Feng Xuefeng
The "Gaoshan Mountain Tour - Exhibition of Donated Cultural Relics of Shanghai Museum" is being exhibited at the Shanghai Museum these days. From the elegant Wenheng Mountain's "Bantang Smoke Moon Map", to the inscription of "Qingteng Daoist Portrait", to the Qing Dynasty's "First Word Hand" Naran Chengde Codex, Tang Yun's Mansheng Pot, etc. The author follows the observation and notes, hooks the donor's past, and is quite interesting.
Wen Zhengming's "Half Pond Smoke Moon Map"
On October 20, the goal is to "exhibit donated cultural relics" at Shangbo.
Wenheng Mountain's "Half Pond Smoke Moon Map" is really elegant, the smoke cage is cold and the water is long, and the moon is seen without the moon, and the light mist strikes people and feels the water cold. Matsuki ancient temple quiet, falling geese sleeping in pingsha, three people moon bridge looking, paddle sound carrying wine. The pen and ink are exquisite and not anxious, not dry, not light, the tone and atmosphere are all mid-autumn, and the composition is also wonderful, the long-range view is the size of the three peaks, the whitest moonlight shines on the middle peak with the thickest ink color, it is a kind of eternal stability, a large piece of white space in the middle, an S-shaped half pond that is not a river and a lake, and the time flows softly to the half-moon shaped bridge hole of the close view, which is a kind of eternal movement, people in it, do not know what night and night, the sails are full of boats, it is the wind and the heart. Wen Zhengming this painting is Gusu Bantang, I have been to Bantang Street, but I have never seen the temple and the Moon Cave Bridge. The temple has been destroyed, and only a few stone slabs are left on the bridge. The half pond is not visible, the temple is not visible, the bridge is not visible, the only picture is visible, and the moon is visible.
Hengshan disciple jujie has the poem "Bantang Temple, a Small Building on the Upper Man", which is another spring and ming scenery: where to smell the qing, the spring clouds are half a pond. Tea fragrant courtyard, building shadow with corridor. Do not stain the lotus flower pure, idle covetous Buddha day long. The evening mountain is full of rope beds as intended.
Bantang Temple was the largest Shousheng Sect Temple in Shantang in the past
Suzhou in the Seventh Volume of the Kangxi Southern Tour (Partial)
Visit the "Bantang Bridge" on Shantang Street
Xu Zhang Jiying donated wenzheng Mingxingshu Jiangnan Chunzi fan page in 1996 (with the seal of "Mo Lin Secret Play"), and Chen Jiru's inscription Sui Xi An Sentence and Lan Ying's Imitation Wang Mengfa Landscape, all of which are gold notes, and it is not easy to collect wu men and four people with a specification, Wu Hufan spent 24 years to collect a volume, which shows how glorious it is for Duoyunxuan to collect Shen Wen Tang Qiu gold notes into fans.
Wen Zhengming's "Chasing and Ni Yuanzhen Mr. Jiangnan Chun Ershou", began with an elegant collection of Hongzhi Pengwu, chasing and Ni Huan Jiangnan Chunzi has become a major event in the Jiangnan cultural circle, Shen Zhou and Wen Zhengming are especially good at this, this is wen's 61-year-old erhe.
