All true geniuses are capable of contempt and slander; their innate specialty prevents critics from speaking out. - "The Fables of Krylov"
The spotlight is a good thing, you can hold people up to high positions, you can also hold people to the cusp of the storm. It is common for people in the spotlight to face criticism and accusations from the audience, but how to resolve and respond to criticism is really a matter of great skill. In the eyes of the writer Krylov, true geniuses are not afraid of criticism, because they have enough ability to silence critics.
And now, in front of Deyun She and Guo Degang, it is such an embarrassing situation. A Beijing uncle who is said to know a number of cross-talk bigwigs, in the face of the interview, directly choked the Deyun Society, saying that the unknown horns in the Deyun Society are not good enough to talk about themselves? The spearhead is directed at the Deyun Society. In the face of the criticism of the boss, should the Deyun Society respond?
Not long ago, in the eyes of young audiences, Deyun She, who was fragrant and delicious, was scolded again, and the scolding boss was not small. In the old master's self-description, he used to be an allegro, and he was a classmate with actor Li Jianhua, and performed on the same stage with the well-known cross-talk actor Shi Fukuan, and even Xing Wenzhao, a former famous actor of Deyun Society, was also a good brother of his father.
The old master's criticism of the Deyun Society this time can be said to be prepared. The old man paid three hundred yuan at his own expense and walked into a performance venue of the Beijing Deyun Society. After listening to it, the old master felt that he was "deceived", one was because there was no famous corner for a ticket of 150 yuan, and the other was that deyun she forced it to buy and sell, and the performance venue did not allow him to bring his own food, and he bought two plates of peanuts and melon seeds and spent 30 yuan.
Finally, the old man directly summed up: "This cross-talk has become tainted, and the cross-talk of the young actors of the Deyun Society is not as good as mine." It sounds different from other traditional cross-talk enthusiasts who criticize deyuns, but in fact, it doesn't seem to be the case. Behind the sharp criticism of the great master, the spearhead is directed at the Deyun Society!
In the eyes of traditional cross-talk fans, the three words of Deyun Society seem to be original sin, as long as it is related to Deyun Society, it is basically no good word. Before a bunch of Tianjin cross-talk fans talked about deyun society's cross-talk, they also deliberately criticized young cross-talk actors, thinking that they did not understand cross-talk at all. He also criticized many young girls, believing that they did not go to the Deyun Society to listen to cross-talk, but just to chase the stars.
However, the previous cross-talk fan old people simply accused Deyun Society of being out of tradition and partial entertainment. And now this old master is just criticizing the Deyun Society by watching the crosstalk of the Deyun Society.
The old man opened his mouth and said that the deyun society actor goods were not right, and the performance he saw had no famous characters, only a few stunned boys, and spent the three hundred pieces in vain. But in fact, each performance of the Deyun Society will announce the performers and tracks in advance, so that fans who buy tickets can choose the number of times they want to listen.
And now they are all online tickets, there is no 150 yuan fare. It can be seen that the boss's ticket is not known to be true or false. This is purely the boss's own problem, and it has nothing to do with the Deyun Society itself, and the Deyun Society does not need to carry this pot.
In addition, the idea of forced buying and selling is really nonsense. After admission, the audience can voluntarily choose whether to buy food such as peanuts and melon seeds. If the boss thinks it is expensive, he can choose not to buy it.
In the words of the old master, there is always a sense of superiority that is high above, which is the same as all other cross-talk fans who criticize the Deyun Society. In their eyes, the traditional cross-talk that is going to decline is the real cross-talk, and Guo Degang's Deyun Society can only be said to be a product that the younger generation is playing with.
Of course, although the old master's words caused considerable controversy, the Deyun Society did not have the slightest intention of explaining the situation. Perhaps for the Deyun Society, 26 years of ups and downs have come and gone, and now it is afraid of this little criticism. What's more, I can't change the attitude of my critics, and all I can do is to show myself better.
In the mid-1990s, the downturn in the cross-talk industry prompted many cross-talk actors to switch to actors. Seeing that the cross-talk industry was getting less and less, Guo Degang, who was only in his twenties, realized that if he wanted to make cross-talk "live", he had to change. Guo Degang, who wanted to achieve a great cause, together with Zhang Wenshun and Li Jing, established the predecessor of the Deyun Society, the "Beijing Cross-Talk Conference".
Several people returned to the small theater to perform while beginning to sort out the performing arts repertoire that was on the verge of being lost. With the efforts of Guo Degang, cross-talk was once again recognized and recognized by the audience. But from the time When Guo Degang and Deyunshe once again entered the public eye, they were accompanied by countless criticisms and criticisms.
The older generation of artists accused Guo Degang of destroying traditional culture, and now the cross-talk has become four different. And Guo Degang's disciples have repeatedly had trouble, and each time they can make Guo Degang and Deyun She scolded by the audience on the hot search. With the increasing attention, the slightly vulgar information contained in traditional cross-talk has also made the Deyun Society controversial.
To this end, Deyun Society did not hesitate to break the wrist of the brave man, on the one hand, to carry out internal censorship, on the other hand, to release rewards to allow viewers to report. In order to let xiangsheng go on, Deyun Society constantly introduces young actors and arranges apprentices to show their faces in variety shows and brush their sense of existence. After several times, Deyun Society has gained countless young fans, and it has become a cross-talk society that is difficult to find today.
Nowadays, when people mention Deyun Society, they are no longer only stuck to Guo Degang, but have begun to understand other cross-talk actors, such as Yue Yunpeng, Guo Qilin, Kong Yunlong and so on. The current Deyun Society is obviously more popular with young audiences, and the cross-talk of Theokun Society is also largely inclined to young audiences.
But this kind of integration and change, in the eyes of the older generation, may be an unacceptable and unpopular existence.
As an artistic expression, cross-talk has not been easy since the Ming and Qing dynasties to the present. It has also experienced a time when no one cares, but the emergence of Guo Degang has allowed young people to know and understand crosstalk, which is Guo Degang's achievements and guo Degang's point of affirmation.
Most critics of Guo Degang and Deyun Society scoff at cross-talk that incorporates modern elements. But after calming down, you should think that if crosstalk is stuck in its own way, then when the older generation of actors and audiences die, who should say and who should listen to crosstalk?
We respect traditional art, but we should also make it clear that art that has a circulating nature must be an art that knows how to take its essence and remove its dross. Otherwise, art will always be shelved and will become a past in the classics.
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