The Collected Poems of Mr. Song Lin and Jing in three volumes (Song) was written by Lin Kui
Qianlong Decade of the Qing Dynasty (1745) Chen Zi Shenliu Reading Hall Inscribed Book (Qing) Bao Tingbo Batch School One Letter and Two Volumes
Plutonium: Sha Zi Rong Tu Ji (Zhu Fang), Zhi Wei Zhai Bao YiWen Collection (Zhu Fang), Yanguan Wu's Baoyun Lou Treasure Calligraphy and Painting Seal (Zhu Fang), Bai Gong Guan Master (Zhu Fang), Mu Wei Bookstore Master Collection Secretary (Zhu Fang)
Bao Tingbo, the master of the Qing Dynasty, tried to engrave four volumes of the "Collected Poems of Mr. Lin Hejing" and wrote a poem: "Song carved poems are not separated, they were seen in Gu Baochong's house, but they did not borrow the school, and now they are published in this school with the orthodox eight years of Chen Zhi." According to Liu Houcun's "Poetry": Kui has been bitterly chanting all his life, and he has picked out five words and thirteen links, and now only the five links are concentrated. Such as 'Hidden non-Tang Jiazi, sick Lu Chunqiu', "water and sky clouds black and white, frost wild trees blue and red", "when the wind returns with flute, smoke far away from the village' and Guo Suo, hook. The union is absent-minded. Seven words and seventeen couplets, set yi three, so that if there is no circumstantial evidence of the "Excerpt Diagram", it will all become yi poems. "This book is a single engraving and is not included in the series of books engraved by Bower.
Lin Kui (967-1028) was a famous hermit of the Northern Song Dynasty, who did not enter the city for twenty years, avoided living in the lonely mountains of Hangzhou, never married a wife in his life, only liked to plant plums and raise cranes, known as "plum wife cranes", and after his death, his reputation was known in the imperial court, and he was given the title of "Mr. Hejing" by Emperor Renzong of Song. His poems are more secluded and idle, using words to clear and steep, especially writing plum blossoms to convey the essence, many strange sentences. However, Lin Kui was not at a loss for his own work, and abandoned it with the writing, saying to himself: "We are obscure in the forest, and we do not want to be famous for a while, and the situation will be for posterity!" Therefore, his poems were not collected in the world before his death, but those who do good often steal them, and now there are more than three hundred poems, three words, and four volumes, all of which have been compiled by later generations.
In the 10th year of the Qianlong Dynasty, Chen Zi Shenliu Reading Hall carved a book plate of "Song Lin and Mr. Jing's Poetry Collection"
The earliest inscribed version of Lin Kui's poetry collection, which is currently known to be the Southern Song Dynasty Shaoxi Three Years (1192) Zhejiang Western Transit Envoy Si Ben, there is the Emperor You Five Years (1053) Mei Yaochen Order, said that the collection was picked up by Lin Kui's grandson Lin Danian, and please be the preface. Lin Ji has not seen the Yuan Dynasty engravings passed down, and the Ming and Qing dynasties have been engraved many times. Before Bao Tingbo published the engraving of the single line, the Ming engravings mainly included the Orthodox Eight-Year (1443) Chen Zhi Engraving, the Zhengde Twelfth Year (1517) Han Shiying and Yu Zhi Engravings, the Wanli Forty-first Year (1613) He Yangchun and Zhushi Bao Engravings, and the Qing Engravings mainly included the Kangxi Forty-Seventh Year (1708) Wu Tiaoyuan Engravings, the Wang Guxianglou Engravings, and the Qianlong Ten Years (1745) Chen Zi Shenliu Reading Hall Engravings.
When Bao Tingbo wrote this poem, it was based on the Ming Dynasty Eighth Year (1443) Chen Zhi carved the Wu Tiaoyuan engraving of the school in the forty-seventh year of the Qing Kangxi Dynasty (1708), and the book was once ding Bing's "Records of the Collection of Books in the Book Room of the Good Book", which is now stored in the Nanjing Library. According to the "Records of the Collection of Books in the Book Room of The Good Book", Bao Tingbo's old collection of Lin Kui's poems still has a Ming Zhengde Twelve-Year (1517) Han Shiying and Yu Zhi engravings, but this book does not have Bao's school, only "Shexi Changtang Bao's lack of knowledge of the Zhai collection". Coincidentally, Han Zhai also had the honor of receiving a copy of Bao Tingbo's "Collected Poems of Lin Hejing", the page of the book plate was titled "Collected Poems of Mr. Song Lin and Jing", the first line of the volume was titled "Collection of Poems of Lin Hejing", and the engraving of the "Collection of Lin And Jing Poems" was engraved on the heart of the plate, which was an engraving of chen zi shenliu reading hall in the tenth year of the Qianlong Dynasty (1745), and the record of the plaque was damaged for a long time, only the word "Qianlong" could be seen, and the front of the volume had prints such as "Insufficient Knowledge of Zhai Bao's Collection of Books and Paintings", "Yanguan Wu's Baoyun Lou Collection of Calligraphy and Paintings", "The Owner of the Hundred Pavilions", and "The Master of the Muwei Bookstore".
