The stage tests the comprehensive strength, and the stage does not let people sing "one-man show".
In the seventh issue of "Our Song" on Sunday, Zhang Bichen and Zhou Xingzhe's "Interstellar Baby" group, and Liu Yuning and Shan Yichun's "National Color Tianxiang" combination, head-to-head, electric light and flint, and finally with the number of votes that Ming Dangled, the gap between the two groups was seen.
Is Zhang Bichen singing badly? Was it Zhou Xingzhe who pulled the hind legs? It's that simple!
Below, we will analyze these two games in depth, why the competition between the two new generations, the seemingly more famous Zhang Bichen group, will lose the game again!
Seeing them choose Wang Lihong's "Two People Are Not Equal to Us" for pk, my heart was half cold.
Why? Wang Lihong's song is too unsuitable for stage competition.
In the original song, Wang Lihong is almost playing and singing to himself, muttering to himself, in loneliness, reflecting on the love relationship.
Such songs are not suitable for stage performances. If you perform, you have to make a drastic adaptation.
However, look at the performance of Zhang Bichen and Zhou Xingzhe.
A door blocks the male and female protagonists, each chanting the state of "two people", at this time, I feel that it is still meaningful, and I am sincerely expressed in the original song.
But when two people have a chorus, I don't think it's right. The relationship between two people should be a mirror image of each other, not a state of "togetherness". If two people adopt polyphonic treatment, is it more conducive to expressing such emotions?
Speaking of the singing part, in fact, Zhang Bichen and Zhou Xingzhe did not sing the "emotional state" that Wang Lihong wanted to express.
Zhang Bichen is more into the situation, and Zhou Xingzhe becomes the person who cooperates, rather than in this relationship, the two are in the same state of "not understanding each other but loving each other".
So when I listened to this song, I wasn't put in the context. Nor did they feel their various confusions and struggles in love.
A performance that does not exceed the audience's expectations is a failure, because the audience does not get what they want to "be moved" and "stimulated".
In fact, for the "interstellar baby" who is not very good at adapting, choosing the right song has become the top priority, and choosing this song is doomed to lose.
Liu Yuning's adaptation of "Daughter Country" has won my heart, and I feel that it is a modern version of "Daughter Country Adventure".
Liu Yuning's role is to play Tang Sanzang, and Shan Yichun is the role of the king of the daughter country. Liu Yuning struggled between "taking the scriptures from the Western Heavens" and encountering "love robbery". Shan Yichun is "obsessed with a piece" and falls in the sea of lust.
I like Shan Yichun's singing, it is so beautiful, the pure and beautiful tone seems to be clean and clear, and the natural sound is irresistible.
The same is to deal with the relationship between the male and female protagonists, we see that the cooperation between Shan Yichun and Liu Yuning is a polyphony of singing, because in this way there is a sense of contrast between "relationship" and "emotion".
Even if they end up singing together, both people sing the same tune, not one lead singer and one harmony.
The whole performance, let me see, is a stage that understands the connotation of the song very well and presents it in a very appropriate way.
This "Daughter Country" made me see the helplessness of Tang Sanzang and the king of the daughter country who could not keep each other, and also saw the estrangement of modern people who love each other but do not know each other.
In terms of stage design, "Tang Monk" has never stood with the "King of the Daughter Country", which should also be in line with the reality of the two never being together in the plot.
Zhang Bichen group, the first choice of songs, this song is not suitable for stage performance. There was no more wonderful adaptation, and the result was bland, not empathetic, and not able to bring people into the situation.
Shan Yichun and Liu Yuning are the opposite, the characters have the role of the role, the emotions have contrasting echoes, the stage has a clever design, and the singing and interpretation are in line. Couldn't fault the performance.
In fact, through these, we can see that the gap between group B "National Color Tianxiang" and group A "interstellar baby" is not in singing, but in interpretation; not in strength, but in orchestration.
Because a good stage music work requires vivid details, and at the same time, it needs a magnificent handwriting to structure.
Zhang Bichen and Zhou Xingzhe are both good at singing and composing, and they have not been trained in song arrangement, so it is obvious that they have suffered losses.
In fact, it is also a good thing to lose, you can see your own shortcomings, start to consciously make up for your "shortcomings", step out of the comfort zone, see and discover a new self. Isn't "Our Song" wonderful because of this!
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