#靠浦荐宝 #
Although the full name of the Forbidden City is called the Palace Museum, at least half of the people (in fact, there should be more than half) enter the Forbidden City to visit the buildings, walk and take pictures. Unlike other museums, there are only cultural relics, and when you go there, you can see the cultural relics on display.
Of course, the Forbidden City has a famous treasure hall and a clock hall, which are charged separately, and the general tourists will go here to see the cultural relics on display. But in fact, the Forbidden City also has many permanent exhibition halls, which are not on the central tour line, and need to be bypassed to see it alone. Inside, all the good things in the museum's collection are displayed. But the Forbidden City is too big, there are too many exhibition halls, and the time is too limited, and it is impossible to see them all.
Today@ Pufeng Catching Shadow will introduce you to a new museum opened this year - ceramics hall.
Recommended Index: ⭐⭐⭐⭐⭐ (5 stars)
The Ceramics Hall is located in the Wuying Hall on West Road, which was originally a calligraphy and painting hall, but has been remodeled and transformed into a permanent ceramics hall. From the collection of 350,000 ceramic cultural relics, more than 400 pieces of 700 to 8,000 years of history have been selected for people around the world to appreciate and study for free.
Most of the ceramic cultural relics collected by the Forbidden City belong to the old collection of the former Qing Palace, which can be described as a self-contained system and circulated. In particular, after several generations of expert research and identification, it has a high degree of authenticity and reliability. It basically covers the fine works and representative cultural relics of various periods.
But there are too many good things, @ Pu Feng to catch the shadow on the most famous Ru, official, brother, Jun to see.
Due to the limited exhibition space in the Forbidden City, the treasures that have to be exhibited separately in other museums are crowded together. Cry out for them. [Smile]
Ru kiln, pale azure glaze string pattern three-legged bottle furnace. Northern song dynasty.
Ru kiln, light azure glaze three-legged bottle furnace plate. Northern song dynasty.
Round lip, straight abdomen, flat bottom, lower bearing with three legs. A sky blue glaze is applied throughout, the glaze is opened with fine fragments, and the foot end is unglazed.
Qianlong Ye especially liked it, so he carved his own poems under the plate...
The poem says: "The purple clay is made into three iron feet, and the fable is a letter." Yi Ci Benqi retired to Tibet, and Song Zhao hu exaggerated and talked about things. At the end of the sentence, "Qianlong Pengshu Xia Imperial Title", Qianlong Pengshu is the forty-third year of Qianlong (1778), and the bell seal body "De Chong Fu" square idle chapter.
More than 20 pieces of Ru porcelain have been handed down to the present day, which provides a direct clue for understanding the qianlong dynasty's appreciation standards for Ru kiln porcelain. This artifact is a unique product that has been handed down from generation to generation and is extremely precious. It was once called "three-legged washing" or "three-legged plate", but from the excavation of Han Dynasty copper three-legged bottles are used with three-legged plates, it should also be used with three-legged Bo-style furnaces.
Ru kiln, light azure glaze plate. Northern song dynasty.
The center of the outsole is engraved with the word "B".
The inscriptions of "A", "B" and "C" on ru kiln porcelain are generally considered to be the marks that divide the grades of utensils. The qing dynasty court archives also record that the Qianlong Emperor ordered that the porcelain collected in the Qing Palace be engraved with words such as "A", "B", and "C" on the accompanying shelves and capsules to mark the grade of the utensils. However, judging from the content of the Qianlong Emperor's imperial poems, some of the characters that marked the hierarchy were engraved on the utensils before the Qianlong Dynasty.
Ru kiln, light azure glaze plate, Northern Song Dynasty.
Disc open, shallow curved abdomen, flat bottom, outer apostrophe circle foot. The whole body is covered with a light azure glaze, and the glaze is opened with fine fragments. Wrapped in foot support, there are 3 small nail marks on the outer sole, the central key is engraved with the word "C" in the body of the seal, and the imperial inscription poem of the Qianlong Emperor is engraved. The poem says: "Light green ice crack fine stripes, secret artifacts still exist in the repair of the internal remains." Gu Propylene is the present-day Jiadi, and the human talent sighs or rusi. At the end of the sentence, "Qianlong Jia Noon Spring Imperial Title", Qianlong Jia Noon is the thirty-ninth year of Qianlong (1774). The bell circle double dragon surrounds the "three" gua idle chapter. Judging from the sentence "Ancient Propylene is the present Jia", the engraving time of the "C" character at the bottom of the wash should be earlier than that of the Qianlong Dynasty. The glaze of this vessel is dull, uneven in color, and has many reddish-brown marks, which may have been burned during the circulation. Among the heirloom Ru kiln porcelain collected by the Palace Museum, the largest number of such deep plates is 11 pieces, of which 8 have such fire marks, and some circulate abroad, perhaps caused by accidental fire in the Collection of the Qing Palace.
Go kiln, grey-blue glazed amphora furnace. Southern song dynasty.
Go kiln beige glazed sunflower mouth plate. Southern song dynasty.
Disc 6 petals flower mouth, shallow curved abdomen, circle foot. Glaze is applied inside, outside and inside the lap foot, with a yellowish glaze of blue and near the sole of the foot. The glaze is covered with finely broken open stripes.
The outer sole is engraved with the imperial poems of the Qianlong Emperor. Poetry: Chuzhou refined zhangsheng, plate once for Pan Suosheng. The new law does not look at the hundreds of broken, that knows that there are difficult brothers. At the end of the sentence, he signed "Qianlong Bing Shen Chun Imperial Title". The poem is included in volume 97 of the Four Collections of Imperial Poems of Emperor Gaozong of the Qing Dynasty, entitled "The Plate of the Gokyao".
