Yu Feipeng, a brick maker, has been making yan for decades, researching and working tirelessly. There are "Jiangnan", "Bronze Age", "Xinhua", "Face", "Colorful", "Dongtian Yipin", "Blue and White Porcelain", "Cloud Gate", "Mountains Quiet Like Taikoo" and other Yan works; he has published works such as "West Window Yan Dialect", "Yanlin Boiled Wine", "Yanlin Notes", "Yan Tan", "Sheyan: Wu Chuqingyin", "Identification and Appreciation of Tho Butyan", and "Collection of Contemporary Chinese Masters Yan".
"I love to carve a stone, and I love to meditate on the strangeness of the ancient artifact when the twilight is thick and deep. I think of the appearance of "Twelve Peaks Tao Yan", I think of the ancients who carved its breath, I think about why the people in the Yan are negative for the mountain, and I think about the staggering and mysterious of this peak and that peak ”
"I think that I and Yanshi are actually talking about a love affair, and I have to have feelings for it, and at the same time I have to be passionate about it, so that I can carve this Fang Yan well." ”
"We do yan is a kind of exploratory research nature ... It is actually doing a traditional culture, doing its inheritance, doing its development ”
"After contacting Tho Butyan, Panzhihua issued an invitation to stay here, and I also felt that this place was very attractive to me, so I resolutely quit my job in the Yan Factory in my hometown and took root here ”
"Walking through the courtyard wall, I saw an old alley paved with stone floors. The stone slabs are either pale blue or brown, and the pieces wind through the alleys. A slanting sun, obliquely shining on the stone floor. The moss at the foot of the thick bluestone wall, as well as the fine green leaves in the alley that are now half in the sky, are all shining in the slanting sun for a while. The alley under the slanting sun is strange, cold and quiet. I stood there, looked at the Dragon Tail Mountain in the distance, and continued a one-man Yan brigade..."
——Yu Feipeng
Nowadays, the hard pen basically replaces the soft pen, but the soft pen has retained a place in the field of art, so the Yantai that accompanied the Chinese literati from ancient times to today naturally remained in the literary room. Millions of years after mankind, the carvers are still making stone tools. Stone tools still have a glimmer of life after millions of years, but how many moving stories does "Inside and Outside the Yan" have?
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001 | quote
❖ Volume one
005 | I. In ancient times, yan was an artifact used in the composition room
009 | second, the advent of ink does not mean that the ink of the ink also appeared
012| 3, carved ornaments on the stone, mainly after the Song Dynasty
017 | FOURTH, craftsmanship highlights inheritance
019 | Five, overall, the ancient stone carving is not fine
❖ Volume II
025 | First, Duan Yan continues a relatively complete traditional process
028 | Second, from the perspective of construction, She Yan pays great attention to the line
033 | three, red silk stone, warm and intimate color
036 | 4, pine flowers, that stone that stone
040 | five, beautiful color and carving, Tho is forming a major feature
044 | VI, Clear Clay Brick, can be called a great material creation
❖ Volume III
051 | First, carving stone into stone can be a stone carving, but it may not be a stone carving art
054 | Second, there is a delicate opening of the pool, where is the key
055 | Third, in ancient times, the development of Su Yan went through roughly three stages
059 | Fourth, lay the foundation, lay the foundation, practice is the feel
061 | Five, Chi Zhi Yu Yan, is not an isolated existence
067 | six, specifications of bricks, special-shaped bricks, to achieve high level, are interesting and wonderful
068 | seven, traction, often haunt the Xiangshi Nahui
072 | Eight, good design, like a good script
078 |9. Brick making, brick entry method and carving treatment
082 | Ten, from another point of view, the speed of carving is caused by the lack of strength
084 | 11. Engraving, Shoveling and Adapting
088 | XII. The content is a heart that makes you unable to dream of yourself
090 | Thirteen, Good Yan, will not sing the same ancient songs
093 | 14, the stone can be inscribed, or it can not be inscribed
099 | fifteen, the high level of carving, not blindly can be carved
❖ Volume IV
105 | first, into the banana leaf, the interesting thing is to carve that roll
107 | 2, one late night in the winter, I read about the Ink Pine of the Bada Shanren
110 | Third, I always feel that the cloud that can be carved is the immeasurable blessing of the Yan people at present
113 | 4, according to the shape of the stone, Gu Erniang's cave is mysterious and qingqi
115 |5, carved bamboo shoots This year, Chen Duanyou was 44 years old
119 | Vi. Chen Duanyou carved lotus leaves and removed the plausible image
123 | Seven, cross-sectional bamboo brick, the most eye-catching level is Chen Duanyou
❖ Volume V
129 | buying stones, some people have a unique vision, some people rely on feelings
132 | second, selling stones, low or high, most of the time not in you are not in the stone
137 | Third, whether the yan is good or not, generally look at the engraving
140 | Fourth, the appreciation of the yan is standing on a high shore, facing a river of water gushing back and forth
156 | The basic value of the Party Yan comes from two aspects
158 | Vi. Once saw a long-lost stone in the hands of a collector
161 | Seven, Tibetan Yan, obsessive collector, often sword-to-side, maverick
164 | VIII. The advanced stage of Tibetan yan is how it is formed and implied in the yan itself
165 | Nine, Tibetan Yan, whether the Yan is original or not, I value it the most
167 | Ten, those Tibetan stones, to be in, now worth at least 158 million yuan
❖ Volume VI
175 | First, such a sky and clouds sunrise and sunset
179 | second, early years of carving, there is a paragraph, love to choose stones
181 | 3, carved bricks, shaped like mountaineering, there is rest, there is a jump
184 | Iv. Carving, Feelings, Mentality, Sense of Stone, Taste of Knives
186 | V. Contemporary Brick Making, Inherent Colors and Formats
189 | Six, do the stone, and when you want to put down the carving knife
192 | Seven, making bricks, day after day, what is the most important thing to find
197 | VIII. Expression to Engraving
199 | Nine, nearly forty years of brick making, has always wanted to make a breeze and bright moon free heart of the stone
203 | 10, making bricks, not only in the making
207 | XI, the word "mentality", yu Wenren Yan is the most important
210 | XII
211 | Thirteen, carved, afraid of something
213 | 14. The ideal engraving
215 | 15, "Three Doors"
221 | 16, Graduate students
232 | Seventeen, about my inscription or whatever
237 | Afterword
Public number of Culture and Art Publishing House