Yu Wenle, who is about to enter the 40-year-old, is full of rituals for his own year of confusion, although the wind reviews have been relatively bleak in recent years, but the "low-key" Yu Wenle has a lot of actions, and recently because of a "film" has become a topic of conversation.
Yu Wenle, who has not brought film and television works to everyone for a long time, recently launched a personal documentary "Inside Out", and the first episode of the launch received more than 2 million views in less than a week.
Of course, the role of many marketing numbers in it cannot be ignored.
Buying or not buying hot search is not the focus of our topic today, in fact, as early as the middle of last month, Yu Wenle caused a heated discussion among netizens because of the trailer of the documentary. Many people who have watched the trailer or the main film said that this is not a parody of Chen Guanxi's personal documentary "Within Reach" in previous years?
Although personal documentaries are similar in style and picture due to the limitations of content and the specificity of the subject matter. In addition, the experiences and achievements of Yu Wenle and Chen Guanxi are somewhat similar, but after seeing that the two people's summaries of the documentary are also very similar, I don't know whether Yu Wenle himself is embarrassed or not...
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Yu Wenle
But you can't say that these two documentaries are exactly the same, after all, "Within Reach" is someone else filming Chen Guanxi, but "Inside Out" is Yu Wenle himself filming himself...
In addition to being questioned by netizens for "imitating Chen Guanxi", because "Inside Out" in the first episode is a large part of the introduction of Yu Wenle's collection of nft, it has also been added another crime - cutting fan leeks.
Everyone knows the story of Yu Wenle's 180,000 heads, but after the documentary was broadcast, everyone also knew that Yu Wenle had more than just an avatar, but also sent a lot to friends.
However, after the market price soared, Yu Wenle said that he would like to get it back.
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Perhaps as part of his hobbies, Yu Wenle not only showed everyone the nft he owned, but also popularized the nft, is this also to "bring goods" in the documentary?
But I have to admit that Yu Wenle does have a certain ability to carry goods.
At the end of September, Yu Wenle and Christie's auction house brought a special collaboration, of which more than 30 lots were from "Yu Wenle's personal collection", and nearly half of them were his collection of nft works...
Yu Wenle's same cryptopunk zombie avatar won the highest transaction price of the whole market for 33.85 million Hong Kong dollars.
How can this be said to be a leek cutting fans? It's clearly about taking out good things and sharing them with everyone, and then making some money by the way.
In the end, christie's "Yu Wenle Special" also set a new Asian record with a transaction price of 120 million.
However, there was also a small episode in this auction, which originally included a Rolex antique Daytona ref.6263, which was auctioned because it was pointed out by overseas critics as "assembling a table".
At the beginning, this watch was valued at 7-10 million yuan, but in the end it made a joke.
Aren't you eating enough of goro's lesson? Although the "assembly table" this time is not a fake, the market price has been greatly discounted, and the reputation has also slipped again.
Yu Wenle's love for watches is also mentioned in the documentary, I wonder if these valuable collections will appear in the next film?
In the documentary, Yu Wenle to a large extent revealed his studio and daily work to everyone. An introduction to the paintings of artists Futura and George Condo;
Pick up a co-brand of Madness and Yasuhiro Mihara in a studio full of samples;
Show everyone the gap caused by the handling of the explosive woven wooden chair...
You said that it is not enough to hold it, but I always feel that Yu Wenle is trying to perform the perfect daily side, and I don't know if this feeling is contrary to what he said at the beginning of the "be yourself".
In the days after no remuneration and loss of endorsements, Yu Wenle has always been low-key, settling in Taipei to take care of the family single-mindedly, and the big and small festivals of his wife and children have not fallen behind.
Previously, more than 100 pieces of clothing were donated to children in poor mountainous areas, and 30 million yuan of art at auction were also donated, and a foundation was set up to help sick children.
It is indeed a good thing, but for some reasons that everyone knows, Yu Wenle wants to use this to wash white people and it can be said that almost no one buys it.
Now Yu Wenle has found his own "way to make money", but it is not a wise move to prove his "vision" by selling collectibles.
Time has passed, and I didn't expect that "typographic music" had become "dealer music"...