Wen Zheng Ming Xing Shu Jiangnan Chun Zi Fan Page
"The banks of the Spring Thunder River are twitching, and the spring rain is quiet. Last year, the double swallow did not return, and the lonely and dry degree of flower shadow. Money is boring, so it's cold, and the short silk bottle cries deep well. What's the matter with the beauty? Strange willow-colored perched dust. Zhu Xian is sparse, the feathers are anxious, and the wine skirt is wet. Before the joy of leisurely pursuit, the sky is far away from the twilight clouds. Beauty hurts spring love, hand twisting flowers and branches standing on the flowers. Flowers fly ten thousand points to stream Ping, wasp purple swallow empty camp camp. ”
(Press: The fan is recorded as the previous one, and the next song "Pan Recommend Spring Shoots" season should be in Lixia to express the feeling of cherishing spring.) ）
"Bi Tang Chun Pan Xue Chun Zhen, Chun Qing River Bank Wu Wu Jing." Green oil painting boat mixed with songs, willow new waves chaotic sail shadows. Jiangnan grain rain harvest residue cold, hand drawn to the new spring test double well. The evening wind blows the white scarf, and the drunken does not dream of Donghua dust. Yu Ce is busy, the flowers are urgent, and the small rain spots are wet with swallow mud. Qiu Hongshe Yan is not in line with each other, only the spring grass is green every year. Wang Sun does not return to his hometown, and the sunset at the end of the world stands in love. Fusheng went to live in the real Pengping, a hundred years of a gimmick how many camps? ”
Saturday after lunch to the riverside walk, when the frost fell, but this summer directly into the winter a rare warm autumn afternoon, osmanthus flowers in the fragrance of jiangtao, and remembered Wen Zhengming's "Half Pond Smoke Moon". The era has an impact on the painter's compositional mood, Ma Yuan's "horse corner" is clearly the remnants of the Southern Song Dynasty, the Ming Dynasty's rich and stable Jiangnan, the literati feel very different, this painting, is a complete circle of the world, and even with landscapes and water to reflect the heavens. The north side of the "mountain is as quiet as taikoo" like Xuanwu, the south side of the moon bridge is like a suzaku with spread wings, while the east side of the high and low flat houses like the scales of a green dragon, the west of the Bantang Temple's towering pavilion like the tiger's head of the white tiger, the original "blank" pond in the middle of the diagonal direction of the boat boat is "broken" good, placed in the four elephants, this is clearly a "Taiji", from left to right down the sailboat, and from the right to the left down to the oar boat form a cycle of reciprocating polar movement, and that day the polar center is in the sky or in the water of a full moon. Wen Zhengming's painting is titled "September 10th and 4th", not the Mid-Autumn Festival, and jingming is better than the Mid-Autumn Festival. "September 10 has eight, the clouds between the moon from China" time in today, frost fell, this round of autumn moon from Wen Zhengming painting 1548 has passed 473 years.
At the scene of the exhibition hall, Wen Zhengming and other miscellaneous paintings
Wen Zhengming and other miscellaneous scrolls (partial) "Wenyin Zhengming", "Wuyan Room Seal"
Sun Yufeng Hongyizhai has a number of fine works of Wen Zhengming and Wen Boren in his collection, and this time he did not exhibit the scrolls of Wen Zhengming's "Double Ke Bamboo Stone Diagram" and Wen Boren's "Diagram of the Forest House in Guqu District" collected by the Qianlong Inner Province. In this painting, I especially love its two seals, "Wenyin Zhengming" and "Wuyan Room Seal", which changed my impression of the ming seal (Wen Peng seal seal is very rare, always think that the Qing Dynasty genre seal is the printing of zhongxing), these two seals are the same as the books written by Wen Zhengming in the Palace Museum when he was 50 years old, but I don't know whether it is ruled by Wen Peng.
"Small Portrait of Qingteng Daoren", the author's anon
"Qingteng Daoist Statue" inscription
"Qingteng Daoist Small Portrait", the author's anonym, Qingteng self-titled once fat and silky, silky and fat, "Ande Zhistu to carve the boat and keep the plant", Weng Fanggang loved this painting, inscribed and titled, and finally inscribed to the side Aya, "Wen Chang should be in the middle of the night Long Howling Lang Ran there are a group of cranes to respond to it"; Xie ZhiLiu said that the flowers will be called Baiyang Qingteng, Baiyang sketches originated from Ishida, easy to thicken and clear, there is still rope ink to be found, "not as Qingteng absolutely goes to the qi path to retreat pen indulgence like a dance of eight snake spears". This picture is donated by Wang Yiping.
