【Editor's Note】
The light of The Mindu passed on the torch.
On March 24 this year, General Secretary Xi Jinping came to Fuzhou Sanfang Seven Lanes to inspect, listened to the introduction of the protection and restoration of Fuzhou Ancient House and Sanfang Seven Lanes, and also inspected Nanhou Street and Langguan Lane on foot to visit Yan Fu's former residence. General Secretary Xi Jinping has repeatedly stressed that it is necessary to "let history speak and let cultural relics speak" and "let the cultural relics collected in the Forbidden Palace and the heritage displayed on the vast land come alive."
This year, the 44th World Heritage Conference will be held in Fuzhou. It is imperative to protect the historical and cultural heritage, retain the cultural roots, keep the soul of the city, build the international brand of Mindu culture, and consolidate the cultural foundation for accelerating the construction of a modern international city.
To this end, "Minsheng" magazine launched the "Qingfeng to the Deceased - The Ink Of Fujian Celebrities in recent times", which is the physical evidence of the Collection of Fujian Calligraphy and Painting, more than 40 famous artists old ink, 200 pages and 200,000 words, more than 100 pictures, involving the late Qing Dynasty and the Republic of China academic circles, political circles, business circles, calligraphy and painting circles, collection circles, religious circles, education circles, literary circles and other fields, with historical and artistic value that cannot be underestimated.
This book is a monograph on Mr. Lan Ruo's calligraphy and painting collection, involving many knowledge sections such as original works, interpretations, small notes, examinations, appreciation, and reviews. We will continue to publish the wonderful content of "Qingfeng To the Past - InkBlot Talk of Fujian Celebrities in recent times", return to the "old bright moon" with you, touch those words with history, temperature and interest, and appreciate the profound and profound spiritual outlook of Fujian culture.
Chen Haimei (1850-1924), the character Xiangxue, the old man of the garden, a native of Minxian County (now Fuzhou) in Fujian Province, a member of the Qing Guangxu Twenty-first Year (1895) Huihuiyuan, a twenty-fourth year of Guangxu (1898) jinshi, was released to Fill Longquan Zhi County, Zhejiang Province. Gong poetry calligraphy, author of "Rice Spraying Collection"
Chen Peikun (1877-1964), also spelled Yunshan, was the master of Hanliao. A native of MinXian County ,Fujian (present-day Fuzhou). After the Republic of China, he successively served as Zhanglong, Minhai, and Xiamen Daoyin, director of the Fujian Provincial Department of Finance, member of the Fujian Provincial Government, director of the Provincial Relief Committee, and acting chairman of the provincial government. After liberation, he successively served as a member of the Fujian Provincial People's Government, a member of the Provincial Committee of the Chinese People's Political Consultative Conference, and the first director of the Provincial Museum of Culture and History. Gong poetry calligraphy, author of "Seaside Talk", "Hanliao Poetry Collection", "Min Wen Even Record", "Min Wen Ji Ji" and so on
In the 24th year of Qing Guangxu (1898), the family of Zhu Zifang in Fuzhou City, surnamed Chen, spread the great joy, and his father Chen Haimei and his son Chen Peikun went to the Beijing Temple to test, and they were on the same list!
In 1895, Chen Haimei took the first place in the hui examination, that is, Hui Yuan, but did not participate in the temple exam and did not order Hanlin. According to Chen Baochen's saying: Chen Haimei "initially took the brother's illness, did not go to the test, the brother's strong trip, the day before the test began to arrive in the capital, the test was completed, the return was rushed, judas and saw the brother, the brother often thought that he was lucky..." Chen Haimei's brother was deeply in love, the brother was seriously ill, and he gave up the temple test to see the last side of the brother, which was very rare! Three years later, Chen Haimei and Chen Peikun father and son became the same branch of the jinshi, passed on as a good story.
Although they were both from Hanlin, the fate of the father and son was not similar. After Chen Haimei was dismissed from the museum, he was not appointed by the library, nor did he stay in the Hanlin Academy, but was released to Fill Longquan Zhi County in Zhejiang Province with Shu Jishi. Chen Haimei has been in office for five years and has a political voice. He devoted himself to the construction of water conservancy, devoted himself to running schools, and cleaned up lawsuits, and the local people called the embankment he built "Chen Gong Causeway", which shows that it is an official reputation.
