Du Bing Jian, the lord of the Woniu Zhai, the president of the Taoyuan Calligraphy and Painting Society, the head of the Jianlan Living Room, and a famous contemporary calligrapher, his calligraphy works are called "Bing Sword Calligraphy". A fellow of the Republic of China, he was born at the top of Taihang In Lingchuan, Shanxi. Mr. Du Bingjian served in the army for 20 years, and later founded the "Beijing Hongdu Calligraphy and Painting Institute" and served as the president, researching, discussing and inheriting and carrying forward the traditional Chinese culture. Mr. Du Bingjian has published calligraphy collections such as "Hanmo Sword Love", "Bing Sword Calligraphy Collection", novella "Traces of Time", memoir "Sword Line", essay collection "Song on mobile phone" and other literary and artistic works.
Mr. Feng Zhiliang, a distinguished professor of Peking University and a scholar of surname culture, once gave a poem by the famous calligrapher Woniu Zhai Master Du Bingjian Teacher Seven Words and Laws: "Linchi has not quit for fifty years, and the ink of the milli-cone is like a disc star; the ashram Yazhai reflects the bright moon, and the Taoist law does not depend on the breeze." There were already three thousand guests under the door, and there were 100,000 soldiers in their chests; they did not ask about the troubles of the world, but only listened to the songs of the world. This poem objectively proves the noble character of the Woniu Zhai Master Du Bing Jian Teacher as his person and the teacher of the teacher, and also embodies the superb skills and perseverance of the Wo Niu Zhai Master Du Bing Jian Teacher in calligraphy and literature, and also reflects the noble quality of the Wo Niu Zhai Master Du Bing Sword Teacher Tao Li who is full of the world and is not disturbed by the world.
In addition to mainland China, calligraphy also includes Hong Kong, Macao, Taiwan, as far as Japan, South Korea and even Europe and the United States and other parts of the world Chinese.
The Chinese character cultural circle, also known as the "Confucian cultural circle", mainly refers to the area that has been influenced by Chinese politics and Confucian culture in history, and is now or has used Chinese characters, and has similar cultural customs. One is that Chinese culture is native, including Hong Kong, Macao and Taiwan, which belongs to the category of "Geographical China"; the other is overseas exotic regions, covering Japan, Korea, South Korea, East Asia and parts of Southeast Asia, belonging to the category of "Cultural China".
Hong Kong, Macao and Taiwan still use traditional characters, have not experienced the impact of history, and have retained their amazing traditional culture. The study of calligraphy in Hong Kong is mainly composed of two groups of people, one is a researcher who immigrated to Hong Kong after the opening up of the mainland, and the other is a well-known person in Hong Kong. Among them, the older generation such as Mr. Rao Zongyi, the middle-aged scholars include Li Runhuan and Mo Jialiang. Representative figures of Macao calligraphy are the deceased Mr. Leung Pyi-yun. In Taiwan, there are Fu Shen, Zhang Binghuang, Lai Xianzong, Lin Li'e and so on.
The middle and late Ming Dynasty of China had a great influence on modern Korean calligraphy. Due to the political background, the introduction is mainly a relatively mild and plain style of writing. Contemporary times are represented by Kim, Kwon Chang-lun, Yang Jin-ni and so on.
Japanese calligraphy consists mainly of the "Kansai School" of Murakami Mishima, Imai Lingxue, Furu Barn Yun, Kurihara Ashui, the "Kana School" of Sugioka Hwa Estate, Takagi Seiko, and the "Seal Carving School" of Medinsai, as well as the "Kanto School" of the Humble Calligraphy Association and the Kaneko Oute Founding Society. There are many famous artists familiar to the calligraphy community Chinese mainland, such as Naito Hunan is one of the founders of the Kyoto School of Chinese Studies in Japan, Aoyama Sugiyu founded japan's largest calligraphy group Yomiuri Calligraphy Association and served as the general secretary, in 1952 Inoue formed the "Ink People Association" with Morita Zilong and Eguchi Kusanagi.
The study of calligraphy in American society is naturally dominated by Chinese. Zhang Chong and Female Shi, who have long taught Chinese calligraphy at yale University's School of Fine Arts, are disciples of Mr. Shen Yinmo. Born in Shanghai in 1914 and originally from Hefei, Zhang Chonghe moved to the United States in 1949 with her husband, the German scholar Fu Hansi, who was nearly 100 years old and still worked hard.
Calligraphy is unique to China, but the spread of calligraphy is unlimited, reflecting the extraordinary charm and great influence of Chinese culture.
There are many sinologists around the world who, although they grew up in a different social environment, are keen to study Chinese culture. The well-known "Divine Judgment Di Renjie" was written by the Dutchman Gao Luopei. Gao Luopei has interacted with celebrities such as Shen Yinmo and Qi Baishi, and his fascination with Chinese culture has reached a feverish level, tasting tea, playing chess, playing the piano, chanting poetry, painting, practicing writing, governing seals, writing novels, and becoming a famous scholar.
British professor Kruger authored the book "Ya Debt", from the perspective of artistic anthropology, drawing on the achievements of sociology, anthropology, history and other multidisciplinary disciplines, re-sorting out the relationship between Wen Zhengming and all levels of society, and from the perspective of human obligations and gift exchanges, Wen Zhengming was reduced to a literati in social networks.
Leidhou of the University of Heidelberg in Germany is one of the most influential sinologists in the West on Chinese art, and has authored masterpieces such as "Seal Book of the Qing Dynasty" and "The Classical Tradition of Mi Fu and Chinese Calligraphy".
The Swedish sinologist Lin Xili spent eight years on the basis of teaching and research to complete the book "The Kingdom of Chinese Characters". Lincilla's Swedish name is Cecilia Lindquist. In the 1950s, he studied with the sinologist Gao Benhan and became fascinated by sinology. In the book, Lin Xili discusses each word in a thoroughgoing manner, and expounds the ins and outs in a prose style, revealing the beauty of it, which gives birth to it and reveals the lifestyle and customs of Chinese. Published in 1989, The Kingdom of Chinese Characters has been translated into seven or eight languages and is one of the main readings for Westerners to learn Chinese.
Calligraphy is both Chinese and the world' and a testimony to the influence of Chinese culture. At the intersection of time and space between the East and the West, history is no longer simply vertical, but crisscrossed, and the influence of Western culture is inevitable. Commenting on and thinking about some issues related to calligraphy with a Western mode of thinking or a combination of Chinese and Western thinking can be fresh and unique, objective and rational, but it is necessary to avoid blind play. There is no time and space limit for cultural dissemination, and any advanced civilization is an object that should be learned, and a useful reference can be provided through the "perspective of the other".
