The objection of this film is actually quite large, and I like it to feel that "The Great Protector" has a profound meaning and is very worth watching. In turn, the nasty one thinks that the film director is pretending to be sophisticated and not worth mentioning.
It is not easy to say who is right and who is wrong in these two camps, just as a basic philosophical question can never be discussed, and there will always be different voices, but you cannot rudely cut it off and say that it is wrong.
However, from my own point of view, I am a practicalist, not that "The Great Protector" is so deep, but it is different from many animated films currently on the market today, it is not very difficult to understand, but it is very worth speculating carefully.
The key of the film is to tell the small story of Yi Wenzhong's great protector going out of the palace to find the escaped prince, and mistakenly entering a strange and strange town, and then discovering the secret of the town. The peanut people in this town look like they have no feelings, and the great protector finds the prince and meets the peanut man Xiao Jiang and a child.
The great protector's intrusion got rid of the strange silence of the town, knocked out the trick behind the town, and was attacked by the "law enforcers" all the way. In addition, there was a powerful youkai waiting for the Great Protector to duel with him.
What attracted me to this film was actually not his plot, because compared with many films, a person's story line is not clear, and even some are not understood. What attracted me most about this film was some of the dragon set characters created in the film.
First of all, the prince, a person who seems to be unrestrained, does not want to be restrained and even has some indecency. The crown prince did not pay attention to the throne, but only wanted to do what he wanted to do. If I make the prince's brand image cool and handsome, I can also be completely uninhibited for this part, and I regret that I am still rational against the face of the prince.
The prince is indeed self-indulgent, but behind him here is because he is the prince. Although he said that he didn't care about the throne, he or he went back with the Great Protector, and the real and true dissipation behind him was the reality that the prince could not eat. This kind of dissipation with a strong backbone is nothing more than a self-inflicted relief.
The prince looked calm and calm, but I was by no means convinced that such a person would be a scrupulous and stealing person. In the movie, Yi Wenzhongguo's lord is not chosen by the prince, which shows that the prince is not an outsider. When Xiao Ming presented the Black Worm Stone, the prince's face was frightened, and he said crazy.
From here, it can be seen that the prince is only kind in temperament, and perhaps this point just makes Yi Wenzhong look after the prince in the middle of a lot of deceitful and deceitful battles. Perhaps he was a romantic, and the pampered daily life made the prince remember the peace and harmony of heaven and earth.
The idealist does not mean that the prince is a stupid person, he can see through the trick, and after entering the town, the prince has already felt that the atmosphere of the town is not quite right.
The prince can see this ugliness clearly, but he may expect that the whole world can be happy and harmonious. I think the prince is very big above the enemy after becoming the emperor but the enemy can not actually change, I don't know if he will collapse like Xiao Jiang.
Then there is Xiao Jiang, a peanut man who is completely kind and simple in heart. In a crowd of stiff-looking, emotionless peanut kernels, Ginger was the exception. Before the lie was exposed, Xiao Jiang was a person who lived in deception and firmly believed in this deception.
After the lie was exposed, the world that Xiao Jiang had always believed in collapsed, and it was Xiao Jiang who collapsed. I can understand that such a collapse, a world that I used to completely believe in and even rely on, is actually a deception.
In one of the plots where Jiang Jiang learns the truth, I can finally feel the items that this film is about to pass to the audience. Xiao Jiang's long-term self-knowledge has been shaken off, his inner world has long been destroyed, and Xiao Jiang, who has lost his self-knowledge, gradually suspects who he really is.
The cognitive ability of one's true identity is an important item for everyone, and in addition, he is also a very philosophical problem. Thinkers have been pondering the conundrum of where I came from, where I came from, and where I am going. This is also the area that makes me think this film is very worth thinking about.
However, despite the collapse, Xiao Jiang can still cope with the next thing that will arise in the absence of immediate adjustment of self-knowledge. Xiao Jiang is a person who looks weak, simple and kind-hearted, but there is no shortage of heroism. He is very much like the ordinary daily life of the tens of millions of families, a worthless ordinary ordinary person with a kind heart, some weak but not weak.
The difference between Xiao Jiang and Xiao Jiang is about Xiao Ming. Xiao Ming looks like a thick and honest child, but in fact he is considering a huge plan.
From the perspective of age, Xiao Jiang and Xiao Ming are just children, but the temperaments of the two are very different. Under the comparison of the simple and kind heart with Xiao Jiang, Xiao Ming's maturity and maturity looked extremely terrifying. Xiao Ming had the heart to get close to the prince, but actually just wanted to help himself obtain the auxiliary position.
