Although in the city, there are mountains and forests, this is the way to play and appreciate. Since ancient times, it pays attention to "multiplying the object and traveling the heart", adhering to the pure heart, appreciating the real thing, observing its rhyme, obtaining its beauty, peace of mind, and having a clear mind.
And on this spring day, the way to take advantage of things is to appreciate the beauty of antique utensils in the mobile phone, which is enough to be quick and self-sufficient, and has the happiness of "when he is happy to meet, temporarily get it to himself".
Wood and mountains, April earth. Xiling Net Auction · Art is continued "掇菁 · Important Antique Art Selection Special", with the heart of good ancient things, reminiscing about the curiosity of the ancient people's life, condensing the essence of the fang, and collecting jade and essence.
April Lot
『Jin Yuan · Jun kiln sky blue glaze purple spot fair cup
Caliber: 10.3cm Height: 6.6cm
Song Dynasty jun porcelain is mainly based on glaze decoration, and rarely other decorative methods are seen, which is related to the literati aesthetics of the Song people, which are introverted, subtle, and endlessly meaningful.
In contrast, the Jun porcelain of the JinYuan Period introduced the heap appliqué carving into the production technology, and some auspicious and interesting patterns such as animal faces, flowers, dragon heads, etc. were integrated into the decoration of Jun porcelain, so that the decoration of Jun porcelain was more abundant and the expression was more lively. Compared with the Han people, the aesthetics of ethnic minorities are more unrestrained and interesting, and the shape and decoration are much more complicated.
Like this jun kiln sky blue glazed purple spot fair cup, the center of the cup stands upright for one person, the cup sees the arch structure, and there is a pore water supply flowing in, the cup is filled with water, and the villain emerges. There is a hole in the back of the villain, and when the water enters, the villain will sink into the water again to show that the water is full, and if there is more, it will overflow. It's ingenious and amazing.
Jun porcelain purple spot ware, take copper material, brush a few into the kiln, when the fire goes, blue and purple blend, now colorful, colorful, each kiln is never the same.
This small bowl of jun kiln is beautiful in shape and can be held. Its lustrous and shiny sky blue glaze is decorated with irregular rose-purple patches, the hair color is thick and light, the transition is natural, from blue to purple, elegant rhyme, swirling and reciprocating in the sky blue fluorescence, vertical and horizontal, looking like the stars of the universe, fascinating.
Jun porcelain is unique for its "glaze with five colors, gorgeous and exquisite". One color into the kiln, out of the kiln colorful. The ancients once chanted the poem "Sunset Purple Emerald Suddenly Into Lan" to describe the subtle change of the color of the jun porcelain glaze, which can be regarded as an image.
Longquan kiln celadon as one of the main celadon kiln system, to the Southern Song Dynasty, Longquan kiln also due to the Shang, Zhou, Han Dynasty bronze style of the customs, a large number of firing antique utensils, there are many antique bronze shaped utensils.
Southern Song Dynasty · Longquan kiln through the ear bottle 」
Height: 33.5cm Diameter: 15.5cm
Such a piece of Southern Song Dynasty Longquan kiln through the ear bottle. The ear-piercing bottle was originally a ceremonial vessel for carrying sacrificial wine during the Shang and Zhou Dynasties, and during the Qin and Han Dynasties, such instruments appeared in the game instruments of the wine banquet - throwing pots.
Whenever there is a feast, the scholar class will use the "Song of Songs" to help the revival, which will prevail forever. After the Tang and Song dynasties, it was no longer a practical vessel, mostly for the decoration of porcelain in the study room, or for flower arrangement.
This device has a straight mouth, a pair of symmetrical vertical tubes along the near mouth, a pair of long necks straight, a bulging abdomen, a plump lower part, a circle foot, and a bare tire on the sole of the foot. The whole body is applied with a light blue emulsion thick glaze, the glaze is fat, and the color is lustrous like a green plum hanging dew, which is elegant and pleasant. Celadon glaze is most pink and plum blue. Plum green has the saying that "plum is green, the color is like the first plum of the hanging branch, verdant and turquoise, and it is clear and clear". And the glaze layer of the plum green glaze of the Longquan kiln during the Southern Song Dynasty is thicker than the glaze layer of the pink blue glaze, soft and smooth.
The whole apparatus is beautiful and chic, subtle and calm, the smooth silhouette and light glaze color make any other decoration appear redundant, showing the Southern Song Dynasty advocating pure color, idyllic and elegant aesthetic taste. The vessel type, glaze color, are all superior.
『Ming · " Daming Jiajing Nian made "blue and white dragon phoenix pattern pear shaped pot"
Length: 22.5cm Width: 17cm Height: 25.5cm
Since the production of blue and white porcelain in the Tang Dynasty, through the Song and Yuan, as for the Ming and Qing dynasties, the prosperity and quality of firing quantity can be described as unprecedented.
The blue and white porcelain type of the Ming Dynasty is elegant and solemn, and the ornamentation changes the Manchu and dense style of the Yuan Dynasty, which is more sparse and open.
The so-called propaganda is greater than words, and the existence of form is not good at painting. Plain blanks are made of paper, and painted with ornaments to express the meaning of auspiciousness and beauty.
Generally speaking, dragon patterns only exist in the production of official kilns. Between different ages, the dragon pattern also has its own variations. At the time of Jiajing, the distance between the dragon claws painted by the blue and white porcelain was much wider than that of the blue and white porcelain of Hongzhi and Xuande, which was the posture of the five claws struggling to open up. The phoenix pattern also appears with the dragon pattern, and the dragon and phoenix face each other from end to end, implying that the dragon and phoenix are auspicious and reunited.
