sad and helpless. This is a typical tragic autumn work, the autumn wind, the autumn moon, the fallen leaves, and the jackdaws
The sad atmosphere coupled with the poet's beautiful imagination and the perfect portrayal of his own heart make the whole poem appear poignant and moving. The asana of this poem is considered by many to resemble a small word, with distinct musical characteristics. Zhao Yi's "Yu Cong Kao" volume 23 clouds:
"The poem "Three Five Seven Words" began with Li Taibai's 'Autumn Wind Clear, Autumn Moon Bright.'
This is also indiscriminate. Liu Changqing's "Send Lu Lan" poem Yun: 'Xin'an
Roads, people come and go. Early tide and late tide, where do you know tomorrow? The tide is merciless and dissolved, and self-pity dwells in the new. 'Song Kou Lai Gong
"Jiangnan Spring" poem Cloud: 'Wave is small, Liu Yiyi. Lonely forests and grasses are far away, and the flowers fly obliquely. Jiangnan Chun was cut off from the intestines, and the Pingman Tingzhou people did not return. It pointed out its relationship with the "Jiangnan Spring" word plate
system. In the Southern Song Dynasty, Deng Shen once filled in the lyrics according to this tonal style, called "Autumn Wind Qing". The Qing people also regarded Li Bai's poem as a creation
Tune the words and include them in the "King's Dictionary" Cloud: "The original 357 words poem, later generations adopted into the words" This poem is only titled "357 words"
Without mentioning the theme of the content of the poem, it can be seen that the poet's creative intention is to focus on the formal characteristics of the work, that is, as long as the whole text is satisfied
The asana requirements of two sentences and three words, two sentences of five words, and two sentences of seven words can become poetry. It can be said that the title of the poem already contains clarity
Poetic formal connotations. The "Poetic Style" chapter in Yan Yu's "Canglang Poetry" says: "There are three or five seven words." Self-annotation
Yun: "From three words to seven words, Sui Shi Zheng Shiyi has this poem:
'Autumn breeze clear, autumn moon bright.' The fallen leaves are scattered and scattered, and the jackdaws inhabit
Shock. Acquaintances know what day it is, and this night is embarrassing. Mr. Guo Shaoyu proofread: "Canglang's so-called Zheng Shiyi has three or five seven words, I don't know what the basis is. The following sentences of the case "Poet Jade Crumbs Without 'Autumn Wind Qing' are from "Jade Crumbs". 'Autumn
Feng Qing's clouds, see "Li Taibai Collection", when it was Li Zuo"
But Li Bai's poem cannot be regarded as a work of creation, because in the early Tang Dynasty, the monk Yijing composed a poem "In the Western Kingdom of Huaiwang Shecheng"
The poem is called "One Three Five Seven Words" because of its asana characteristics. Li Bai's "Three Five Seven Words" is only a variation of "One Three Five Seven Nine Words", omitting the "one word" at the beginning and the "nine words" at the end.
That is, "three five seven words". Wang Kunwu argues in the Tang Dynasty Wine Order Art that Yijing poetry is "the work of singing and harmony". Li Bai this one
"Three Five Seven Words" may also be his "singing and poetry" and "three five seven words" and other poets are restrictions on the format of remuneration and poetry, which is a "general topic", and everyone can order a corresponding poem title according to the content of the writing when creating specifically.
Even if this poem is not a work of creation, it is Li Bai who finally established the "three three five."
The "Five-Seven-Seven" format as a unique genre has even become a fashionable poetic style. It's not just because he borrows
And summarized the experience of many people in the application of the three-five-seven-word sentence pattern, but also thanks to the flexible use of such formats in his own lyrics
The practice of understanding, so that his "Three Five Seven Words" can show "mourning to promote the festival, and summarize the application of three five seven words for many people."
The experience of sentence form is more due to his practical understanding of the flexible use of such formats in his own lyric creation, so his "Three Five-Five" is the result
"Seven Words" can show the artistic charm of "mourning and promoting the festival, poignant as a string" "Tang and Song Dynasty Poetry Alcohol" volume VIII).