Go kiln gray blue glazed begonia type pot. Southern song dynasty.
Now the best product, before it was just a flower pot of the emperor...
Go kiln beige glaze sunflower wash. Southern song dynasty.
Jun kiln, rose purple glazed begonia type pot. Northern song dynasty.
The pots are in the shape of 4-petal begonia flowers. The wide mouth is folded along, and a thin edge is raised along the edge. Deep abdomen, upper and lower, flat bottom open with 5 water seepage round holes, the bottom of the 4 Ruyi cloud head foot. The sky blue kiln in the pot is glazed, and the rose purple kiln is glazed outside, and the bubbles inside the glaze and the glazed brown eyes are obvious. The ribs along the mouth and inner wall are sauce-colored, and the folding edge and the outer wall recesses are purple-white. The outer sole is coated with sauce-colored tire protection glaze, with a ring of burnt nail marks, engraved with the number word "four", and there are Qing Palace inscriptions "Chonghua Palace" (horizontal), "Jin Zhao Yucui use" (vertical), the font is neat, the strokes are slender. The soles of all four feet are exposed with gray tires.
Chonghua Palace is located in the forbidden city of Tingxi Road west of the sixth palace, was originally the second of the five Qianxi in the Ming Dynasty. When Hongli was crown prince, he first lived in Yuqing Palace, and after getting married in the fifth year of Yongzheng (1727), he moved to the Second House of Qianxi. After Hongli ascended the throne, this place was elevated to the palace as the place where the dragon dived, and the name Chonghua was chonghua. Chonghua's name comes from the Shang Shu Shundian (尚書舜典), kong Yingda Shu: "This Shun can inherit Yao and value the brilliance of his wende." "Yao and Shun were the ancient sage emperors, shun succeeded to the throne, and posterity used Yao Tian Shun Day as a metaphor for the ideal Taiping and prosperity. The university scholars Zhang Tingyu and Ertai drew up this palace name, which was intended to praise the Qianlong Emperor for having the virtue of Shun, and the name of succession was justified, so that the country could have the rule of Yao and Shun. Since the beginning of the Qianlong period, Xinzheng has gathered the scholars of the Inner Court University, Hanlin and others to give tea feasts at Chonghua Palace. The Jiaqing Emperor took this event as a family law and held it every year from the second to the tenth day of the first lunar month. It is still held from time to time during the Daoguang period, and it will be terminated after Xianfeng.
Jun kiln rose purple glaze drum nail flower pot holder. Northern song dynasty.
The inner sky blue glaze has a "earthworm walking mud pattern".
Jun kiln sky blue glaze drum nail flower pot holder. Northern song dynasty.
The pot supports the mouth, the deep arc abdomen, the flat bottom, and the bottom is supported by 3 Ruyi cloud head-shaped feet. The mouth is decorated with two strings, and the mouth edge and the lower part of the abdomen are each decorated with drum nails for one week, 23 in the upper part and 19 in the lower part. The inner and outer glazes are applied with sky blue glaze, and the glaze layer at the mouth edges and edge edges is thinner and beige. The outer sole is locally smeared with sauce-colored tire protection glaze, and there are 24 burnt nail marks on the periphery, with large fulcrum points and dense arrangements, and the three-legged exposed gray tire. The inner wall and outer sole of both feet are engraved with the number of characters "one", but the inscription strokes on the inner wall of one foot are thicker and deeper, which should be the original inscription; the inscription strokes on the bottom and the inner wall of the other foot are thin and shallow, and may be carved by the Qing court. In the center of the outsole, there is also the Qing Dynasty court carved "Yangxin Hall" (horizontal) and "Changchun Bookstore" (vertical), with slender strokes and neat fonts.
The Yangxin Hall is located in the west of the TingqianQing Palace in the Forbidden City, and was built during the Jiajing period of the Ming Dynasty. The Shunzhi Emperor died of illness here in the early Qing Dynasty. During the Kangxi Dynasty, it was used as a workshop for the palace office, specializing in the production of imperial objects. Since the Yongzheng Emperor lived in the Yangxin Hall, the workshops of the construction office gradually moved out of this place, which has always been used as the residence of the emperor of the Qing Dynasty, and was transformed and added to the Qianlong period, becoming a multi-functional architectural complex of the emperor to summon his subjects, handle government affairs, study, study and live. Until the last emperor Puyi was expelled from the palace, 8 emperors of the Qing Dynasty lived in the Yangxin Hall successively. The "Changchun Bookstore" was the private study of the Qianlong Emperor. When the Qianlong Emperor was crown prince, the Yongzheng Emperor held a festival in the Qingyan Room of Jiuzhou in the Yuanmingyuan and gave him the title of "Changchun Resident", so the imperial bookstores of the Qianlong Emperor were mostly named after "Changchun". According to the "Work Plan clearance of the offices", in the first year of Qianlong (1736), Hongli, who had just ascended the throne, ordered the transformation of the Yangxin Hall that was about to be occupied, the Xianlou after the Qinzheng Qinxian Hall into a study, and the plaque of "Changchun Book House" was inscribed. In addition, the imperial study room named after the "Changchun Book House" was found in the Cuiyun Hall of Chonghua Palace, Qingyi Garden, Jiuzhou Qingyan of Yuanmingyuan, Xiyuan Qisi Building, summer resort, etc., which was an important place of literary activities of the Qianlong Emperor. In the forty-first year of Qianlong (1776), the Yangsheng Hall, which was built for the return of the Hongli Dynasty to the government, was also built completely according to the Changchun Book House of the Yangxin Hall.
Endless treasures, pieces are worth hundreds of millions, friends who have time to go into the palace to see it.