Is this a movie? Obviously not! It's not that I'm harsh, although compared to the first "100,000 Cold Jokes 2" in terms of story, characters, laughter points and other aspects of the step, but this is limited to his comparison with his past and present. But if you really want to see him as an animated movie, then he is equivalent to the "Pancake Man" in the live-action film industry, nothing more.
Giving three points is actually to give him a stronger laugh intensity than most domestic animation, it is undeniable that "100,000 Cold Jokes" is still the "Zhou Xingchi" of domestic animation, he has other IP things that he does not have, and also occupies what other animations have, so it can be said that the praise of this time is a praise for his adherence to this style, and it is also an embarrassment for Chinese animation films at present.
1. The story is standardized, but it is still difficult to escape the cliché
Compared with the first big movie that focuses on "Time Chicken", this one has passed both the script structure and the plot rhythm control. A big adventure with family fun, there is the shadow of the robot cat, there is the shadow of "The Lord of the Rings", there is the shadow of "Kung Fu", there is the shadow of "Star Wars", there are too many shadows, so that this adventurous version of "Ten Cold 2" is not as scattered and abrupt as the short story. But it can also be seen from this that the original team's own creativity is too dependent on classic or non-classic bridges, too much hope to rely on the familiar storyline to resonate with people of all ages, and finally it is not difficult to appear this kind of hurried ending similar to each episode of "Dragon Ball", a big move, a roar, an iron fist, and live together. Justice will eventually triumph over evil, and faith will always triumph over evil thoughts, which is the most favorite bridge section used in animated movies, and it is also the most suitable way for all ages. But in my opinion, it is still a bit opportunistic.
2. The characters are diverse, and the control is poor
A major feature of "Ten Cold" is to mix a bunch of familiar characters together to complete the final spit plot of unrelated characters, which is also tried and tested in the big movie, this time it is a breakthrough three years ago, adding a large number of characters to it, creating a cartoon kingdom after 8090. Pleasant Goat, Conan, Thor, Saint Seiya, Doraemon, Athena, River God, etc. These familiar images fill the screen, constantly arousing the emotions of various audiences, so that you can even seamlessly access it without worrying about the plot. This is good and bad, as a fast-food film, he can let the audience quickly enter the state, the whole mood is high, however, the problem also comes, that is, after watching it, he does not remember anything. Maybe this big group of people made a fuss for ninety minutes, and we finally felt like watching a Spring Festival Gala, and when the excitement was over, there was nothing you want to say? Can the answers "The river god is so handsome", "It's funny", "Thor is so cute" can be counted as a deep reflection brought to us by a movie? Obviously not, maybe I'm a bit nitpicky, but I still think that both animated and live-action movies should have a little bit of diversity and thinking of Zootopia, rather than this kind of passing, trying to be fast.
3. Still sell feelings, but this time it seems to be sold a little appropriately
It is difficult not to say that "Ten Cold 2" does not sell feelings, from the large number of advertising campaigns for Xiaomi and three squirrels in his movie, it can be seen that "Ten Cold" has not forgotten the fundamentals of his network animation origin, and he does have feelings for the sponsors who have helped him before, which is one of the feelings that make people feel him. However, the subsequent drinking of classical or non-classic fragments in the story has some meaning of laziness or consumption of feelings again. The place where Little King Kong lived inexplicably reminded me of the street and room in "Kung Fu"; the scepter finally blackened Little King Kong, which also reminded me of the power of the Lord of the Rings, and from time to time the pop music of the eighties and nineties sounded, which was simply the standard of selling feelings, unceremoniously, and used it. Of course, I have to say that some of his stems do have his own unique places. For example: Galaxy - River God - Athena - Saint Seiya, this piece of connection I think is quite interesting, there are also his reasonable places, both the use of his own animation character characteristics, but also the use of the classic Japanese manga character source (River God is the original character image of "Ten Cold"). This is also why in this time period, in this era, he can have a place, indeed he chose the right time, chose the right emotional point, and poked the laughter of many people.
Again, I don't think "Ten Colds 2" is a qualified animated film, I can only reluctantly say that it is a relatively qualified animated story long story. The fragmentation of the plot still cannot be changed, the jump of the lines is not standardized enough, the use of special effects is not satisfactory, it can only be said that it is indeed very distinctive, and it is also an anime that has lasted for five or six years and has not shown a decline like "Bear Haunting" and "Pleasant Goat". Of course, compared to some so-called positive energy cartoons that only go to chicken soup, "Ten Cold" is still a spit of fun, brainless happiness.
The river god stole the scene
I am Thor, the god of thunder, for the glory of the god of the north!