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The old design, still classic and charming

author:Logo design network

Transferred from the official account: font design

The old design, still classic and charming

From primitive paintings of antiquity

Our ancestors created symbols of various images

As a result, layouts, layouts, and so on were gradually produced

Factors of future graphic design

Yesterday

Collected a lot of text typesetting designs from decades ago

Now it seems

Some are still classics within classics

It is the design inspiration of many designers

Let's look directly at the picture

idea extra issue – herb lubalin, 1969

The old design, still classic and charming
The old design, still classic and charming

octavo issue 86.1, 1986

The old design, still classic and charming

octavo issue 86.2, 1986

The old design, still classic and charming

octavo issue 87.3, 1987

The old design, still classic and charming

octavo issue 88.5, 1988

The old design, still classic and charming

octavo issue 88.6, 1988

The old design, still classic and charming

air france – boarding pass format: envelope - boarding pass designer/s: unknown year: 1959

The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming

love the archive randomizer, unexpected pairs.

The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming

design, council of industrial design, 171, march 1963. cover design by ken garland

The old design, still classic and charming

design from the 1930s

The old design, still classic and charming

The design of that era

Designers used grids as a basis for their designs

Combine fonts, illustrations, logos, and more

Arranged in a structured manner within this grid frame

At the same time, a large number of non-sanctular fonts are used

The old design, still classic and charming
The old design, still classic and charming

part of the current stock

The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming

industrial design, 1969 issues. cover designs by massimo vignelli

The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming
The old design, still classic and charming

"I don't think typography is the purpose in itself,

But it is an integral part of the whole message.

So, for me,

Creativity, reproduction, art and typography are inextricably linked. ”

— Otto Storch, 1962

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