Silk color "Moon Man Qing Tour Album" Qing Chen Mei painting (Beijing Palace Museum collection) new month "cold night plum exploration" February "Yang Liu Dangqian" March "Pavilion game " April " courtyard flower viewing " May " Water Pavilion dressing " June " Bichi lotus picking " July " Tong Yin Beggar Qiao " August " Qiongtai play month " September " Chongyang appreciation chrysanthemum " October " literary window embroidery "November" Irori Bogu "December " Treading Snow Seeking Poetry "

Chen Mei (c. 1694–1745), courtesy name Zaidong, was a native of Lou County (present-day Songjiang, Shanghai). He is proficient in the creation of figures, landscapes, flowers and birds, and has a deep foundation in traditional Chinese painting. In the fourth year of Yongzheng (1726), he entered the palace as a full-time painter. On the basis of inheriting traditional Chinese painting, his works are deeply influenced by Western painters such as Lang Shining, and his new painting style combining Chinese and Western paintings has attracted the attention of the world.

This "Yueman Qingyou Album" is painted by Chen Mei in the Qing Dynasty. Depict the deep palace life of the concubines of the court throughout the year: the cold night of the first month to explore the plum, the February willow swinging thousand, the March pavilion game, the April courtyard flower viewing, the May water pavilion dressing, the June bichi lotus picking, the July Tongyin beggar, the August Qiongtai playing moon, the September Chongyang chrysanthemum, the October window embroidery, the November hoist Bogu, the December snow search for poetry. This copy is now in the palace museum in Beijing.

A flower letter moved the south branch, and a little cold Ying made snow.

There is no dust in the cool courtyard, and the dark incense is only known by the jade moth.

Cui Yu chirped in the cold moonlight, and the shadows were intertwined.

Look at the flower cord sigh patrol eaves for a long time, which cares about the flower lamp wax residue.

The east wind is blowing in February, and the elevated swing has many red sleeves.

The five-colored clothes shine brightly, and the colorful clouds reflect each other in the air.

The green poplar and red apricots are beautiful in spring, and it is only when the flowers are in the direction of the continent.

Idle body lightly stepped on the air dance, the sky wind blowing Pei Qiong's voice.

The courtyard door quietly hides the flowers, and the long day is idle to borrow a fir.

The Spring Festival Gala is not worried about the cold hands, and the curtains are swollen and the sound is clear.

Black and white are divided into women's companions, and the green window is broken but hard work.

The hand talk has not been moved to the day, and the flower bamboo spring court has been shadowed.

Spring returns without a trace, and the wind and things are clear and summer is entered.

Wooden pen flowers bloom fragrantly in the courtyard, and countless purple leaves are empty of books.

The hyacinth blows twenty-four times, and the flowers bloom and the tails are pressed and branched.

Spring residue should be taught to be cherished, and the copper bottle should be picked to take advantage of the sun.

After the noise of the crows, the dawn increases, and the Qi Pavilion is quiet and does not steam.

Take the rhombus flowers to try combing, and the red sun has risen in the east.

Repair the bamboo ring garden green ten thousand branches, cool boudoir when the summer dust.

The stream is green in the makeup cabinet, and the washing powder is far from the labor.

It is most suitable to spend the summer lotus pond at night, and the red coat and green cover are uneven.

A soft streak entered the air, just when the sun was shining.

Picking lotus fiber hands into the flowers busy, on the shore of the group of dolls dou li makeup.

The wind passed through the pond without heat, and Luo Yiqi stained the waterside incense.

The golden wind is hunting Tingke, and the qu sill is quiet and cruel.

The sycamores in the courtyard are cool as water, and there are many noises outside the Queqiao cloud.

A silver han blue sky, autumn into this evening is exceptionally clear.

Beggar Qiao Golden Needle who is happy, double star torch to the people.

The jade dew is sprinkled with coolness, and the golden millet branches are dotted with yellow.

Without the dragon saliva burning the treasure duck, Qing Fen secretly attacked Qi Luosheng.

Qiongtai rises above the kaleidoscope of flowers, and the sleeves are opened to scatter incense and blue sky.

Yuyu cloudless toad Cave Lang, reunion good scene this night the same.

The white dew in front of the steps has been frosted, and the small garden bushes are yellow.

Reward each other but autumn is good, happy no wind and rain near the sun.

Before the court Ju Rui scattered incense cold, after the court Lin Feng leaf Leaf Dan.

Autumn danger is not special spring scenery, Yu Qi and his companions looked back several times.

Gray flying leaf pipe a yangtong, color line Xu Tian sun shadow.

Zeng Begging Tiansun was clever on the plane, and the five silks turned out the Silk Literary Worker.

In October, the frost is getting worse, and the window embroidery is timid.

Ping Shan twists and turns around the pavilion, and the red leaf rock is getting more and more every day.

Xiangge Dong came to nothing, and the female red qi qi co-built the furnace.

Evaluate the famous paintings of the care of the place, first show the cold nine nine diagram.

Heavy curtains are deeply protected and dust-free, and the ancient famous piano is full of rooms.

Ordinary people delete the precious rewards, and the entertainment is like a green person.

The wind hunts heavy snow, and the beauty carries the companion Qingqin.

Wen Zhai xiang is frequently poured, and Gao Tuo Qiong window does not recognize the cold.

Snow dotted martens stepped on the building, wandering for a reward.

The Xie family once said that whoever expressed his talents on this night.