Hu Huichun donated jun kiln moon white glaze
-Qing Kangxi Jingdezhen kiln cowpea red glaze printing box
Hu Huichun donated the Jun kiln moon white glaze out of the grandeur and flawless beauty, although no official money must be an official kiln, but the Bo biao "Song" has not yet accepted the latest archaeological results conclusion "Ming", Song Jin Jun kiln does not have this big instrument, "Song Five" official brother Ru Ding Jun is the ming and Qing antique merchants' words. The best thing about a pair of cowpea red is the highest point in the lid, and there is a "small full moon" everywhere in the red glow, and the disease of glaze is interesting. Some people ask why it is a printing box and not a powder box? Gai was rouge and vulgar because of Zhu Zhiya, and had never heard of Hu Huichun's establishment of the "Min qiu jing she" Where women and dogs were not allowed to enter.
Gu Lijiang donated the excavations of the official kiln under the southern Song Dynasty suburban altar through the ear bottle, in the 1940s in Shanghai, there were Japanese consuls and lawyers surnamed Zhu who found the ruins of the official kiln in Hangzhou and obtained some fragments, I don't know if Gu also obtained it in that time period. Zha Zhengzhong teacher article zhi Jianguo chu gu donated more than 2,000 pieces of collection and Shangbo, the first is the Warring States print ti liang cup, I don't know if it is a permanent exhibition of the ceramic museum, because more than ten years ago, there were many original porcelain works from the Wuyue mound tomb in the Maoshan area, and I also criticized this piece of workmanship very dismissively.
Ba Jin donated Dong Qichang's books
Ba Jin donated Dong Qichang's book book only open once, I don't know what poem, only recognize the three words "Yong Jie Xu", the most famous of course is Su Wu, who shepherded sheep, and returned home to check as one of the "Three Songs of the General Cao Wang Xian Kui Zhongcheng". His eight-sided out-of-the-air, pitching posture, and righteous interdependence are really not imitated by ordinary people, there is flattery on the face, and the spirit of killing is permeated in the bones, this feeling is in the jun for Huizong, in the subject for Xuanzai. This book of poems is as dynamic as the Duoyunxuan Grand Treasury Xiangguang Tengwang Pavilion Poetry Hall:
Try to ascend to the altar to embrace the festival, Situ Yuan Pei Lu pious knife. (Exhibited here)
Shenjing Tang Mu Zi An, the throat of the world belongs to The Ban Cao.
Qing Yuehui was unusual, and the morning star fell a few of his comrades.
Junjia Shize followed Huai Shui and watched Wenchang drag on his feet.
Yan Zhouyuan lishu inscription: "Juanjuan is hidden half-rule, and the heart of the text is wonderful and clear." Old age is not sharp, and the eyes of reading books are like the moon. Jiaqing 癸海年 (1803) Yi Bingshou. The inscription on the back of the yan is: "The half-bi bending ring is pan water, and it is unforgettable to cross this year." Mo Qing".
At the exhibition hall site, Naran chengde words
In the Qing Dynasty, Naran Chengde, the "first word hand of the early years of the country", wrote words with simple words, unlike the literati who "dropped the book bag" to shake a lot of cold and secluded allusions (there is another taste), such as "mountain a journey, water a trip, wind and snow, a more snow", the most first-class "pop love song" lyricist. His letter is also blindly "vernacular", and his "first love" is really not only sown in love with women, but also the letters written to "my brother" are also affectionate and even fleshy, and when they are full, "one person knows that he can have no hatred", gambling and swearing that "Yu and Zhang Zi have the same heart", and the mood of the children of the Broken Arm Mountain.
Zhao Zhiqian's Book of Seven Sayings is a collection of Dongpo verses
Zhao Zhiqian's Seven Sayings of the Book of Conduct collects Dongpo poems, "Relying on the sky to illuminate the sea and countless flowers, the hearthstones follow each other." Separately, Su Shi wrote the ancient body of the Hibiscus Immortals: the play wrapped the peach core in yellow mud, and the stones were scattered like wind and rain. Sitting on the empty mountain out of the splendid embroidery, relying on the sky to illuminate the sea flowers innumerable; the trial courtyard Sencha poem: "And learn the public to make tea and drink, and the hearthstones follow each other." How difficult it is to get the tea of the floating life and half a day to steal the idle tea when you get the land at the right time, or it is not difficult, "if there is no idle thing to worry about, it is a good season in the world", how about the barren mountains and bitter seas, there is a furnace and a bell, when the crab eyes and fish eyes are not boiling, the immortals sprinkle the core and the sea of flowers. Zeng Guofan (Zhao Zeng was his subordinate, and together he edited the "Jiangxi Tongzhi") also has a collection of sentences, that is, relying on the sky to illuminate the countless sea flowers, and the mountains and flowing water are self-aware. The meaning is very different.
