A cheongsam, like water flowing for years

As an essay by a painter engaged in fashion design, this small book is loose in content, and the theme is not only the qipao, but the literary thoughts are flying and divergent.

Or maybe this is a painter's essay, free and unrestrained.

Rather than treating this as a book, it is more appropriate to think of it as a caprice interpretation of the author's illustrations.

The author Lu Mei's skills are still quite good, and the illustrations in the book, especially those women dressed in various colors of qipao, are all smart and beautiful.

A few strokes, one by one intellectually lazy, elegant and sexy, and with a hint of confusion and innocence of the cheongsam beauty, presented vividly in the painting.

The woman in the cheongsam in the painting seems to be talking about the wind and the moon, and seems to be thinking about life, and the different pictures all reveal a leisurely atmosphere.

In the tranquility, picturesque, the mind is at ease, not afraid of the flow of years.

If Mu Xin saw these paintings, he wouldn't say, "What is life?" Life is all the time without knowing how to be good. "That's it.

The cheongsam, like the small black dress of Western women, depicts the sexiness of Eastern women as looming, warm and moving.

The graceful beauty of oriental women is interpreted by the cheongsam. Make it a well-deserved one-piece loved by oriental women.

I think that from the perspective of expressing the title of the book "Qipao Fashion Love Painting", the presentation in the painting is enough, and the text is not so important.

The width, width, narrowness, and length of the cheongsam are closely related to the aesthetic point of view and economic situation. But the ever-changing is inseparable, and the essence of the cheongsam has always been there.

Just like fashion clothing has been flowing and changing, the classic style will always remain!