Almost all the suffering of life befell her head, and she was like a weak little tree in a rock crevice, growing tenaciously and tenaciously with difficulty and resilience between stones. The premature suffering of the weak little soul made her breathe a strong and filthy dirty air, and also made her feel a little bit of the goodness of human nature from this shimmer of light.
He lost his father at the age of 9, his mother at the age of 16, and his younger sister. Alone and lonely, like a small boat with a fluttering leaf swaying in the bitter sea, let the wind and rain wantonly humiliate. With both her parents dead, she and her sister had to rely on their grandmother, aunt, and uncle to make a humble living. Her cousin, who wanted to climb up to become the president of the bank, forced her to marry her boss, who was in her twenties, and she vowed to die. This is kinship, the unpredictable life, the incomprehensible human heart?!
The "she" in the text, an elegant smile
Pregnant with bitter bile, she looked around, and the place that touched her eyes was sadness. Growing up soaking in suffering, she seemed to have no hope of life, but the compassion of an engineer surnamed Feng in Nanjing allowed the lonely sisters to study painting and language for a year at an art school. At the age of 18, she was preparing to go to Huai'an, Hebei Province, as a national primary school teacher, and when she was sleeping in Shanghai, she met Liu Daoheng and Yan Peifen, an elderly couple of the Alliance, and in order not to let her fall into the trap of the liars, she resolutely reached out to help.
Through the haze of her youth, she was beautiful and young, and was admitted to Nanjing Central University at the age of Fanghua. The Confucius Temple, leaving behind her back in the tide of songs and poems; in the Drum Tower, stirred up her generous and sad speeches; in the Qinhuai River, the silver bell-like laughter of her and a group of literary youth talking about poetry and painting flowed out. Hu Feng, Ouyang Shan, Zhang Tianyi, these well-known writers of new literature, talked with her about poetry, thesis, and the ideals of life, and introduced her as a homophony and confidant.
The middle seat is the famous writer Hu Feng, and the literary tone of "her" is homophonous
She was miserable and hardworking, and she shone brightly at the age of thirty in her life. "In the spring came a hundred flowers, Langri Granri Grange, and the warm sun shone in the sky, shining on my torn clothes. Langri Grang Langri Grang lange... This song she created, "In the Spring", became popular overnight with the movie "Cross Street". This year she was 30 years old, and as a young poet, she faced suffering and bloomed with an arrogant and stubborn plum blossom.
Stills from the movie "Cross Street" starring Zhao Dan and Bai Yang
The rolling red tide on the beach rippled her "In Spring", and also surged with the surging passion of her creation. Novellas such as "New and Old Times", "Dawn", and "Apple Orchard" have made her the first in the group of female writers in Shanghai Beach, and together with Ding Ling, Zhang Ailing and Su Qing, she is known as the four talented female writers in the Shanghai Beach literary circle. But she was always included in china's new literary scene as a poet.
The "She" of Youth
Poetry can not withstand the feelings, and her tragic love, her courageous dedication, her secret identity, doomed her lifelong loneliness. In 1932, at the age of 25, she married Shen Zhiyuan, who had returned from Sun Yat-sen University in Moscow. The special identity makes her work quite mysterious, the days of returning home are always uncertain, Shen Zhiyuan, who is 5 years older than her, is increasingly dissatisfied with her newlywed wife, and two years later she ended her married life and began to be celibate. Shen Zhiyuan is a famous philosopher and economist, and her thinking is very rational, while she is a poet and novelist, and her thinking is very emotional. With different interests and no passionate love hardening, it is natural that the married life of the two people has entered a dead end.
"Her" ex-husband and philosopher Shen Zhiyuan
From 1931 onwards, she disappeared from the Shanghai literary scene, and not a trace of her disappearance was gone. At this time, she became a mysterious existence of the "Left-Wing Writers Union" in Shanghai. When I read "Xu Maoyong's Memoirs", Xu Maoyong had this account: "When Ren Baige was in charge of the 'Left League' work, she was Ren Baige's traffic. When I was in charge of the 'Left League', she was my fellowship again. Her transportation work is that when I look for Zhou Yang, Zhou Libo, and He Jiahuai and other people to meet, she agreed for me, and when Zhou Yang needed to meet me, she also asked me out through her. The time and place where we meet should be agreed upon by her. Her dress is very modern, but life is very difficult, because there is no profession, writing poetry can not be exchanged for much writing fees. The "she" in Xu Maoyong's eyes is a poor poet, but at this time she is a CCP underground intelligence worker who risks her life.
Xu Maoyong, the person in charge of the "Left Alliance", "she" is Xu Maoyong's liaison officer
Xu Maoyong, the head of the "Left Alliance," was in prison at the time, and it was impossible to prove her political innocence, but Xu Maoyong never threw political sewage at her. The "Red Spy" was her secret identity in the 1930s, and this secret identity was only known in an extremely small circle, and even the leaders of the "Left Alliance" such as Ren Baige, Zhou Yang, and Xu Maoyong did not know who her superiors were. In the secret battle of one-line contact, she maintains and adheres to a secret communication channel with the sensitivity of a poet.
On the instructions of the party, she became acquainted with Toshiko Ito, a member of the Japanese Communist Party and a university professor. When Toshiko Ito was editing the journal "Female Voice" in Shanghai, she dressed stylishly and successfully applied for the Chinese editorship of the "Female Voice" journal, and published the novella "Dawn" in "Female Voice". When Toshiko Ito, the editor-in-chief of The Female Voice, sent her to attend the "Second Congress of the Great East Asian Writers' Congress" held in Tokyo, Japan, her name had to appear in the Japanese press, and the hat of the "female traitor" was immediately worn on top of her head. At the end of the War of Resistance Against Japanese Aggression, Chiang Kai-shek's Kuomintang government included her in the list of hoe traitors who were preparing for secret assassination, and she was soon secretly transferred to the Liberated Areas of Northern Jiangsu and secretly transferred to Dalian for recuperation.
"She" undertakes united front and secret intelligence work
From 1955, when the Pan Hannian problem was implicated until 1976, she was imprisoned twice for 10 years. This lonely "red spy", this once romantic young poet, this bloody woman who shouted "I would rather fight and die for the motherland than to be the undead of the nation" and was hailed as the "wife of the nation", was immersed in human sorrow and indignation in prison.
She—poet—"The Red Spy"
Four complex and secret identities, such as a talented woman, a "cultural traitor", a poet and writer, and a "mysterious agent", have entangled her all her life. 43 years of rape and infamy, 10 years of imprisonment, once zhaoxue, she rationally chose the end of her life. On December 5, 1982, at the age of 76, after writing her memoirs and the commemorative text of her superior Pan Hannian, she committed suicide by taking sleeping pills in a burrow of more than 10 square meters. This great woman is Guan Lu. When Guan Lu's urn was placed in Beijing's Babaoshan Cemetery, her 39-year-old lover, Wang Bingnan, who was 73 years old at the time, silently walked in the crowd of farewells with tears...