"Great Song Palace Words" was broadcast only 2 days ago, ushering in a cliff-like decline in ratings, which should be what Li Shaohong did not expect.
Thinking that the director is Li Shaohong, the audience feels why is this, but then turn their heads to look at the play, the audience feels that this point may be able to drop again, outrageous, why is this?
Li Shaohong, who can cast a role, also chose to smash the corner
The new "Dream of the Red Chamber" is still known as the star entertainment industry ups and downs. Most of the newcomers who used to be in it are now red, which shows that Li Shaohong has more vision.
The selection of Zhou Xun and Chen Hong to play Princess Taiping is one of the highlights of Li Shaohong's casting career, Zhou Xun is too aura, even if she plays a teenage Xiao Taiping in twenty-five or six, there is no violation
Actors can play roles that don't fit their age, but not over a wide range.
Liu E, a 15-year-old second-married young woman in history, 43-year-old Liu Tao acted, directly became a middle-aged village woman, well, the minefield of "Yatou Sect" directly trampled to death.
Liu Tao's nowhere is right, not only age, but also temperament.
Liu Tao's "husband" attribute is obviously more than the "wife" attribute, otherwise the roles of the Phoenix County Lord and Andy would not be so successful, plus he himself is a desperate third wife.
Therefore, the audience looks at her Liu E, preferring to believe that she will carry a gun to fight in the next second, rather than believe that she is a delicate woman.
And the male protagonist Zhou Yumin, is also unable to support in many places, love and hatred are missing a sense of freshness, and Liu Tao's opponent play was spat on "aunt and nephew love", although it was Liu Tao who scolded, he was not praising him.
20 years ago, Li Shaohong led the trend; now, she has been wrapped up in the trend.
At that time, "Daming Palace Words", how many trends were driven, Zhou Xun's feather-shaped costumes, which were avant-garde and bold at the time, one by one with dramatic conflict effects, let everyone indulge in the classical beauty of this court, which was the heavenly time created by Li Shaohong for himself.
At that time, in the mainland dramas, there was no "costume design" position, and after "Daming Palace Words", there was.
Shakespearean lines, following the plot, vividly interpret the women's desire for rights, freedom and the pursuit of love in that era, and can still feel the extremely long meaning.
However, when the Great Song Palace Words were born, it was neither novel nor bold. When Li Shaohong could not accept the IP and the big heroine theme without exception, and put it on the 2021 broadcast, she had already lost half the city.
In addition, the lost half of the city is the heroine's person, and now the audience has long been "not angry", most of them will not accept the white lotus heroine, and they have no patience to wait for the growth of the heroine.
Li Shaohong, who is good at telling women's stories, chooses the trend and is eventually engulfed by the trend.
Li Shaohong has never encountered such a good script as "Daming Palace Words" again
Li Shaohong is very fond of the narrative style of stream of consciousness, and it seems that after filming "Daming Palace Words", she was impressed by this style.
In the spring of 1998, a screenwriter named Zheng Zheng and a screenwriter named Wang Yao wrote a script, and after the first draft was delivered to Li Shaohong, this myth about women's rights, desire, and love began.
"Daming Palace Words" has a good script foundation, which supports all the "willfulness" that Li Shaohong can fly.
Shakespearean lines are beauty; hazy and ambiguous blindfold kisses are desire; the unsettling vortex around Princess Taiping is power.
Looking back at "The Words of the Great Song Palace", from the lines to the editing, it is challenging the bottom line of the audience.
The clip inside once brought the audience a sense of trance.
You may not believe it when you say it, one second you encountered an earthquake and buried the emperor alive, the next second he was injured, there are pictures as evidence, pay attention to the timeline.
One second the prince who disappeared, the next he was back.
The memories in the flashback interlude are more like telling ghost stories, and each picture makes people feel gloomy and chaotic.
And the lines, people who have seen it can basically laugh.
I have heard the divine line "My grandfather was killed by a Japanese devil when he was 9 years old", and there is also the same set of logic born.
She was ordered to find someone to save the heroine, and she said a lot of things before, and only in the last sentence did she say who was saved, which was quite outrageous.
The emperor saw the newborn crying, saying that it was an ominous omen.
The screenwriter is not sober, the editing is not sober, and Li Shaohong should only be addicted to the service road.
The time and place are favorable, Li Shaohong did not occupy a place, and the score plummeted in the "Great Song Palace Words", which gave Li Shaohong a blow in the head, which was enough to cause reflection.
The audience has not given up the expectation of Li Shaohong, hoping that when the next drama comes, she can continue to write the classic.