Li He once wrote in the "Thirteen Songs of the Southern Kingdom": Why don't boys take Wu hooks and collect Guan shan fifty states. Under the rendering of male pride by the literati of successive dynasties, the image of male perseverance has long been deeply rooted in the hearts of the public.
Men deserve a small family, can carry everyone, can be the pillar of a family, and can also carry a gun in a time of national crisis. In the midst of the extraordinary disaster of the heavy rain in Zhengzhou some time ago, countless men put on armor and guarded the front line, bearing the heroic nature of a man to defend his family and defend the country, which is admirable.
However, among the male nature advocated by the public, there are some aesthetic deformities. Some time ago, the "Wind Xiaoyi" who was dominated by the short video platform was attacked and ridiculed by thousands of netizens.
In the video he released, imitating women's clothing, delicate and contrived, his "eat a peach, so cool" is a direct challenge to men's aesthetics. Suddenly, Feng Xiaoyi's behavior rushed to the hot search, and a shock and collision between cultures began.
In fact, before Feng Xiaoyi, this kind of pathological culture has begun to prevail, and male artists make up and play weaker images, which is even more criticized. Under the impetus of the Feng Xiaoyi incident, the discussion and treatment of this culture has been completely put on the surface. And how did this pathological culture begin to prevail? How long can it last?
Previously, a video released by Feng Xiaoyi called "Eat Peach, Good Cool" was pushed on the hit. Under this video, the public has questioned the current male aesthetic. Mainstream values have directly put forward their own views on this matter: blocking Feng Xiaoyi and maintaining mainstream values. In this way, Feng Xiaoyi, who had been on fire for less than 1 month, was finally permanently banned!
In previous television and movies, men were portrayed as a gritty character who could take on important responsibilities. Just like Wu Jing in the movie "Wolf Warrior 2", he combines patriotism with the characteristics of male characters, worthy of male characteristics.
After the Japanese and Korean cultures hit the internal entertainment with the traffic market, there began to be a deformed call for male aesthetics. When there were exquisitely packaged men in the market, most women's love for such men led to the large-scale prevalence of this type of culture in our country.
Proper culture is allowed to be accepted and exist in the mainstream values of our country. However, when this atmosphere is getting bigger and bigger, the problem arises.
In the talent show "Creation Camp 2021", a combination of "candy super sweet" swept across the network. The public questioned the male talent that appeared on the show. Cute appearance, pretending to be cute action design, is this really a move that a man should make on the public platform?
Long before the emergence of the "candy super sweet" combination, in some variety shows, this culture began to gradually penetrate the entertainment circle. Male makeup seems to have become the standard for entertainers.
In fact, in the era of the public pursuit of beauty, this is not too big a problem. What really disgusts people is that men excessively pursue beauty and lose their characteristics as men, such as feng Xiaoyi, who is banned. His gender values have shown a deformed direction, and this deformity is not only his own deformity, but also a distortion under the aesthetic values of most people now.
This pathological culture is a challenge to the prevailing values of our country, and they try to use it to dismantle our cultural heritage. In the face of this situation, china's mainstream values have given their own response cleanly: blocking the wind and small yi, severely cracking down on the sick culture, starting from teenagers to entertainers large and small in the entertainment industry, and setting up a positive atmosphere.
Feng Xiaoyi's being banned was expected. In the process of development, the entertainment industry has been affected by the overseas traffic market and found a new direction. However, the fundamental basis of the entertainment industry is to have its own things to attract the public, blindly exemplary, it is impossible to have its own Uranus superstar.
And the real Uranus superstar who came out of our country, similar to Jay Chou, Andy Lau, etc., which one is not an iron-boned man. When Jay Chou was suppressed by foreign countries in the Chinese music scene, he single-handedly justified the name of the Chinese music scene and stood on the podium and said: The Chinese music scene is the most powerful.
This is the star we should chase, not in the entertainment industry, only know how to package their own appearance of the flow of small fresh meat. Makeup is everyone's right, but you can't use that power to challenge the values of national gender standards.
The wind is small and the candy is super sweet, which are a group of people who are deeply poisoned by this pathological culture. The terrible thing about a sick culture is that people unconsciously fall into it without knowing it. Today, the state's heavy blow against this kind of culture is actually the maintenance of mainstream values and the expulsion of foreign bad culture.
How to correctly deal with foreign cultures, "take their essence, remove their dross, give full play to their strengths and avoid weaknesses, and seek common ground while reserving differences", our country has played a coping attitude of all kinds of rivers and rivers, but not any culture can be carried forward in our country. Rejecting a sick culture should be a sober understanding of each of us, rather than following to model.
In fact, what is terrible is not this culture, but the widespread spread of this culture in our country, which is shocking. Even among young people, this culture has a tendency to deepen.
This culture comes from Japan and South Korea, and under the origin of history, it infringes on the value shaping of the younger generation, which is a kind of cultural aggression in the new era. We should pay more attention to the twelve points, reject the pathological culture, and shape the true color of Chinese boys, which is the mainstream direction of male culture and the culture that society should vigorously promote.
Banning Feng Xiaoyi is a stern warning issued by the mainstream aesthetics of our society for the sick culture. Chinese boys do not need any cultural flaunting, and the cultural heritage of the millennium is enough to support any kind of correct aesthetic value.
In summary, rejecting the prevalence of a sick culture and banning Feng Xiaoyi is a response given by china's mainstream values. The true colors of boys advocated by our country for thousands of years should be recognized in the mainstream society, so that our boys can withstand half of the family and the country in times of crisis.
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