Only to see this Jiajing blue and white dragon phoenix pattern pear-shaped pot, the belly of the pot painted dragon and phoenix pattern, dancing phoenix posture is beautiful, the dragon five claws, running high, full of spirit, dragon and phoenix swimming between the branches and flowers. The overall composition is full, the brush strokes are smooth and flexible, dense and not chaotic. The green color is rich in color, cute and enamel is thick.
The lid of the pot has a jewel button, the lid is painted with dragons and phoenixes on both sides, the neck is decorated with a ruyi cloud head pattern, the near foot is decorated with a lotus petal pattern, and the bottom edge is deformed with a lotus petal pattern. There is no glaze at the foot edge, and the tire is fine white and dense. There is a six-character model of the inscription "Daming Jiajing Nianzao" at the mouth of the pot, and the pen is vigorous and quite skilled.
The shape of this type of pot is rare and extremely rare.
『Qing·" Great Qing Tongzhi New Year Production "Blue and White Tangled Branches Flower Pattern Appreciation Bottle"
Source: '88 Sotheby's.
Diameter: 21.8cm Height: 38.3cm
As for the Qing Dynasty, the blue and white color and tire quality of blue and white porcelain are more excellent than before, and the ornamentation is more gorgeous and complex.
Appreciation bottle, created in the Yongzheng period, is the classic decoration utensils of the Qing Dynasty official kiln, its shape is the Yongzheng Dynasty governor kiln official Tang Ying "refers to the ancient and modern style, moving with new ideas, preparing for clever" and the style of firing according to the purpose, the Original Name of the Qing Palace was "Yutang Spring Bottle", which was later used to reward courtiers, so it was also known as "Appreciation Bottle". Most of them are decorated with blue and white tangled branches and lotus patterns in the hope of encouraging their subordinates to be "clean". After Qianlong, successive dynasties attacked each other.
In the Tongzhi period, the blue and white flowers were rich and purple, the tire glaze was characterized by the late Qing Dynasty, the glaze color was white with light gray, the painting method was neat, and the shape was the same as that of the Qianjia period, full and round.
This bottle is decorated with blue and white ornaments, separated by strings. At the edge of the mouth, the string pattern is painted with the ripples of the sea water, and the bottom of the string pattern is painted with the pattern of the cloud head. The neck is decorated with banana leaf patterns and echo patterns, the shoulders are painted with tangled branches and ruyi cloud head patterns, the near feet are decorated with lotus petal patterns, and the foot walls are decorated with curly leaf patterns.
The overall layout level is clear, the lines are smooth, the brush strokes are delicate, the blue and white hair color is bright and bright, the thickness and light are appropriate, and the white glaze is lustrous, which is a typical instrument of the Tongzhiguan kiln. White glaze bottom and blue and white book "Great Qing Tongzhi Year Production" six-character double line letter model. Good quality, belongs to the best of its kind, and is not common in existence.
『Qing·" Qianlong Year of the Great Qing Dynasty "Shoushan Stone Depiction Oriental Shuo Statue"
Height: 31.5cm Length: 20cm Weight: 3372 g
Shoushan stone carving art, the circle carving is the earliest, cover different materials to carve such as animals, figures, Buddha statues and other things, is the innate intuition of human arts and crafts creation, so in the early Qing Dynasty Shoushan stone carving button, Bo Yi art has not yet fully matured, Shoushan stone round carving statue has reached its peak.
Such a "Great Qing Qianlong Year" Shoushan stone depicts the oriental Shuo statue, with a joyful look, a clear haircut, a step by step, holding a peach branch behind him, standing on top of the spirit stone. His eyes are slightly closed, the corners of his mouth are snickering, and his expression is leisurely and quite expressive.
According to legend, Dongfang Shuo stole the Thousand Year Immortal Peach of the Queen Mother of the West three times and was worshipped as a birthday star for a long life of more than 18,000 years. Therefore, oriental shuo in works of art such as literary ornaments and paintings often bears the image of peach branches or peaches to show auspiciousness.
See also this like the folding of the clothes is dynamic and flowing, the piping of the robe is engraved with flowers and filled with gold, and the engraving is extremely delicate. The stone is moist and sticky like grease, and the natural color is not red and bright, which is the essence of the Shoushan stone round carving.
This shoushan oriental shuo statue was once collected by the Tokugawa family in Nanki, Japan. It was later given to the Shoda family by the Tokugawa family. Shoda is the ancestor of Empress Michiko, Emperor Akihito of Japan. Therefore, the return of treasures to the homeland this time is really a treasure.
Stay tuned
Xiling Net Auction Art is a April lot
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Qing · Dun Hao Tang collection of agate three-legged round wash
Caliber: 14cm Height: 2.8cm
Knowledge: Tun Hao Tang Collection
Description: "Dunhaotang" is the name of Wu Xianshengtang, a famous scholar of the Qing Dynasty. Wu Xiansheng, the character Shicun, the number Mengting, also known as Shi Cen, wrote a volume of "Seal" and "DunHaotang On the Seal" in his life. Pen washing, as a vessel for the ancient literati to wash pens, pen washing is widely favored for its wide variety, elegance and exquisiteness. This piece of agate washing material is fine and delicate, and the atmosphere is simple. The tire wall is light and thin, the surface is polished evenly and delicately, and the natural texture is hidden in it, just like the soft mountain, and it is as quiet and elegant as the layers of clouds.