Author: The Lord of Stealing Idleness
In the old drama, I am most happy with "Shilang Visiting Mother", and the most watched is also "Shilang Visiting Mother", because in this play, loyalty and filial piety can be fully demonstrated, and the field is also quite compact.
Eleven schedule Yan Qiu came to Qiu Bo, posted the whole book "Visiting Mother" in the matinee, I sneaked around in a hundred busy to see the whole book "Visiting Mother", originally it was the highlight of Xu Sheng, to see Cheng Yanqiu from here, it was not a matter of a moment, the princess role, must be gentle and gorgeous and generous, Mei Lanfang played this best, Yan Qiu This corner is not right, there is no drama on the face, the expression is nothing, guessing the heart of a paragraph, the eyes are stagnant, especially can not alternate, remember that I have watched Li Huimin's "Sitting palace" twice before, guessing the heart of a paragraph, the eyes are good, even Mei Lanfang is not up to it, It is a pity that the voice is too small (this is the relationship between young age), otherwise "Sitting Palace" is folded, to be honest, it is indeed better than Cheng Yanqiu.
Yan Qiu sings, specifically to go low-key to Bo Man Tang is good, this is a matter of opinion, there is no need to say it, the body is stiff, the appearance is particularly ugly, Yan Qiu has recently become fatter and fatter, and the face is pasted with two large pieces, living like the big Ah Fu of Wuxi specialties, and Shi Lang standing side by side on the stage, taller than Shi Lang, this phenomenon is really strange and ugly.
Cheng Yan autumn flag suit
At the end of the same pleading, the mood at that time should be so nervous, when paying tribute, there must be a little childish innocence, Yan Qiu did not show it, the singing of the allegro "The horse is temporarily tied up for a while, our family goes to the temple to talk about human feelings, hurriedly goes to the golden temple, ask me a word and answer", the last sentence of this paragraph is inappropriate, because at this time the princess is tied to the temple to intercede, and must not come to such a set of "ask me a word and answer" as when Shi Lang was captured by Liu Lang, and moreover, the empress dowager knows that Shi Lang and his wife colluded in the theft order, then if you give you a silent and silent, what should the princess do? Can it be further? So this sentence is still according to the old words "see the mother queen to ask anning" to come properly, send Yan Qiu, the next time you change the lyrics, please think about it carefully.
Chen Shaolin's play, I have seen several times, can not be satisfied, the result of this play Silang, still disappoint me, Shaolin's voice is small, the more singing lighter, to the later small almost like a mosquito barking, I sit in the four rows, there are still many can not hear clearly, sitting in the back, not to mention, I don't know who he is singing to?
Chen Shaolin's "Shilang Visits His Mother"
Guess the heart of the heart when a few words of white mouth, although at that time Shi Lang was sighing, perhaps did not answer the princess angrily, but at least, always let the audience understand what he was saying, Shaolin this paragraph, can be said to be put in the throat to say, the expression is too plague, emotional deficiency, "Sitting Palace" a fold, failed to put Shi Lang's full heart out one by one, "sitting in the palace" section, but still stable, see the mother, other wives, crying hall folds, the heaviest facial expression, Shao Lin failed, but Wen Liangchen's weeping face, quite touching, a few words "reluctant" It was enough to taste, but the "hanging hair" that was captured was unfortunately covered by the case and was not seen.
Cheng Yanqiu's "Shilang Visits His Mother"
The empress dowager of hibiscus grass, in today's ping opera circle, can be called a solo step, a piece of Xipi, won a lot of colored sounds, Yu Zhenfei's Yang Zongbao, the face is not powdered, it is not inevitable to be old,000 points, unlike a fourteen-year-old child, Yu Congluo.
(Ten Days Drama, Vol. 1, No. 7, 1937)