"Linjiang Immortal", Tang Jiaofang song, has a wide range of sources. Initial bi-tonal minor order, used as a tone.
Also known as "Xie Xinen", "Returning after the Wild Goose", "Painting Screen Spring", "Courtyard Deep", "Picking Lotus Back", "Thinking of Wanting To Tingting", "Ruihe Xian Ling", "Mandarin Duck Dream", "Jade Lianhuan". "Linjiang Immortal" syllables need to be fluent and harmonious when singing, and the voice is suppressed, which can be described as "how much hatred there is in the song, and the singing cannot be exhausted Linjiangxian"
"Linjiang Immortal" 【Ming】 Yang Shen The third paragraph of the "Twenty-one History Bullet Words" says that the Qin and Han dynasties opened the speech The water rolling in the east of the Yangtze River, the waves exhaust the heroes. Success or failure turns empty. The green mountains are still there, and the sunset is red a few degrees. White-haired fisherman on the river, used to watch the autumn moon and spring breeze. A pot of turbid wine is a happy encounter. How many things in ancient and modern times are in the process of laughter.
This word is a famous passage throughout the ages and has been widely circulated. It is a poem of history, through the narrative of the rise and fall of history to express the feelings of life, bold and implicit, high-pitched and deep. Judging from the whole word, the tone is generous and tragic, meaning endlessly, which makes people read it with anger and intestines, and can't help but add thousands of emotions in their hearts.
[Song] Su Shi One by one, the door changed the fire three times, and the end of the world stepped on the red dust. Still smiling. No wave true ancient well, there is a festival is autumn reed. Sadly lonely sails sent overnight, sending off the light moon and clouds. There is no need for a green eyebrow in front of the zun. Life is like a reverse journey, and I am also a pedestrian.
This is a farewell word, the whole word changes the previous farewell words of the lingering sentimentality, grief and sorrow or generous and sad style, innovation is intended in the law, sending mysterious reasoning in addition to extravagance, discussion is lively, direct lyrical temperament, written both emotional and interesting, fully embodies the author's open and free personality.
The lyricist's affection for the old friend's affection for farewell is written deeply and delicately, tactfully turning back to each other, twisting and turning, moving.
[Southern Tang] Li Yu The cherry fell and returned in the spring, and the butterfly turned gold powder and flew twice. Zi Zhi Yue Xiao Lou West. The jade hook is curtained, and the smoke is hanging in the twilight. After the lonely people in the other alleys dispersed, the tobacco residue was sluggish. The incense is idle and the phoenix is idle. Empty holding the belt, looking back at the hatred of Yiyi.
The whole word is written slowly, but the writing of love has an abrupt language, and the whole word mood is born from "hate" and stops from "hate". In terms of writing, it is the combination of virtual reality and inside and outside, the transformation of time and space is natural and smooth, the penmanship is flexible, the metaphor is empty, the direct expression of the chest is not implicit, the soft voice is soft but extremely mournful and moving, just as Chen Tingzhuo's "Don't Tune" yun: "Low nostalgia, like pitiful, sad language, can't bear to read." ”
[Song] Li Qingzhao How deep is the courtyard? Cloud window fog pavilion is often broken. The willow calyx is gradually becoming distinct. Spring returns to moling trees, and people build Kangcheng city. Feeling the moon and singing the wind, how many things, now old and unsuccessful. Who pity haggard is more withered. It is not interesting to test the lights, and it is not in the mood to step on the snow.
After the southern crossing, the qingzhao word style changed from fresh and handsome to desolate and melancholy, and this "Linjiang Immortal" was the first poem that could be accurately chronicled after her southern crossing.
The country is broken, the family is dead, the adulterer is in charge, and the sorrow in the middle cannot be expressed without subtle and tortuous brushwork. The purity of the girlhood and the melancholy of the middle age have turned into the deep sorrow of old age.
[Song] Ouyang Xiu Remember that Jin Luan sang the first, and the spring breeze on the country was prosperous. Now the old eunuch is the end of the world. Ten years of Qi road, empty negative Qu Jianghua. It is said that Langshan passes through Langyuan, and the height of the building does not see the Junjia family. Lonely city cold days and other idle. It is difficult to get away from the sorrow, and the mangrove trees are far away.
Friends were overjoyed to see each other, and they remembered the past when they were full of vigor in the Golden Ruan Hall, but now the times have changed, and the vicissitudes of the sea and the mulberry fields have gone their separate ways. The meeting is just a hurry, and people can't help but be worried. It is really endless, and the winding is constantly like spring water.
[Song] Yan a few ways The first sight before the grass steps, the needle upstairs was once met. Luo skirt incense dew jade wind. The makeup is green and the face is pink. The flowing water will drift away with the spring, and the clouds will eventually be with whom. Drunken long hate Jinping empty. Looking for the road in their dreams, flying rain falls in the flowers.
This word is written by the author to miss a woman he once loved deeply, and the whole word is written in a gentle and subtle way. The author wrote about the first meeting and reunion with the woman in the front, but the section on the front of Jinping after the relationship between the two was closer was not positively expressed, leaving the reader with sufficient imagination space.
The section on the search in dreams is also written very empty, implicitly hinting at a large number of emotional connotations, and writing the sorrow in the heart to a very deep and elegant song.
【Five generations】Xu Changtu Drink scattered away from the pavilion to the west, floating and hating the floating puffs. The smoke willows gradually became heavier. The light clouds are lonely and distant, and the cold sun is red at dusk. Where is the painting ship tonight? The tide is flat and the moon is hazy. The wine awakens people and is sad. The lamp is lonely and sleepy dreams, and the light waves are five more windy.
The most unique feature of the whole word is in the xia, which lies in the virtual reality, turning the virtual into reality, and immersing it in the virtual, writing the feelings of bondage, implicit and timeless, intriguing.
The lyricist skillfully integrates feelings and scenes into one, and rarely directly lyrically writes about sorrow, but uses external scenes to express the lyricist's inner sorrow and hatred.
The lyricist follows the plot set, the transfer and transformation of the scenery, the rendering and foiling of the environmental atmosphere, and everywhere reflects the inner world of the lyricist.
[Song] Chen and Yi Reminiscing about the afternoon bridge to drink, sitting in the middle of mostly heroic. The long ditch flows silently. In the shadow of the apricot blossoms, the flute is played until dawn. For more than twenty years, it was like a dream, although this body was shocking. Idle in the small pavilion to see the new sunshine. How many things in ancient and modern times, fishing sang three more.
This poem expresses the author's grief and wandering loneliness about the fall of the country by recalling the amusement in Luoyang. With contrasting techniques, bright tones, and through the memories of the old travel life, he expressed his deep feelings after the fall of the Northern Song Dynasty. With just a few strokes, the self-image outlined is quite plump.