Ren Jianhui's art can be explored from three aspects, including performing arts, music and analysis of classic plays on stage, and many scholars have also expressed insights, making the whole discussion interesting. Professor Leung Pui Kam, former Professor of Chinese at the University of Chinese, Hong Kong, pointed out the importance of Ren Jianhui in the history of Cantonese opera in Hong Kong in his keynote speech "Ren Jianhui's Stage Performance". The speech first analyzed the role transformation and influence of Ren Jianhui based on more than 800 plays since he started his art, combined with the history of the development of Cantonese opera. Based on the performance of Ren Jianhui, a positive evaluation was made by her style and characteristics, indicating that the later plays of the XianFengming Troupe were the most mature and considerable. Taking her films as an example, she categorizes and appreciates the characters she has played in the past 40 years. Finally, it focused on Ren Jie's pomp and skill, and pointed out that as long as researchers understand cantonese opera pomp and skill, they can resurrect her stage performance from Ren Jie's film.
Dr. Lo Wai Lee, Associate Professor of the School of Communication and Science of Hong Kong Baptist University, gave a lecture entitled "The Talented Man and the Straight Boy: The Two Faces of Ren Jianhui", which novelly explained the reasons for the diversity, multi-faceted and successful performance of Ren Jianhui with the concept of face, body theory and face. Mr. Hu Guoxian, a veteran new poet in Hong Kong and provost of the Confucius Institute, "Which "Li Yi" Has More Affection- Starting from the "Cave Room" of "Fourteen Years of the Fire Net Fan Palace", uses different versions of the drama to analyze the highlights of Ren Jianhui's role. The same is different, and the analysis is meticulous.
Dr. Ke Fan, an assistant researcher at the Institute of Chinese Arts, focuses on Ren Jianhui's tragic films, systematically sorts out the characteristics of tragedy in Cantonese opera and highlights Ren Jianhui's artistic achievements in tragedy. Dr. Lai Qingfang, Associate Professor of the Department of Chinese Literature at Zhuhai University, reviewed Ren Jianhui's acting performance from the perspective of an ancient beautiful man. Dr. Wu Meijun, Senior Lecturer of the Affiliated College of the University of Hong Kong, discussed the research significance of women's easy-to-wear films in the early years of Ren Jianhui's thesis. Ms. Zhao Yuan, an assistant researcher at the Institute of Film and Television Arts of the China Academy of Arts, discussed the topic of "On Ren Jianhui's Performance Culture and Self-Identity" using theories such as "non-him and non-self" and "double negation". Dr. Chuntian Zhang, Department of Chinese Culture Studies, The Hong Kong Polytechnic University, wrote his dissertation, "Performance and Lyricism: Ren Jianhui's Dream Life", which uses contemporary cultural theory to discuss Ren Jianhui's art, and his views are also very creative.
More researchers have made detailed analysis and research on the individual roles of Ren Jianhui, such as the drama and art specialist of the Nanhai District Cultural Center in Foshan City, Ms. Guan Chuxian, the instructor of the Xiaoqionghua Cantonese Opera Cantonese Opera Study Club of Foshan Institute of Science and Technology, and Mr. Li Xing of the Department of Musicology of Xinghai Conservatory of Music, "A Brief Discussion on the Shaping of Tang Disheng's Characters by Ren Jianhui - A Brief Analysis of the "Four Great Drama Treasures"" can provide the audience with a new perspective to appreciate Ren Jianhui's performing arts.
Dr. Jiang Zhi, a lecturer at the Chinese Opera Research Center of the College of Literature of Chinese Min University, discussed Ren Jianhui's art from another perspective in her lecture "Comparison between Ren Jianhui's Performing Arts and the Performance of Female Primary School Students of Yue Opera of the Same Theme", which is very innovative.