It's the rapper of the week review session again, and every time you read, like and leave a message, it's the driving force behind us to continue to do this series.
Today is cdc's special session, and the previous episode has come to five people different, this issue only came four, it is reasonable to say that the program group should not only invite four, so it is estimated that there are people pigeons.
Moreover, in this issue, Li Erxin once again became a return to the pot meat. I don't know if there were two people who pigeons, and then asked Lear to come to the rescue.
This issue of the game link is actually quite fun, I found that the more familiar the general player relationship, the more fun the game link, one is that everyone understands each other, knows some of everyone's troubles, and the other is that you can joke with each other and know the scale of jokes.
The moderator of this issue asks, who is the most angry person at CDC?
The common answer of Wang Ether, Li Erxin, and Ansr J is Deng Dianguo, and only the answer to psy.p is melo.
The host's second question is, who is the CDC's favorite mischievous person?
The common answer of Wang Ether, Li Erxin, and Ansr J is ty, and psy.p is about himself.
Ansr J was even more blunt in saying that this man (TY) was "abominable to the extreme."
And why does psy.p have a different answer every time and everyone else? The reasons he gave himself were:
In addition, in the short link of cdc poke, it was also mentioned that Wang Ether once sang hook in the song of diss ansr j, according to Wang Ether himself, he did not know Ansr j at that time, and later did not expect to have such a good relationship with him.
The name of that song is called "Face Fang Chuckle", a song from seven or eight years ago, I can't find the audio, I don't know if you have heard it when you are reading the article. The game link before this issue is still quite interesting, it can be said that it is the most interesting in so many periods, and it is recommended that you take a look.
But let's get back to the point and talk about a few songs from this issue.
Wang Ether collaborated with Ai Ge's "No Time to Shed Tears", this single is the precursor song of Wang Ether's new album. Judging from this tone, this new album is also indispensable to the previous jazz flavor.
There are not many jazz colors in this song, and the most prominent part is the midrange saxophone of the prelude. The overall presentation of the effect is still the feeling of smooth jazz, and this section of saxophone does not have any jazz scale application, more of a pop feeling.
However, compared with the previous works, the jazz color of this song is still a bit dull, a bit post bop feeling. For me, the song didn't meet the standards of Ether Wang and Ai Zhen's production. Two good singers of melodies, but did not see much thought in composition.
The whole song has only one eight-beat melody, an infinite loop. From Wang Ether's Verse1 to the two hooks, the whole song is divided into four minutes, and this melody takes almost three minutes. Even a song with content will seem monotonous and boring under such a cycle.
And the melody of this song is relatively gentle, the tone of both people is relatively high-pitched and forceful, personally feel that since there is no composition that can be harmonious with the accompanying melody in the singing section, it is better to use some soft rap.
Ansr J's performance of "Ll Cool J", a song that has a personal character on Flow. Verse part of the sunshine small fast mouth, spit words incomparably clear and elastic, hook part of the heap point triplet, aj's old routine, but it is strong.
In this song, there are many people who shout out, but it seems that there is no practical significance in the lyrics, and I have not gotten any stems or puns. At the same time, the title of the song, ansrj, gives an explanation, l=ladies, l=love, j=ansrj, cool is the original meaning.
In fact, this explanation is a bit far-fetched. Since you want to play with this abbreviation interpretation or pun, the normal format is not allowed to add "." Well, the song doesn't reflect the deep meanings he said.
A's many of AJ's singles are playing flow, playing with personal sounds. My own characteristics are sufficient, mainly handsome, I think this is very good, there is no need to force too many deep meanings that others can't get.
Psy.p's performance of "Street Artist", this song still gave me a certain surprise. Unexpectedly, migos had just finished "high-class trap", and the sex pi also came to this operation.
This arrangement is relatively speaking, and it is almost interesting to the upper class, after all, the sound of the guitar is still a bit "popular". The arrangement of this song reminds me of Li Jialong's album advance single "Legend", here cue Li Jialong, where did the album go half a year ago?
The arrangement of the two songs is somewhat similar, the chord composition of the guitar loop and the ethereal timbre similar to the flute, except that this song highlights the guitar more. Psy.p's control is still very beautiful, although it is still the flow arrangement of trap, but it is rare to hear him arrange the flow so full and the speed has increased.
More traditionally, this lower speed bpm will not use such a flow, it should be a looser and slower psychedelic feeling, but the control of the chromatic is surprisingly harmonious.
Lear's new performance of "Dashing Creestyle", after the personal development of ATM did not release an album, Lear's new single is getting more and more brisk. The arrangement of a popular big orchestra, the accompaniment is very beautiful, gorgeous and flexible to express the characteristics of jazz and big orchestra very well, but Lear's new control is a bit difficult to say.
I think the main reason is that his timbre and rap tone are a bit unworthy of this accompaniment, and the gorgeous and pulsating of the original instrument makes Lear's new timbre and back timbre appear very frizzy and of extremely poor quality. Of course, this may have something to do with the live version, and I hope that after the studio version is released, the sound will appear a little more rounded.
Which of the five songs in this issue is your favorite, welcome to communicate in the comments section.