In my aesthetic experience and memory, March is the most wonderful time of the year, and it is also the season that can most stimulate and resurrect people's vitality. Spring returns to the earth, everything recovers, birds sing, willow buds spit green, it is like a big breath of fairy breath spit out by God, mountains and rivers, warm the world, so I have always been partial to March. When I read Chen Lijun's prose poem "April", I suddenly realized that the beauty of April was so unattainable, and she and March were so close and different. April is like the jade feet of a fairy, stepping over the warm and cold steps of March, and stepping into the clear and refreshing wonderland. April is like a heavenly pond, and the season only dances a few times in the middle, which is beautiful in heaven and earth. And all this is observed and captured by the author from a subtle point of view, and the subtleties are understood with a pure mind like April.
"Walking into the buds in April, stretching out, it becomes a comma. The cold winter was finally drawn by the trees, "such a very imaginative language coupled with the color of the childlike heart and fairy tales made me feel that the author had grafted a naïve child's heart, love and beauty, into the young branches of April." "In April, a drop of water took its wings and turned into raindrops to smooth out the wrinkled ground. The earth is smaller. The raindrops stretched their necks and merged into a cheerful stream... What an ethereal and emotional context, she used the innocence of a girl to give wings to a drop of water... Let her stretch her neck and jump into the stream, what a playful and creative emotional girl, with her own transparent heart, free indulgence and flight in the April sky.
"In April, the moonlight stretches out its tiny hand to pick up the impetuousness and noise of the world." This delicate little hand must be the jade hand of the "lonely Chang'e Shu wide sleeve" in the sky, she is light, like water, like a dream. A "carry" word makes the moonlight of Qing Ling have a sense of movement and strength, and the moon night in April is alive. These are not enough, in April, the author "let us look at a red flower, look at a grass, look at a cloud of shame, look at the purple and red dust of ourselves with a quiet and appreciative gaze." What a magnetic gaze, this gaze must have condensed the essence of the sun and the moon, the atmosphere of heaven and earth and the great love, in order to see the world so beautiful, dynamic, so full of vitality and vitality in the moment. In April, let us come out of the mixed desires, into the author's fairy tale world, let us follow her fingers, together with love and beauty grafted on the fresh and tender branches of April, from the rich grass to the white clouds in the sky, all along the green branches and leaves, so that the air is also green into "green food". Of course, April is only a short chapter, and there is still a larger and more beautiful space for the creator to expand, but the extremely thick green pigment contained in this short chapter has penetrated into our hearts along the lead, along with my tuna and breathing. In April, let's move into your new home.
(Text: Li Yong)
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