Cold (c. 1669–1742?) ), a famous court painter of the Qing Dynasty. Zi Jichen, the history of Kinmen painting, a native of Jiaozhou, Shandong, is a painter who enjoys a high reputation and a prolific painter spanning the three generations of emperors of Kangxi, Yongzheng and Qianlong, and Leng Ming occupies an important position in the history of China's court painting academy.
Leng Ming, date of birth and death unknown, lived around the late seventeenth century to the early eighteenth century AD, the character Ji Chen, the history of The Golden Gate Painting, Jiaozhou (now part of Shandong) people. He studied painting with Jiao Bingzhen, a painter of the Kangxi Dynasty, and entered the court around the middle of the Kangxi Dynasty, where he remained until the seventh year of Qianlong (1472). He is good at painting figures, ladies and landscapes, and his painting style is neat and meticulous, with strong colors and decoration. His surviving works include "Summer Resort Diagram", "Nine Thoughts Diagram", "Magu Sacrifice Life Chart", and "Palace Lady Diagram".
Qing Leng piece Wutong double rabbit figure Colorless silk 176.2×95 cm Collection of the Beijing Palace Museum
In the painting, two sycamore trees are painted, and a osmanthus flower is obliquely produced in the stone crack. Wild chrysanthemums are all over the ground, and in the soft grass, two white rabbits play together. It seems to be made for the Mid-Autumn Festival. The shape of the double rabbit is accurate, the image is vivid and vivid, and the fur is smooth and textured. The rabbit eyes are reflected with white dots, and the eyes appear crystal clear. The mountain stone is written squarely with a folding pen, hard and steep. The composition is dense and elegant, the pen is delicate and delicate and pays attention to the texture, and the color is harmonious and beautiful and contrasting, which is obviously influenced by Western painting techniques.
The corner of the lengmei "Sycamore Double Rabbit Diagram" is painted with a plane tree wrapped around vines and roses, under which white wild chrysanthemums bloom, and a osmanthus tree protrudes obliquely from the stone crevice. In the grass, two fat white rabbits play with each other. The two rabbits in the picture use Western painting techniques, the proportion of the rabbit's body is appropriate, the fur is painted very realistically, and the delicacy of the fluff can be felt. The finishing touch in the painting is the depiction of the rabbit eye, and the painter shows the reflection of the eye in great detail, which looks very expressive. The vivid appearance of the white rabbit and the docile and cute shape jumped on the paper.
The picture of the mountain stone is written squarely with a folding pen, hard and steep. The corner of the painting is depicted with a plane tree wrapped in vines and roses, under which a white wild chrysanthemum blooms, and a osmanthus tree protrudes obliquely from the stone crevice. This painting was improvised on the day of the Mid-Autumn Festival, and the sycamores, chrysanthemums and osmanthus flowers in the background all hide the smell of autumn.
The two rabbits are properly proportioned, and the fur is painted very realistically, and the delicacy of the fluff can be felt.
The rabbit's eyes are painted with white powder to reflect the light (that is, highlight), appearing crystal clear, which borrows the strengths of Western painting methods and achieves good results.
Leng Ming's "Wutong Double Rabbit Diagram" has a dense composition, with delicate and delicate brushes and attention to texture, and the color is harmonious and colorful and contrasting, which is obviously influenced by Western painting techniques. The background of "Wutong Double Rabbit Diagram" uses the traditional Chinese painting line drawing and dyeing method to appear very elegant, and the background contrasts with the white rabbit, which has a kind of Chinese and Western beauty.
