"Qiao'er, I have been with the Zhao family since my toddler, and I and Zhu'er don't know how I can marry him."
My father has already retired his relatives in the district, and this time I have to find my own in-laws!
At the last labor model meeting, I fell in love with someone, his name was Zhao Zhenhua, and they all chose him as a model, and everyone praised him. ”
Speaking of commentaries, many people will think of the commentary drama "Liu Qiao'er" starring Xin Fengxia. In 1956, with the release of the drama film "Liu Qiao'er" throughout the country, Liu Qiao'er became a typical example of fighting for marriage freedom and women's liberation, and became a household name for a time. The story reflected in the review drama "Liu Qiao'er" has been happening for a full 72 years today.
On March 13, 1947, Yan'an's Liberation Daily reported on the famous Fengzhiqin marriage dispute case in the Shaanxi-Gansu-Ningxia Border Region. Because this case was compiled as the narrative "Liu Qiao'er Reunion" and the script "Liu Qiao'er's Complaint", people also called it "Liu Qiao'er's Case".
The prototype of "Liu Qiao'er" is called Feng Zhiqin, born in 1924 in Shangbaozi Village, Yuele Town, Huachi County, Qingyang City, Gansu Province, with the name of Bao'er, who was famous for her "skillful hands" in paper-cutting and embroidery since childhood.
When Feng Zhiqin was a child, he was promised by his father Feng Yangui to Zhang Bai, the son of Zhang Jincai. As they grew older, Feng Zhiqin and Zhang Bai often interacted with each other, and they admired each other. However, due to the poverty of the Zhang family, Feng Zhiqin was granted another permission to the Zhu family by his father, but Feng Zhiqin refused.
Qiao Er and Zhao Zhenhua (stills of "Liu Qiao'er")
Seeing that his father was fengzhiqin Zhang Luoba's family, Zhang Bai's father Zhang Jincai was worried that the night was long and dreamy, so in accordance with the local custom of "robbing relatives", he gathered his clan to break into the Feng family at night, snatched back Feng Zhiqin, and consummated the marriage for the two. Feng Yangui then sued the Zhang family to the Huachi County Judicial Office for "robbing the women of the people," and the judicial referee summoned Zhu, Zhang, and Feng without conducting an in-depth investigation, and declared the Zhang family's "snatching" marriage invalid in court, and the county guard also arrested all the people who robbed the relatives, and a pair of Mandarin ducks were broken up.
Both the Feng and Zhang families were not satisfied with this verdict, and the masses also reacted strongly. Feng Zhiqin walked hundreds of miles to Qingyang City, where the Qingyang Special Office was stationed, to complain about the interference of "parents' orders and the words of the media" in her marriage and the unfairness of the county anti-Japanese democratic government's judgment of the case, and to fight for the right to marital autonomy.
Ma Xiwu, then commissioner of the Longdong Subdistrict and president of the Longdong Branch of the Shaanxi-Gansu-Ningxia Border District High Court (who served as vice president of the Supreme People's Court after liberation), learned about it after in-depth investigation and also solicited Feng Zhiqin's opinion on the marriage.
Qiao'er complains to Commissioner Ma (stills of "Liu Qiao'er")
On the basis of clarifying the entire facts of the case, a combination of investigation, mediation, and trial was adopted to conduct a public trial on the spot, and finally a judgment was rendered: the judgment of the Huachi County Judicial Department was revoked according to law; Feng and Zhang agreed to marry, and their marriage was valid; Zhang Jincai robbed relatives at night, disturbed public order, and was sentenced to a short prison sentence; Feng Yangui betrayed his daughter many times, violated government laws and regulations, and was sentenced to hard labor as a punishment. The masses believed that this verdict was reasonable, the punished people were willing to accept the crime, and a young couple was even happier and married. The "Five Judgments of Ma Xi" was also born.
Feng Zhiqin and her husband Zhang Bai
This civil case of striving for marital autonomy not only impressed the surrounding people, but also caused a sensation in the Shaanxi-Gansu-Ningxia Border Region, becoming one of the eight famous cases in China in the 20th century. At that time, Yan'an's "Liberation Daily", Chongqing's "Xinhua Daily", "Longdong Bao" and so on reported on it one after another; subsequently, the famous artist Han Qixiang compiled it into the Northern Shaanxi Express Book "Liu Qiao's Reunion", and Yuan Jing, a teacher at Longdong Middle School, created the Qin opera "Liu Qiao'er's Complaint" and spread it widely in the border area; after liberation, the China Commentary Theater compiled it as a commentary drama "Liu Qiao'er", starring the famous actor Xin Fengxia, and then put it on the screen by the Changchun Film Studio, so that the story of "Liu Qiao'er" spread throughout the country. In the play, Liu Qiao'er and Zhao Zhenhua became the idols in the hearts of young men and women who fought for marriage freedom and opposed feudal arrangements in that period, and even promoted the publicity and popularization of the first "Marriage Law".
Since then, Feng Zhiqin has had a well-known name for women and children - "Liu Qiao'er", and her story is even more well-known. "Liu Qiao'er" has become a model of new China and a symbol of women's liberation.
(Qilu Evening News, Qilu one-point reporter Kang Peng, picture from the network)
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