Chen Peikun's "Collected Poems of Chen Shouqi and Chang Yu" on paper
However, Chen Haimei had a fierce temperament, was unrestrained, and repeatedly offended the county sheriff, and he had no intention of advancing, and soon abandoned the official and returned to the country. Back in his hometown of Zhu Zifang, Chen Haimei Gandang cloth, wandering under the forest, poetry and wine for self-entertainment, but also happy and comfortable, known as "Minyi Banqiao". He was good at poetry, and sometimes played with poets to fight poetry for fun, often using the Fuzhou dialect proverbs and colloquialisms as the theme, or satirizing the world's hot and cold, or the cold and warm of the Taoist world, or laughing and scolding, all of which became characteristics, and the later collection published "Spray Rice Collection". If there is a poetry cloud, "If there is a trickle and a trickle, why worry, is it expected to flow like a torrent?" The world is drowned by oneself, and who traces it back to the source. "His poems are witty and funny, and easy to understand. Another example is its Wing Rong City proverb: door wing shelf (throw) Zheng piece (wrong side), "the big non-household pair with the door dang, translocation also think carefully about business." How many lintels are mismatched, and they are sloppy and blame the father.com. Don't read the notice (literacy) look at the notice (pretending), "Hanging books want to read the total labor, don't smile the blind cow like Cao." There is no need to ask for relief from others, it is nothing more than to exploit my fat cream. "The sky collapses (there is) salty (high) people's top, "Emperor Huan made up for the spring and autumn after a few springs, when the northwest tilted, I was also worried." If you have a high talent, you should be doomed, and you don't need to worry about the people. ”
Unlike his father, Chen Peikun is on the same page. After he passed the entrance examination, he was elected as a Shu Jishi, and later he was taught the editing of the Hanlin Academy and the assistant of the National History Museum. Shu Jishi (庶吉士), the official name, ming hongwu initially placed, taking the meaning of "庶常吉士" in the "Shang Shu Lizheng". There are six subjects and chinese books. At the beginning of the second year of Ming Yongle, he was exclusively subordinate to the Hanlin Academy, and was appointed as a jinshi who was good at literature and calligraphy.
In the last year of the Qing Dynasty, Chen Peikundong crossed over to Study at Hosei University in Japan. In the first year of Xuantong (1909), he served as the superintendent (i.e. the principal) of Fujian Higher School. After the Republic of China, he successively served as Zhanglong, Minhai, xiamen Daoyin, director of the Fujian Provincial Department of Finance, member of the Fujian Provincial Government, director of the Provincial Relief Committee, and acting chairman of the provincial government. During the War of Resistance Against Japanese Aggression, he served as an adviser to the provincial government and deputy speaker of the Provisional Senate, and participated in organizing the people to resist Japan and save the country. After the victory of the War of Resistance Against Japanese Aggression, he accompanied Chen Yi to Taiwan to preside over the reception affairs. After returning to Fujian, he was appointed as a member of the provincial government and the president of the provincial bank. In 1949, he refused to go to Taiwan, and welcomed the liberation of Fuzhou with Sa Zhenbing and Chen Shaokuan. After the founding of New China, he successively served as a member of the Fujian Provincial People's Government, a member of the Provincial Committee of the Chinese People's Political Consultative Conference, and the first director of the Provincial Museum of Culture and History.
Chen Haimei's "Xingshu Ocean Mountain Poetry" axis on paper
Yu collected the calligraphy of the father and son, and Chen Haimei wrote the poems of Wang Ruanting's commentary on Han Lefu. Wang Ruanting, also known as Wang Shizhen,also known as Yuyang Shanren, authored the Yuyang Poetry. Wang Shizhen "does not take the time to be in mind", and has a lifelong fetish for landscapes, good friends, poetry and wine lingering, handsome and dashing, and has the style of Wei and Jin. Chen Haimei likes to write yuyang sentences, and also sees the trend of his heart. Thaksin handwritten, extremely casual, round and not sluggish, tightened but not loose pointill brush, seems to have explored the ancient brushwork is correct, clean and vigorous, and scattered. The font size and stroke thickness of the book are very different, the contrast is strong, but the pen is in line with the law, the chapter is natural and harmonious, and there are dense changes, which is very rhythmic. Before his calligraphy, he gazed at the divine thoughts, and there was a chuchu and moving wind and spirit that swept over his face.
Look at Chen Peikun's calligraphy, its dot strokes and lines of pens use more centers, and the knots are evenly stopped, neat and stable. Originally, such works were mostly mediocre works, simple to use, straight forwards and straight forwards, shallow meaning, and impatient. However, Chen Peikun's pair of couplets is written cleanly and neatly, Yuanxiu is very strong, and there are many reverse pens at the starting point, and more pencils are drawn, and there are ups and downs, and there are dews, which shows the strength of his pavilion. The vivid and changing posture of his body is hidden in the flat and calm structure, from which you can also glimpse his worldly and resourceful personality characteristics.
Chen Peikun 'Xingshu Yang Yi Zhai Language' axis on paper
This couplet, "Huang Xuan Qingning is troubled, ten continents and five mountains should be submerged", is a collection of verses by the classicists Chen Shouqi and Shao Changsu. In this work, he imitates Yan Liu and comes out of the machine, the pen is indulgent, contains vigor in warmth, and is old and spicy in the whole food. Carefully tasting these brushwork, the knots are mostly flat, not leaning on the side, showing his practiced writing skills and extraordinary pursuit of interest. With the help of Yan Shu's generous and comfortable body, he expresses his interest pursuit very well, he writes relaxedly, the stability of the words and the spirit revealed between the lines are interesting, and the unity of the book's interest and the artistic conception of the text also constitutes the depth of the work. It is no wonder that during the Republic of China, when Chen Peikun organized donations in Southeast Asia and Hong Kong, many overseas Chinese liked his "Hanlin" character and donated money to help, and the role of his calligraphy was not small at that time!
Source: Minsheng Media