However, what Xiaoming said in the film has the same great truth. Everyone will feel surprised and even feel terrible after hearing Xiaoming's desire, that is because Xiaoming is only a child, if Xiaoliang is already an adult, he will not only not feel the horror easily when he says a word, but also continue to sigh the teenager Zhigao, feeling that he must be a person who has become a big thing in the future.
There is a very divisive problem here: people often say that they are ambitious and not in high age, but when a child breaks his word, he will feel afraid when he thinks about it. What the hell are people afraid of? Is it the fear that such a child will eventually grow up to live in the game of power? Or worry that children will overtake themselves very early?
In fact, for the character of Xiaoming, I have many thoughts. The film director deliberately set up such a character to better warn everyone that children cannot be ignored, or to tell everyone that they do not have to be blinded by the surface all the time.
No matter what, a character like Xiaoming will make people feel worried in their hearts. However, that kind of worry does not come from Xiao Ming's kind of people, but only from the growing fear of unknown fear in everyone's heart.
In addition to the three people above, the most very worthy character in the film is probably the lie puncturer Hermit. As the only peanut person in the town who knows the truth, the hidden woman has been forced to hide the truth as her name suggests. The greater characteristic of her temperament is patience.
It was impossible to puncture this deception by her own strength, so she had been silent and had been concealing it. There seems to be some stubbornness in her temperament, and she hates people because of the deception of Huangfu Ji'an County.
The passage that the hidden woman said to Xiao Jiang was more like the object that the film director transmitted to everyone through the mouth of the hidden woman. Kindness of heart has always been very easy to be deceived and used, and this is probably the saddest area of good heart. In real life, too, there will always be some people who use the kindness of others, and the kindness of heart is ignorance.
In the end, the hidden woman told everyone the truth. Some people picked up acceptance, and a lot of them couldn't believe it. Law enforcers gradually turned against each other and killed these people who did not dare to believe it. At this time, the hidden woman did not participate in the slaughter, he just sat in the distance, thinking of Xiao Jiang, who insisted on saving the prince.
I don't know what I was trying to do at that time. But the current slaughter in the opposite direction, I think, is sad, just like the law enforcement people in front of them killing the peanut people who grew black mushrooms. The scene at the moment should not be what the hermit wanted to see, but she still couldn't stop it, just like before.
This is a very ironic interface, everyone has been subconsciously turning people who are different from their own thoughts into half-orcs, and trying to squeeze within the scope of their own work ability. Although everyone has always paid attention to tolerance, only a few people can really guarantee tolerance.
Now is the Internet age, many people to encounter a different view from their own views, usually do not hesitate to fight back, the other side of course is not far behind, so that there will be a showdown.
The bigger magic of this drama is that there are too many key points, basically each key point can be derived into some difficult problems, which can be matched to the corresponding situation in real life. Just looking at the red fat man who started out in the winter, you will even feel that it is a comedy movie. The design style that is a little funny in serious and serious is a very popular design style in the film and television production and sales market in recent years.
Speaking of the interface of this film, I have to admit that the interface and production level of this film are really shocking. The ink orchid pavilion at the beginning can already attract my attention, and the style of ink landscape painting is applied in the situation, which can have a decorative effect and is not easy to be anti-customer. That's certainly the right kind of application.
With the deeper level of the storyline, the strange town created in the film is brightly contrasted and harmonious. Bright red has always been a more eye-catching hue, and the application of bright red in the interface can usually have a prominent effect. The bright red petals that can fly in the Great Protector are used for this purpose.
Many of the camera shots that occur in the film with low-stop positions and large foregrounds give people a feeling of staring into the distance, and the moments pull you out of the picture sense of the characters, so that you can watch the movie with a clear head and watch it from a more objective point of view. In the fight scene, the structure of the cave and the hanging boardwalk is cumbersome, which makes the indoor space look narrow. The replacement of such interfaces unconsciously creates a sense of depression and crisis.
Naturally, to my surprise, in the dream mirror of the Great Protector, the film director applied Van Gogh's painting style to express a hazy and peculiar feeling. The great change in style of that kind not only does not look stiff, but because the storyline must look appropriate, it gives the audience a different feeling of watching the movie. There is also a feeling of improving the layout of the film.
In fact, if I want to talk about what the film "The Great Protector" is about and what it wants to express, I can't tell you exactly and clearly.
Because I think that different people will get a different experience when they watch the film "The Great Protector", and even the recent emotions of the audience will jeopardize the results of watching the movie. Because it includes too many items, it is not the same perspective to see, with a different perspective to think about will get different inspiration.
The film director uses a different expression from the popular film industry to narrate a complicated problem about human nature, even black and black. For all the cross-talk about this film, whether it is accusations or applicability, only after watching it can you have a true and true view.
Human nature can be reflected everywhere, and thinking does not stop for a moment.