Talking about a person who died of immortality, I dare to say good or bad, not too many people care. But the little singing that can be discussed in front of you will really be a little reluctant. Saying that it is too good is tantamount to killing with a stick; it is too black, and it is contrary to conscience, and it is difficult to sleep and eat.
All along, the last thing I want to say is to live a beautiful life. It is too difficult, there is no way to analyze thoroughly, not to mention that she is still changing day by day, can not catch the soul, can only let it float around in front of the eyes, the beautiful song lingering in the ears, into the heart, often difficult to control themselves, how not to worry people, can it be objective and fair?
Our uncle in the hutong said it well, and evaluated a person's good singing on a sentence of "this child has a good voice, good to hear", no, only this one sentence, from a lofty height, a great enlightenment, a big book.
So, is Shan Yichun's voice good?
I really didn't hear it. Her usual voice is no different from that of the little girl in our alley; when singing, the first one or two sounds do not have the characteristics of shocking, but the rhyme is OK. If there is no "The Voice of China" program in the mentor turned around, today's Shan Yichun is a simple, simple, general and ordinary Zhejiang yin student, stealing to eat some grilled cold noodles every day, trying a small dessert every three to five, and making a cheap nail art next door sister.
But the mentor of The Voice of China turned around.
This is a turn for the genius-level singing to finally land in the mortal world; this is a turn for the Miaoyin fairy who can accompany her for a lifetime without regrets; this is a turn for Chinese pop music to usher in a new atmosphere of tracing back to the source.
Generally speaking, popular songs do not need to be called the jackpot, it needs to be slowly integrated, little by little to tie the hearts of the listeners, commonly known as the interpretation of the heart to iron the iron heart of you and me. It will not be like Tan Xinpei, the predecessor of Peking Opera, with a loud voice (Xipi 26 board): "Master Ye's speech is too bad, and he is not angry with Huang Zhong." "As soon as the high cavity came out, the whole hall applauded. Of course, it's not like some rock musicians like Dong Shi Xiaoyi, who comes up with a hiss or "Are you ready?" Come, come together, let's get hi! ”。 To tell the truth, these tricks are nothing more than the usual methods of the small opera theater, worrying that the audience will slip away, evade tickets, and rely on one or two loud voices of "Shangru Resistance" to attract attention, and the performance of unconfidence.
Shan Yichun's singing attracted me from the fourth sentence, "Like others don't allow us to be weird" ("Love That Never Loses"), a half-false voice through to the c2 small words, giving people the feeling of about to touch an avalanche, cold, thorough, cold. Like Mr. Li Jian, everyone was worried that an avalanche was about to happen, but it did not come. On the contrary, in the chorus she hit the top e3 three times, using a mixed voice, the true and false ratio is completely unclear, one will be more real and one will be more false, I can't sit still. From this day on, I was visibly aware that spring was in full bloom facing the sea. The song of the birds, the relocation of the insects, and the swaying of the grass with the wind are all looking forward to what she will do.
She did not come wearing tulle silk and buns, but came with a full fashion style.
Her innate chanting techniques, low-pitched and gentle talking, smooth adhesion of the song, and delicate beat control have allowed her to serve dozens of exquisite songs in a row. Not only did it catch my ears, it caught my heart. So far, in less than a year, she has sung nearly 50 songs, showing 7 genres: big lyrical pop, melodic rap, rhythm blues, samba, soft rock, electronic dance, zf main melody.
