The Ultimatum 3 is the last installment of the SpyMan trilogy starring Matt Damon. The film is based on Robert Ludham's novel Bourne Trilogy. The first, directed by DougLeyman, was an unexpected success. He has quietly transplanted the spy story of the seventies to the present, analyzing the complex plot with a simple and powerful rhythm, why an ordinary person who has forgotten his name has an instinct that is different from ordinary people.
The mystery has already been uncovered in the first part, and he is Jason Bourne, a trained super agent. As for why he became an amnesiac, this process is placed in the second and third parts. By the time of this film, the biggest conflicting focus of the story is no longer who I am, but where I come from and where I am going. Spy Movie 3 belongs to that kind of super cool visual adventure film, with sharp fighting action, short and fierce gun battles, and creative murders that make the audience dazzle. Fans of old-fashioned action movies will find sadly that this generation of gunfights is too direct and impulsive.
In the past, when two guns met in a narrow road, each side would have five minutes to speak, which could be nagging preaching, flashing vague words, bluffing intimidation and funny, but now, the two guns have no idleness in confrontation, directly shooting and killing. British director Paul Greengrass, who directed the second and third installments of espionage, is one of the few directors who has been able to retain a non-mainstream film style in the commercial film field. Paul Greengrass, who won the Berlin Golden Bear for Bloody Sunday, was born as a documentary filmmaker. A large number of handheld photography is his signature style, and the compactness of the graphics and sound clips is also unique. How not to rely on CG technology, not to rely on hanging steel wire, not to rely on fireworks explosions, not to rely on the tactics of the sea of people, and to line up a gripping master duel scene seems to have become the bottleneck of the creation of commercial blockbusters.
The first climactic scene of Spy Movie 3 made the audience look at the film with astonishment. From the CIA's real-time tracking and listening to the Guardian reporters, to Bourne's on-site command of the reporters to escape at the train station, the picture angle is flexible and maneuverable, the editing techniques are compact and changeable, and the displacement of all the characters in front of and behind the scenes of this incident is explained with ease. This is Greengrass's most handy means, all the elements in an action, all the units are calmly explained, and then quickly cross-edited, giving the audience a sense of holographic surveillance, coupled with the sense of reality brought by handheld photography, so that the audience has both nervous and satisfied pleasure.