First, Zheng Jun, born in the 1960s.
On November 6, 1967, a family of intellectuals in Xi'an welcomed a second boy, Zheng Jun.
The 1960s in China was a special era, but also an era of passion.
In China in the 1960s, although the material was not abundant, everyone was passionate.
Zheng Jun in his childhood ate and dressed warmly, but his father died of illness when he was 7 years old, which was the first major blow in his life.
Since then, Zheng Jun has been dependent on his mother and brother for his life.
Growing up in a single-parent family, Zheng Jun longed for more love, and it was easier for him to crave love from the opposite sex when he became an adult.
The experience of not having a father when he was a teenager also made Zheng Jun independent and strong.
The Chinese born in the sixties is both idealistic and pragmatic; both rebellious and bottom-line.
Born in the 1960s, Zheng Jun has the distinctive characteristics of people of that era.
Second, Zheng Jun, a rock youth in the 1980s.
In the 1980s, China's economy began to take off, all kinds of new ideas began to flood, and the memories of people born in the 1960s included long hair, disco and flared pants.
In 1987, Zheng Jun, who took the second college entrance examination, was admitted to Hangzhou Institute of Electronics Industry.
In such an era, Zheng Jun was exposed to a large number of foreign cultures, and the popular music and rock music of the British and American sixties and seventies touched it the most, among which the Beatles, the Rolling Stones, Zeppelin, Bob Dylan and so on made him fascinated.
Zheng Jun began to imitate them, and in 1990, the 23-year-old Zheng Jun organized a band called "Gunpowder" on campus, which mainly covered the works of Bob Dylan, Cui Jian, Luo Dayou and others.
"Gunpowder" made Zheng Jun a prominent figure in the university at that time.
In the 1990s, Zheng Jun taught himself rock music.
The 1990s was a transitional period in the era of reform and opening up, and it was a critical period in which China's future went from obscurity to clarity and confusion to clarity.
It was in the nineties that the value of thinking in the eighties was translated into concrete, concrete action.
Zheng Jun, who came from the thousand-year-old ancient capital of Xi'an and had the pride of the old Qin people in his bones, began his own rock road.
He gradually began to be no longer satisfied with interpreting other people's works, but began to teach himself music theory, analyze other people's works, and practice the piano more diligently.
During this time, he sang in the song hall, and in order to exercise his singing skills, he even went to a certain song and dance troupe without pay for several months.
Although life was turbulent, his long-term experience, coupled with high-frequency performances and rich life experiences, inspired Zheng Jun, and his first works were born.
In May 1994, after more than two years of meticulous craftsmanship, Zheng Jun's "Naked" album was launched.
These include: Back to Lhasa, Naked, Cinderella, Elysium, Inaction, etc.
Once promoted to the market, it caused a sensation, and Zheng Jun's unusually unique lazy humming voice and idealistic lyrics that exuded charming sexiness were the biggest features of this album and were sought after by the young people at the time.
Zheng Jun "three years without sound, a blockbuster", Zheng Jun has since become popular, becoming one of the popular singers in the pop music scene.
Zheng Jun once said, "I only make music that I like." ”
Born in the 1960s, raised in the 1980s, became famous in the 1990s, and enjoyed in the 00s, 10s/20s.
The times have created Zheng Jun!