Among them, the lyric song was pinched to death by her, and she was almost put on the big hat of "bitter love song endorsement". The magnetism of her voice is strong, not hoarse, but a silky winding feeling, tangling you to quickly empathize with it. Of course, her small expression is also no one, music together, quickly intoxicated in the song, pain, twisting eyebrows, clenched small fists, and from time to time tight neck bones, people have to feel empathy with it. "Continuation", "Rainy Day", "You Don't Think of Me", "Your Treasures", "Photos" and so on are her excellent works presented in half a year. Among them, the theme song "Continuation" sung for the TV series "One Life" is relatively complete, reflecting the proficiency and control ability of shan yichun singing skills at present. The main song part still relies on its extremely lethal breath to pour out big moves, subtle magnetic force instantly pulls you in, free and seductive strength and weakness control, super strong pitch accompanied by a beautiful beat melody, you have been integrated into the song. At this moment, you have long forgotten her singing skills, and you have forgotten the expressiveness of her songs, as if you are just listening to her tell a miserable love and unable to extricate yourself. When the chorus sounds, we can once again appreciate Shan Yichun's gorgeous mixing magic, to paraphrase our hutong uncle's words, "This child's little voice is too powerful, and there is no difference from the real voice, ah, good!" ”
Shan Yichun's true and false sound mixture broadens the originally narrow range, deeper and wider. The bass output is very relaxed, the sound and air are mixed, and this kind of low frequency is not uncomfortable or depressing. Unlike some male singers who sing the bass of the throat, you will have a sore throat after listening to it; and the treble part, there is no sense of squeezing, there is no sense of breaking, the false sound component is almost diluted by the real sound, just when you are still pondering the proportion of true and false sounds, the loudness, brightness, and overtone-like metallic texture instantly conquer your ears, no ruts, you are 100% pregnant, referring to the ear. This is the innate ability to give, and there is nothing to say. It masks all the shortcomings of Shan Yichun, the weak strength of breath generation, the poor development of chest resonance, the phenomenon of unclear bite words caused by being kidnapped by musical notes, and the lack of concentration caused by correcting facial expressions. However, with the imperceptible development of training the day after tomorrow, I believe that the future of Shan Yichun can really be expected.
Having such a good innate advantage is directly related to her perennial insistence on singing on the K song platform. At the age of 13, she began recording songs, which was almost the same time period as Teresa Teresa. She said in an interview that "it doesn't matter if you sing well or badly, and you are not afraid of what others say." I tried to read some of the previous materials, and I really found dozens of classic songs such as Jay Chou's "Listen to My Mother's Words", Jacky Cheung's "I Wait until the Flowers Are Thankful", Xu Ruyun's "Good Listening", Lin Yilian's "At least There Is You", Faye Wong's "Hurry That Year", Han Hongsun Nan's "Beautiful Myth" and dozens of other classic songs. It is really a bold artist, and at an ignorant age, he has already tried to sing a famous song with a huge range and precise rhythm. People who have heard it know that at that time, Shan Yichun still had a more or less childlike milk taste, but the mixed voice treatment and head cavity resonance were perfected, especially the challenges with their own high frequencies, which could be accurately and smoothly interpreted. One thing to note is that she has never imitated the timbre characteristics of the big coffee, and it is a comprehensive display of her own timbre. This is very rare and valuable, and it also lays a solid foundation for her self-confidence in her subsequent competitions to obtain the affirmation of her mentor and indisputably win the "2020 Voice of China" championship.
Looking at the overall performance of the past year, Shan Yichun's progress is obvious to all, but there is still a long way to go before becoming a super singer like Teresa Teng. For example, R&b, which she is currently tinkering with, has a good performance but is not a potential stock. On the stage of "The Voice of Heavenly Gifts", she has cooperated twice with Hu Yanbin, who is known as the little prince of mainland r&b, singing "Don't care who I am" and "Not my opponent at all"; in "Burst Stage" and "Our Song Season 3", she has cooperated with Zhou Bichang, who is known as the little queen of mainland r&b, with two songs such as "get away" and "Freedom". It can be said that Shan Yichun and the famous and well-known r&b coffee singers in the mainland have all competed on the same stage, right, and also sang "The Disappearing Lover 丨 Never Lost Love" in "The Voice of Heaven 2" with yuan Yawei, an idol who loves r&b music, and these predecessors have spared no effort to help her assist her in praising her, but what can be brought?
"This guy's tune is too good" "It's so good, that "Don't Ask Is Terrible" turn is better than whoever is" "It's really good, strong!" ”
Behind the evaluation is that the purpose of song dissemination has dissipated, the aesthetic has been robbed by the transposition, and the original intention has changed. Although it has been stressed many times that it is not a showmanship, the conclusion is here, and you are involuntarily showing off. There are also conspiracy theories hidden behind them that are naturally rampant. So there is, the high note has no impact and dare not sing, in addition to playing a little transposition to sing bitter love songs, what else? She didn't go far, and she didn't stay well in school to know that the money brush that came out did not listen to the instructions of Teacher Li Jian, and she did not measure up to her own strength and was also carried to the sky by big Udir and others, and she was not afraid of falling down and falling x you. Put it this way, no matter how vicious words come from.