In the tenth year of the Qianlong Dynasty, Chen Zi Shenliu Reading Hall carved the first volume of the "Collected Poems of Mr. Song Lin and Jing"
The volume is preceded by Chen Zi's preface, detailing the beginning and end of the engraving of the book, although the mouth of the book is damaged, it is still roughly readable: "Mr. Song Shishi Lin and Jing, Wuhang Gaoshiye, Yu Weighs His People and Loves His Poetry." Mr. Flowing in the clouds, Zhiben does not pass on poetry, and there are many people who have lost their poems. Yu encountered it in the anthologies of the dynasties, that is, he recorded it in the essay and satirized it day and night, in order to think of its high wind. The matter is not completed, suitable drums in Lingnan, belongs to the research friend Gui Tang Pan Zi Bi Nai Shi. In the twenty-eighth year of the calendar, Yu Shi returned to The Gate with the burial of Xianci Camp and reverted to the old guitang. Gui Tang hand compiled a display of Yu Yue, this Junzhi unfinished poem □ also. Because of the □□ of the virgins, the collection was collected for Wu □ Wu Junrumu □□... □□ difficult. Twenty-eight years of reading, the destruction of impermanence, yu fortunate and GuiTang have always been in the matter, □ the future generations to read his poems, yi want to see his people, then Mr. may not not pass on the poems, yes or Mr. Joy and also. Jujube pears are made of aspirations, and it is not easy to be good. If the gentleman's trip and communication are detailed in this biography and the original preface, it is hereby not available. As for the "Record of Provincial Hearts", mr. Science famous quotes should also be compiled separately as Zhao Laixu. After Qiantang learned Chen Zi's respect. Qianlong Yi Ugly Spring February Book in Lingnan Deep Willow Reading Hall. ”
Chen Zi zi Tongyou, Qiantang people. From its preface, it can be known that zeng lived in Lingnan for twenty-eight years, and his name was Shenliu Reading Hall, and Yu Wai's life was unknown. Nowadays, Tong Youyou and his people are only known to be Qiantang Zhusheng, Nengshi, author of the "Original Mao Poems", and the engraving of the Shenliu Reading Hall in the ninth year of Qianlong (1744) is also engraved. Chen Zi didn't seem to have appeared, and I didn't check the relevant records, only a guess. Scholars drummed Lingnan, mostly for the Battle of Yingkou, since it was driven by the mouth, the family was not rich, the purchase of books was limited, and the reading was also limited. In fact, the "Record of Provincial Hearts" was not written by Lin Kui, the author was The Song Dynasty Li Bangxian, as early as the fifth year of Song Jiading (1212), Li Bangxian's grandson Li Qigang wrote the "Provincial Heart Miscellaneous Sayings" to justify his grandfather's name. In addition, Zhu Xi also said in the "ZhuZi Language Class" that the "Record of The Province" was not written by Lin Kui, but was actually written by Shen Daoyuan. Although Zhu Zi's statement was also wrong, it was used by posterity because of its fame, and many scholars in the Ming Dynasty called the author of the "Provincial Heart Record" Shen Daoyuan. However, Zhu Zizhi's theory was not believed by everyone, and after entering the Qing Dynasty, Yongzheng compiled the "Yuexin Collection" and still called the book written by Lin Kui, until the revision of the "Four Libraries Complete Book", the Siku Guanchen began to determine that the author was Li Bangxian according to the "Yongle Canon". Although the "Record of The Province" was corrected, it was after Chen Zi carved the book, and the words written by Li Qigang were never seen by Chen Zi.
"Collected Poems of Mr. Song Lin and Jing" Portrait of Lin Kui in the front volume
Chen Zi compiled this collection with great care, and this book is from the prologue to Yuan Qiantang Ye Sen's "Records of Lin Hejing's Tomb", the second is Dr. Taichang Mei Yaochen's "Preface to the Collection of Lin Hejing Poems", the second is "Song Shilin and Jing's Biography", the second is Lin Hejing's small portrait and praise, the second is the poetry of the various families, and the second is the order of the eyes. There are three volumes in the whole book, the beginning of the volume is signed "Qiantang Chen Zi Tong Youshi Compilation", volume 1 is the five ancient and five laws, the second volume is the seven laws, and the third volume is the five absolutes, the seven absolutes and the poems. It is a book and periodical carved quite exquisitely, it is a typical early Qing Dynasty inscribed version, and its preface still says that Wu Jun of Curium Wood is unfortunately damaged in the key points, and it is impossible to know more. And the book at that time brush printing may not be much, the "General Catalogue of Rare Books of Ancient Chinese Books" did not see the bibliography, in addition to Han Zhai, only known that the Haining City Library has Guan Tingfen approved the school book, zhejiang library also has the book, he may have the opportunity to see it one day, in order to make up for the damage of the book collected by Han Zhai.