Mansheng pot donated by Tang Yun
The two Mansheng pots donated by Tang Yun in 1963 coincided with Yi Bingshou's half-wall stone and Zhao Zhiqian's "Leaning Heaven Brick Furnace". One is the "Yannian" half-tile, and the other is Shi Luan (also known as pumpkin Tiliang), inscribed: Boiled white stone pan green cloud a scoop to invite Tong Jun. (However, according to the eighteen-style specifications, this inscription should be Shi Scoop Ti Liang Ming, and pumpkin Ti Liang Ming is "Happy warm stomach door winter drink, but it is Dongpo hand frying.") ”）
Tan Jin donated Chen Chun Kettle
Tan Jin donated Chen Chun Kettle (partial)
Tan Jin donated Chen Chun Kettle, also known as Qi Kettle, Zuo Guan Kettle, Qi Chen Yu Kettle, the early Warring States Qi State Measuring Instrument. Qing Xianfeng was excavated in Lingshanwei, Jiaoxian County, Shandong Province. The height of the vessel is 39 cm, and the outer wall has an inscription of 7 lines of 34 characters. Interpretation: Chen Independence Affair Year / □ Month Peng Yin Ge (Ge) / Zi An Ling Ming / Guan Shi □ Edict / Cheng Zuo Guan's Kettle / Festival in The Pu Dun / The Person Known as Chen Qing.
Ni Yuanlu's "Stone Map"
Standing in front of Ni Yuanlu's "Stone Map", he couldn't help but be solemnly respected by this martyred loyalist, Su Shi's dead wood strange stone diagram in the stone is a lying stone, Yuan Lu's stone friends are standing stones, the same rubbing sketch, the same stone skin like a wave, the true essence of the depo gong-shaped god. The self-titled poem "Ten Husbands Are Not Dantu, See ambiguous things and nothing, give all the world to get this, and use his wind and bones to resist his coarseness" and his strong and stubborn character. This poem is almost the same as "Titled Wang Juesi Shi Jiaotu for Guo Tianmen Official", and Ni did not expect that Wang Duo's "thick eyebrows and big eyes" would eventually be from the thief. Liang Tongshu tells the story of the "Seventy-Two Peaks Pavilion" at length, wang litang loves stone into a habit, this "Stone Jiaotu" not only matches his own number, but also has just become seventy-two. Liang said that this stone "actually spits out the stone of the fallen from his chest", which is relatively similar to the "stone that Wen Zhen handed over" to sit in a room and is equivalent to circling with the righteous gentleman. Shangbo seems to have paid little attention to this picture of Ni Yuanlu, nor does it attach much importance to donors, which is not found in various publicity, and cannot be found in The Collection of Shangbo. The painting was actually collected by Wu Dequan, who worked for the Nantong Dasheng Textile Factory, and was donated by his children in 1961.
Qian Jingtang donated Ren Bonian's "Wutong DanfengTu"
Qian Jingtang donated Ren Bonian's "Wutong Danfeng Tu" in the lower left corner of the 1958 donation also has a "Qianjingtang Identification ren Bo Nian authenticity" seal, which is said to be a "credibility guarantee" marked when selling paintings to the Forbidden City and Gome, and Duoyunxuan Daku's Ren's fine works also have this seal, and all of them are framed. The painting was painted in the year of Guangxu Jiashen (1884) when he was 48 years old, and the inscription "Chifeng Liquan is only xiangrui if it does not come out". Although this painting is also a small freehand, but it has eight wind bones, is a colorful white-eyed "strange phoenix" to see the world, Ren Bo nian flowers and feathers have wind, this painting is very typical, the wind blows from the right rear, the blowing phoenix crown oblique tail feathers flutter, the blowing sycamore leaves flutter, the phoenix claw sharp hook deep inlaid sycamore branches do not fall. This is the clever place of Ren Bo Nian.