Qing Leng Ming Summer Resort Diagram Silk Coloring 254. 8×172 cm from the Collection of the Palace Museum, Beijing
Summer Resort, also known as Rehe Xingguan, or Chengde Departure Palace. Originally built in the forty-second year of the Kangxi Dynasty (1703) and completed in the fifty-fifth year of Qianlong (1790), the mountain covers an area of 5.6 million square meters, and the surrounding palace wall is 20 miles long, which is a magnificent ancient architectural complex preserved in China to this day. In the picture, surrounded by green mountains, green trees, a clear spring in the back mountain, flowing into the mountains, the lake is rippling, the lotus flowers are blooming, the shore willows are shaded, pavilions, water pavilions, palaces, high-rise buildings, according to local conditions, gathered and scattered. The views are beautiful and overwhelming. Seiko with a pen, set color Yanli.
Leng Mei depicts the back garden of the summer resort and the lofty mountains around it in a realistic way. The composition is a bird's-eye view, framing from the top of the scenic spot downwards, and the scenery is specific and subtle. The color scheme is a combination of turquoise coloring and light rendering, and the cool and warm tones echo harmoniously, successfully creating a quiet and quiet atmosphere in the villa. On the island in the middle of the lake, various buildings are jagged and scattered, which are completely depicted according to the real scene. Although the author follows the creative principle of "far water without waves" in Chinese landscape painting, he also borrows some means of expression in Western painting, and through the blending of ink color, the sparkling waves of a pool of lake water are well expressed. Surrounded by mountains, outline the point lice, several majestic peaks in the distance are majestic and thick, the weather is solemn, and the undulating peaks at the end are looming, with a sense of endless scenery and endless views.
The details of this work are quite ingenious. There is a tall tower in the painting, the shape and the wooden pagoda of the Golden Mountain Temple on the right side of the abrupt rise of the mallet peak is the representative scenery of Chengde Mountain Resort, because its unique shape, if the position is not properly arranged will destroy the overall harmony of the picture, the author knows its reasoning, the scene is rigorous, it is placed in a corner of the side of the picture, neither omitting the iconic scenery nor making it too eye-catching, both in line with the reality and does not affect the overall effect of the picture, this way is very unique. The works of the court painters mostly express the grandeur of the royal style, and Leng Ming's work also leaves such an impression on the viewer.
Qing Leng Piece Hundred Zi Chart
Leng Mei's "Hundred Zi Tu", the joy of baby play, each doing its best, the garden boundary, the lake stone, the water pavilion, the pavilion, all readily available, the view is dazzling. It is a more typical treasure of court themes, and it is also a superior work of cold pieces.
Leng Ming's "Hundred Sons" is also a character painting that Leng Ming specializes in, and the theme of many children and many blessings means auspicious. Picture: depicts a hundred innocent children chasing each other between the pavilions and pavilions, some of them holding bunting flags, as if standing guard, and some are playing hide-and-seek, playing swings, playing chess, boating, puppets, firecrackers, each child looks different, none of them are the same, only wonderful, habitual, colorful, smooth lines, delicate images are different, their expressions are innocent and cute, very interesting, the author will show the naughtiness and cuteness of each child to the fullest, It seems that people can also feel the happiness of children. With the lake rippling, lotus flowers blooming, the shore willows weeping shade, plantain lush, ancient wood forest sky scenery, this work is gorgeous in color, elegant throughout, the composition is dense and elegant, its pen is delicate, seiko, the color is beautiful and beautiful and pays attention to the texture, the color is harmonious and gorgeous and there is a contrast, obviously influenced by Western painting techniques, and the characteristics of the era of painting techniques are obvious.
Qing Leng Mei Chun is tired of reading the picture
Qing Leng Mei Costume Girls' Play Chart - Qianlong Imperial Heavenly Middle Child Fun Picture Poem
There are many works of this kind of subject in Qing Dynasty paintings. Leng Ming's children's play picture is delicate in brushwork, the lines are smooth and powerful, the colors are gorgeous, the children in the painting are naughty and innocent, lively and lively, flexible and cute, and the characters' clothing and decorations are meticulously depicted, delicate and elegant and very clean. The costumes of the ladies and children of the inner court in the picture should be realistic attire of the court in the Kang Yongqian era.
Wang Youdun, a famous scholar of the Qing Dynasty, inscribed it.
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