Transposition is a difficult technical task, but it exudes endless musical charm. High pitch real singing is to challenge human limits, and the same is true for transposition. In a sense, it's a challenge, both musical and physiological. When black people in the United States play blues and jazz, why do they add such fancy work as transposition? I don't know exactly, but I know that the language of black people is genetically colonized, not a language that is not local, does not know anything. The ancestors spoke their own language, but after the colonists left, everything changed. English, French, Spanish, Persian and other mud and sand, the native language is gone, the Anglo-Saxon language hybridism occupies them, but the original speed, light accent, etc. are still in the blood. This is the reason why there is a gap and difference between the speech and singing of black Americans and white people. The transposition of black people is inherently self-contained, fast-paced, and rhythmic speaking characteristics are not lost, so it is not surprising that r&b and hip hop musical forms have appeared in the United States. But in our Asian Chinese region, such a form of music is only a kind of borrowing and imitation, taking its essence to remove its dross, slowly integrating with Chinese culture, and finally reaching a kind of exchange without borders of art. If you want to listen to pure r&b, go to Europe and the United States, if you want to listen to rap, go to Detroit, why not force the stars we pursue to demonstrate what is authentic r&b, authentic rap? Singers are not tired, are we not tired?
Even if Shan Yichun transfers the transliteration to the universe, you are still a Chinese baby. Rap, blues blues, reggae, punk and other musical forms can only be regarded as a musical form, and the innovation from the form cannot be followed and intoxicated. Do you know the background in which these musical forms and contents are produced? Political, living, unbearable, miserable, unjust, is simply a great difference between the two systems and two cultures. Therefore, the form of learning can be studied, and it is not possible to go too far here.
However, we can still feel her powerful ability in Shan Yichun's singing, especially the ability to control various genre forms, which is really jaw-dropping. Small age, thin body, superficial experience, but constantly challenge themselves, to music. In a word, learn what it's like. Think of when Teresa Teresa was in Japan, exposed to so many world trends of music, and then did not also make a series of bold attempts? Remember she also sang Mike. 《beat it》！ If you've ever heard her cover, you'll definitely say "Is this Teresa Teresa?" How can it be? "Yes, it's Teresa Teresa. But in the end, Teresa Teng is still Teresa Teresa, and the result of the attempt has made her form a unique Tang love song tone, which is eye-catching to the world. As long as there are Chinese people on this earth, there are Teresa Teresa's love songs flying.
One sentence to sum up: a taste of the end. Because your singing talent is enough to support you to explore all genres, but the resources are limited, the life is limited, and it is appropriate to stop.
Finally, two sentences, don't be affected by the rhetoric of strange theories, but whoever praises you for singing well, what a single rap, what r&b is absolutely perfect, what a delicate little hot girl, a look that will kill me, and so on, must self-reflect and find the good stay, the bad and the resolute erasure of bad intentions. "Rap Listen to Me" stage, honing Shan Yichun's performance power, "Bursting Stage" inspired Shan Yichun's independent enterprising spirit, "The Voice of Heaven" enhanced Shan Yichun's self-confidence, "Our Song" let her personally feel the Chinese characteristics of the protagonist's supporting roles in the chinese style and reality, are very good, have great gains, the most valuable is in the Fanghua age, but also met a group of very loving friends, like Barton, lambert, shell, pharaoh ... Not only do we understand the importance of performance interaction, but also leave us with the "Happy User Manual", "Torn Shirt", "Moonlight Line", "Sunrise", "When I Love Me" that we can always loop with singles...
In our society, there has never been a shortage of genius terminators who dig pits and bury people; our society has never lacked stupid melons who harm others and harm ourselves; our society has never lacked big bad people who are half-hearted and scheming. Peers not to mention, the entertainment circle is a profit-seeking Vanity Fair, carefully move forward, step by step, I really hope that your future is like what I wrote yesterday:
In the skyline, a nineteen-year-old young girl of wonderful age is running with joy and lightness, and her endowment will be eighty-nine times out of ten, and when it arrives, it will certainly live up to everyone's expectations, gathering the great masters of pleasant ears, ironing, lack of lack, and beautiful listening, and then continuing the immortal sound of the Divine Realm---- her, Shan Yichun.