Xia Hongning donated Uncle Li's handwriting
Xia Hongning donated 122 pieces of Li Shutong's handwriting in 1961 and four of Li Shutong's handwriting to the Shanghai Museum in 2004. He donated all the correspondence between Xia Junzun and Master Hongyi to the Shanghai Museum (note: Duo Yun Xuan's library contains a lot of calligraphy letters from Xia Junzun, including the "May Endless Room" auctioned more than 10 million last year, the source of which has not yet been understood). The eldest grandson of Xia Junzun is a banker, not only the vice president of the Industrial and Commercial Bank of Shanghai, but also the founding chairman of Haitong Securities and the "boss" of Kan Zhidong.
Master Hongyi does not use the Dry Branch Chronicle here, the year is used in the Year Yang Year, the Tai Nian in the "壬" is Xuan Di, and the month is used in the ancient Indian Lunar Calendar Moon Method "Room Luofa Moon", which is calculated to be between may in the lunar calendar of 1922. "Eternal is not a short dream" has a party print, my companion let me interpret it, I glanced at it and blurted out "Heaven and Earth Text", leaned down to look at it carefully, it is "informal text". Another painting written in 1940, the Huayan Sutra "Wearing a Hand" scroll, is already "able to baby".
In the old Tibetan impression of Guoyunlou, only two silk paintings of Minghua Bird Qing Guanyin were seen, and Yuanhua Zuli's "Ten Sons of Xuanmen", Wei Yiwen's "Xingshu Wen Xiang Ti Scroll", Qing Wang Yi's "Yellow Crane Transmission Lantern Scroll" and "Du Qiong, Shen Zhou, Liu Yu Shanshui Combined Volume" were not seen today. In fact, it is on display, but the light is dim (probably to protect the ancient paintings and silk) and cannot be seen clearly. Xie Zhiliu donated the paintings of the Northern Song Dynasty horse Wang Yi to roll countless times like a washing machine, and even the real ones left only a real shadow.
Song Tuo Cai Xiang Book Tea Record Huang Ting Interior Classics, donated to Sun Boyuan in 1980. This donor who lived on the opposite side of The Fansong Mountain Road in Wuhu Lake could not fail to mention that the Shangbo stele was almost all from him. Most of Sun Boyuan's collection has been donated to national and local museums, most notably the 3920 stele of the Shanghai Museum (1950s). Mr. Wang Qingzheng, former deputy director of the Shanghai Museum, said: I have been to some libraries, museums and university libraries at home and abroad, and the whole set of stone carvings and rubbings that are so complete and uniformly framed like Mr. Sun Boyuan is unique in the world.
Exhibition hall scene, Shen Zhou's "Cloud Stopping Boat Chart Axis" (partial)
Shen Zhou's "Cloud Stopping Boat Chart Axis" is also donated by Sun's family, the green landscape is huge, for Shen Zhou's rare fine pen, the color is elegant, high and low open, verdant and red, the mountain lan cloud shadow, the light color changes infinitely, the yin and yang of the mountain are to the back or green or green to show light and shade, and there is a cloud mist to increase or decrease its depth, there is no perfunctory perfunctory; and the color of Danya or the dye of the autumn maple, or because of the wave of anti-sunset, is an instantaneous change, there is no point of stagnation. The pavilion Chinese sits with a burning incense, and the fat boy of the mountain road carries a piano, such as breaking it into small pieces, and each picture is connected with the Zhenyi Qianlinggang in the "Dongzhuang Map". Just wonder where there is a boat? The pavilion in the clouds is the boat in the sky, thinking that it is Shen Zhou's wonderful idea, who knows that the canvas is too large to land, and the network search knows that the boat is still in the scroll.
Ming Shen Zhou, "The Picture of the Stopping Boat in the Clouds", Shanghai Museum Collection (Picture from the Internet)
Editor-in-Charge: Lu Linhan