The volume of "Collected Poems of Mr. Song Lin and Jing" contains Bao Tingbo Zhu Mo's two-color batch school
Bao Tingbo has a Zhu Mo two-color batch school in this book, although he is ignorant of the name and year of the owner of the jai, only see the plutonium seal, but Han Zhai has received many of his batch school books, and its pen style and approval school method are the same, so it is known that this two-color batch school is out of his hand, and it is applied before the publication of the lin collection single book. There are marks such as supplementary engravings and spaces in the volumes, all of which are engraved in the unique school book method of the calligrapher, and there are missing strokes and missing engravings, all of which are correct with Zhu pen additions, which is also a rare way of batch proofreading for those who often recite poetry.
Tomb of the Virgin Lin Hejing
Reading this volume carefully, it can be seen that Bao Tingbo once proofread this book with a number of different engravings, among which the Chen Zhi engraving of the Ming Dynasty (1443) and the Xian chun Lin'an Zhi were the main ones, and those who were different from the Chen Zhi engraving were all written with Zhu pen on the right side of the inner text, such as Chen Zi carved the first and second pages of the five-character poem "Lake Tower Evening Look", Bao Tingbo wrote "Chen carved 'write' next to the word "Wang"; the poem "Autumn Pure Goose Line Height" sentence, Bao's note on the side of the "goose" word "Chen carved 'bird'". Looking at the current collection of poems of Ben Lin Kui, the word "bird" is used everywhere, but if I do it, it may still be appropriate to use the word "goose" here. In the sentence "Warm furnace spread thin lavender" in the "West Lake Boat Median Snow", Bao Shi notes "Chen carved 'pick up'" with Zhu pen on the side of the word "stall"; in "Xicun Evening Berth", "White Bird Returns to Fly Far", Bao Shi notes "Chen carved 'Flying Back'" with Zhu Pen.
Inner page of the Collected Poems of Mr. Song Lin and Jing
Unlike the Xian Chun Lin'an Zhi, Bao Shi put an ink pen on the head of the sky. Still taking Volume I as an example, on the third page, "Hushan Xiaoyin", the poem has the sentences "Shoulder to shoulder the Road Clothes Return" and "Why should I forget the machine more", and Bao Shi notes the clouds with ink: "'Ride', Xian Chun Lin'an Zhi as 'cover', 'to' be 'place'." This page also has "Xiao Yin", the last sentence of the poem is "should be combined with the Xianxian", Bao Shi Yu Tiantou Note Cloud: "'Xian Chun Lin'an Zhi' 'Place'." "If so, there are many places in the volume, which is enough to know the heart of Bao Tingbo's school book.
"Collected Poems of Mr. Song Lin and Jing" by Bao Tingbo
In the first page of volume two, "Hermitage on the Lake", there is a sentence of "when passing by, the white bird flies", and Bao Shi also applies a zhu mo two-color criticism at the head of this sentence, the ink pen is: "'Xian Chunzhi' 'over' to do 'come'", Zhu pen is: "Examine the old carvings as 'visitors'." The word "old carving" should refer to the old books other than Chen Zhi's engraving and the Xianchun Lin'an Zhi. In addition, the second volume has seven laws of "Spring Yin", and Bao Shi wrote a note in Zhu pen under the title: "The Zhongzhou Collection is written by Liu. poem. Volume III has seven masterpieces of "Evening Berth", and at the end of the poem there is a small note by Chen Zi: "This first see Wu Yuanciqi's "Shiyong", and Yun is Lin Zuo. Bao Tingbo commented with Zhu Pen under the small note: "There is no such poem in "Shiyong". All these things show that Bao Shi not only consulted Chen Zhi's engraving of the "Collection of Poems of Lin Hejing" in terms of word and sentence error, the "Xianchun Lin'an Zhi", and the Wu Tiaoyuan engraving of Ding Bing's writings, but also referred to the "Zhongzhou Collection" and Wu Qi's "Song JinYuan Shiyong" and other poetry collections in terms of the authenticity of the articles. The reason why the owner of the Zhibei Zhai can become a generation of great bibliophiles and engravers has its own strength and refinement that outsiders have never seen.