Tan Bing'er: Shellner's Fourth Symphony conducted by Cherry - dust-free and untainted, I forget both things

Listen to Cheribidak's Bruckner Symphony No. 4 in E flat major on the weekend. As Bruckner, who possesses the spiritual, spiritual and cosmic power of God, this "romantic" symphony contains infinite religious piety and philosophical contemplation, and is also full of infinite praise for nature.

Its musical realm is not easily accessible to ordinary people. In the case of the poem of The Mahabharata, it is: Into the Yellow Flower River, every green stream; With the mountains will turn, the fun road is not a hundred miles; In the noisy stone, the color is quiet and deep in the pine; Ripples of pan-lined, cheng cheng reflects the reeds; My heart is idle, so is Kiyokawa; Please stay on the rock, fishing will be over!

Chelibidak, who is untamed and unruly by nature, is one of the few conductors who perfectly interprets Brückner. Although Karajan the Great blocked his light for more than thirty years, he still overnight transformed the Berliner Philharmoniker back into the clean, transparent, dust-free musical model he wanted.

For him, music is music, pure, something beyond the mundane and experiential. Cheli bidak's interpretation has a fairy breath that does not eat human fireworks, and the calm contains endless internal forces and tensions. The music can not hear half an impurity, and the texture is transparent, pure as water, and there is no exaggeration or mannerism, and it is not disdainful to cater to the tastes of fans who only seek sensory stimulation, but in order to produce a soul match with the real music lover.

Overall, the work highlights Chelibidak's philosophy of self-pursuit and artistic maverickism, as well as his deep understanding of Zen Buddhism. Cherry is undoubtedly also one of Bruckner's best soul interpreters.

Cheli Bidach once said: Beauty is just the bait to music, music is not beauty, it is true.

Compared with Karajan, who always tries to fuse Tuscanini and Furtwingle, Chelibidaqi, who does not buy anyone, can be called dustless, forgetful of things, "ordinary mind" and "Tao".

In Chelibidach,000, the rehearsal is a series of "no's" and there may only be a "yes" at the end. As for why he had only heard of his conduct of Brahms, Bruckner, and Beethoven, and never of his conduct of Mahler's work, it was probably because theology (metaphysics) had influenced him too much. It is not so much a matter of personality as it is an attachment, a professional attachment, or a strength of personality. This is also the reason why his works often give people pure and transparent.