Yuan Yao (born and died unknown), Qing Dynasty painter, zi zhaodao, a native of Jiangdu (present-day Yangzhou, Jiangsu). Nephew of Yuan Jiang. Painting landscapes, pavilions, and boundary paintings. The painting style is neat and gorgeous, similar to Yuan Jiang. Its fine products are better than those of Yuan Jiang. It is also very good to be a flower and bird. Qianlong's eleventh year of "Twelve Views of Lishan Mountain to Avoid Summer", Qianlong's forty-fifth year of "Afang Palace Map", now in the Nanjing Museum. It was about the middle of the Qianlong period. Not only the green and green landscapes, the pavilion works are famous, and the flowers and birds he paints are also very good. There are more works circulating than Yuan Jiang. And often drastically. The paintings of "View of the Waterfall" and "View of the Qiujiang Building" are exquisite in terms of layout, rendering, and even point scene characters. There are large and exquisite works such as "Afang Palace Map" and "Twelve Views of Lishan Summer Escape". The Twelve Views of Mount Riki is now in Japan.
【Name】Qing Yuan Yao Wuxia Qiutao diagram
【Era】Qing Dynasty
【Introduction】Ink pen on silk, length 173.5 cm, width 97.5 cm, collection of the Capital Museum.
This picture depicts the spectacular scenery of the autumn scenery of Wuxia with delicate brushwork. The pavilion in the picture is made of boundary paintings, which are beautiful and neat. The mountain stone is split with a small axe, and the drawing method is exquisite. The ink is moist, and the thick and dry and wet are very varied. The composition is complex and the landscape is open. The upper right self-knowledge "Wuxia Qiutao." Shi Yi ugly Xiao Chun Han on Yuan Yao painting". 钤 "Yuan Yao" Bai Wen Fang Yin, "Zhao Dao" Zhu Wen Fang Yin. The other side is tibetan and Indian.
【Name】Qing Yuan Yao Penglai Wonderland Map
【Introduction】Color on silk, 266.2 cm in length and 163 cm in width. Collection of the Palace Museum in Beijing.
This is an excellent landscape painting by Yuan Yao. With a broad mind and a transcendent imagination, the painter depicts the magnificent scenes and magnificent scenes of mountains, rivers, lakes and seas swallowing the sun and the moon. The rules and regulations are tortuous, and the momentum overturns the river and the sea, which makes the viewer thrilled. On the screen, the mountains near and far, the wuli loom, in the clouds and smoke disillusionment like a fairyland.
【Name】Qing Yuan Yao Jiucheng Palace Figure Twelve Screens
【Introduction】Jiucheng Gong Tu Axis, Qing, Yuan Yao,Silk, Color, 223×720cm×12. Painted in 1763.
Seal of Yuan Yao, Seal of Zhao Dao. Knowledge: Proposed ninety percent palace meaning. Shi Yan wei chun, on Yuan Yao.
【Name】Qing Yuan Yao Jiucheng Palace Diagram
【Introduction】 "Jiucheng Palace Diagram" axis, Qing, Yuan Yao painting, silk, color, length 189.7cm, horizontal 230.7cm. Palace museum.
This painting is self-titled: "Jiucheng Palace, Yuan Yao's painting on the Winter Han of Jia Wu." "钤" Yuan Yao's seal and "Zhao Dao's" seal 2 sides. This painting is mainly diagonal composition, and the proportion of architecture in the picture is not large, but the author deliberately arranges the building in the visual center of the viewer, making it quite eye-catching in the background of the mountains and rivers. The famous poet Du Fu once had a poem "Jiucheng Palace", which Yuan Yao drew according to his poetic imagination. Although the dynastic palaces painted by the Yuan father and son have their own allusions, most of the styles are similar, rich in decorative interest and no obvious characteristics of the times, and the costumes of the characters in the paintings are the same, although they are ancient costumes, they are not Tang and non-Song.
[Qing] Yuan Yao Four Views of Yangzhou (one) Album 57×66.1cm Silk Color, 1778 Collection of the Palace Museum
Style: Chuntai Mingyue
[Qing] Yuan Yao Four Views of Yangzhou (Part II) Album 57×66.1cm Color on silk 1778 Collection of the Palace Museum
Style: Advection Rushing Waterfall.
[Qing] Yuan Yao Four Views of Yangzhou (Part 3) Album 57×66.1cm Silk Color, 1778 Collection of the Palace Museum
Style: Wansong Stacked Cui
[Qing] Yuan Yao Four Views of Yangzhou (Part 4) Album 57×66.1cm Color on silk, 1778 Collection of the Palace Museum
Recognition: Pinggang Yanxue. In the middle of the summer, Yuan Yao painted on Han.
Landscape Map (Part 1) - Yuan Yao
Landscape Map (Part 2) - Yuan Yao