It is rare in the Japanese showbiz to see an artist as cute and beautiful as Kyoko Fukada, like an artist who is half loved and half respected by everyone but can feel perseverance. She always smiled and smiled like a ceramic doll, because that's how she lives. (Figure)
Kinki kids' title group "New Cousins" adopted a music program model in the early days, inviting singers to interview on the show, and in the last few minutes, guests will be allowed to live performances. Live live, which means the need for a live orchestra, the program team found Kyoko Fukada, who began to learn piano at the age of 4, and asked her to be the piano accompaniment of the cousins' orchestra.
However, playing the piano at the end of the show is a trivial matter, but a large part of the conversation with the guests in the front of the show is the most interesting part of "New Cousins", and the orchestra members and the kinki kids are constantly teasing and funny, heating up the stage of the show, and highlighting the characteristics of the guests.
But just like kyoko Fukada in our impression, she is not good at talking, can talk in front of the camera, or has a laugh point at her fingertips, and the impression of being shy and silly is greater than the impression of being able to speak well (this image is also reflected in her early serial roles), Kyoko Fukada often seems to be a little empty, the topic is thrown away, and it takes three seconds for her to smile and answer questions.
Kyoko Fukada withdrew from the 2022 calendar, and her good figure and smile once again confirmed the title of "Miracle Thirty Generations" by the Japanese media. (Figure)
But most of the program team is also a bit ill-intentioned, Kyoko Fukada's seat is arranged in the right rear of the guests - this means that the main shots of the entire episode of the show are bound to have her, and there are some beautifications and pleasing meanings, so when the camera is aimed at the guests, we can see Kyoko Fukada's reaction: a delicate face like a ceramic doll, blinking big eyes, as if in a daze, concentrating on listening to the happy conversation in front of her, shallow smile.
At the age of 16, he co-starred with Takeshi Kaneshiro in "God, Please Give Me a Little More Time" and was popular all over Asia, Kyoko Fukada, since her debut, all the way to Changhong, red to have its own name abbreviation "Deep キuン" (深恭), red to the Japanese media every year has a "can't see her thirty-year-old actress" list, and then gave her the title of "Miracle Of Thirty Generations" countless times every year, because the appearance of Kyoko Fukada is like a dignified ceramic doll.
16-year-old Kyoko Fukada collaborated with Takeshi Kaneshiro on "God, Please Give Me a Little More Time", which became a hit. (Figure)
But is it really necessary to say that she is as fragile as a ceramic doll? Not really.
Once, director Tetsuya Nakajima and Miki Nakatani came to Taiwan to promote the movie "The Life of the Nasty Matsuko", and during the interview with the reporter, he asked about the conflicts between the two when grinding the scene. Tetsuya Nakajima said that Nakatani's level of investment is very high, and on the shooting scene, no matter the scene, "she is the heroine Matsuko with strong feelings", which is completely different from Kyoko Fukada, the heroine of his previous work "The Tale of the Next Wife": "Kyoko is cool, she will not let the staff see any emotions when she steps out of the set."
On another occasion, coinciding with the release of Tetsuya Nakajima's Confession, Toho Corporation held the "Tetsuya Nakajima Film Exhibition" at the Roppongi Toho Theater in Tokyo to create momentum for "Confession" and re-screen Tetsuya Nakajima's first three feature films. On the first day of the film festival, the filmmakers brought in actors who had worked with Tetsuya Nakajima and asked them to talk about the uncle director who was very good at grinding actors on the set.
Kyoko Fukada was described as "stepping out of the set without letting the staff see any emotions about her." (Figure)
Kyoko Fukada, the heroine of Tetsuya Nakajima's first feature film, smiled and said that the most impressive scene was that the director had been arguing with Anna Tsuchiya, who had a straightforward personality (Nakajima: Tsuchiya is like a beast, and every time she has to wait for her to be in a good mood before filming), "Although it is terrible to work with the director (laughs), the director let me play the role closest to myself." ”
In "The Tale of the Next Wife", Kyoko Fukada plays Ryugasaki Momoko, who grew up in the countryside, but fantasizes that she lives in the rococo era of eighteenth-century France, eating and living with sweet cakes every day, talking about various floating topics, she does not care about the surrounding gaze, so she has no friends, and she is comfortable in her own world.
Kyoko Fukada in The Tale of the Next Wife. (Figure)
However, she is not escaping from reality and living in her own world, but insisting on her belief in survival and firmly walking on the path she wants to go. The weak Rococo maiden actually had a fierce and strong heart—because no one could stop her.
Kyoko Fukada, who played Ryugasaki Momoko, debuted as a teenager, along the way through various media ridicule baptism, paparazzi took strange composition photos of baby fat faces and slightly fat body shapes, marked with the title of "fat Gong", wrote a variety of gossip about how she went to lose weight, she never responded to these things, she used the photo album she would launch almost every year to let everyone see the facts: 2 years old can swim, in recent years fascinated by surfing, in the photo album that will sell every year, showing bronze skin and bodybuilding.
Debut so far, the image is good, the national favorability is high (in the showbiz circle is also very widespread), often said that she is the first in the work, advertising and serial drama performances of various screen exposure are very high Kyoko Fukada, in April this year, because of overwork and suffering from "indication disorder" suspended acting work, after a four-month break, however, many viewers and fans know that she is now in ok condition, happy but also worried about her: I hope that Kyoko Fukada, who never openly says that she is hard or painful, can take good care of her body.
In the Japanese showbiz now, there are probably very few artists who are as cute and beautiful as Kyoko Fukada, like an artist who is half loved and half respected by everyone but can feel perseverance, because she always smiles and smiles like ceramic dolls, which is common, because this is her way of survival.
Kyoko Fukada, who confessed to suffering from an indication disorder, came back after a four-month break. She appeared in public last month, and her body is still slender. (Figure)
Tetsuya Nakajima says Kyoko is cool, which sounds weird, but we have to admit it's true. Because, even if she has a perfect demure face or a perfect bodybuilding body, or even a taciturn response on the show, that is Kyoko Fukada's coolness, and such coolness, needless to say.