Song Xu Chongjue 《 Red Waterfowl Diagram 》
Xu Chongzhi is xu Xi's grandson. Xuanhe Pictorial Notation Yun: "Painting has the style of the ancestors. Xi painting flowers, bamboo, poultry, fish, cicadas and butterflies and vegetables, etc., are extremely wonderful. From a scholar for a while, mo can not spy on its clan also. The Chongzhi brothers can not fall into what they have learned. As a female worker, curved eyebrows and plump faces, covered with flowers and butterflies. "This pattern of waterfowl perched on the branches and stared at the swimming shrimp in the water is the most handsome and gratifying.
Song Anon. 《香實垂金圖》
Paint two citrus pieces, very strong. The painting method double hook color, color blending, deep workmanship, leaf color of the tender old, fragrant gold, convey the spirit of Bishao. The leaves are dense and dense, the front side is oblique, curled and covered, and there is a deep sense of space.
Song XiaGui 《 Wuzhu Xi Tang Tu 》
The picture depicts a mountain dwelling landscape. In the extremely tight scale, the painter uses the contrast between the complex and simple composition and the virtual reality of the expression technique to reflect the extremely rich object and artistic connotation.
Yuan Zhao Mengfu Xing cursive "Xiangyang Song"
Interpretation: The sunset wants to be in the west of Da Nang, upside down and the flowers are lost. Xiangyang children clapped their hands together and stopped the street to sing "White Copper Whip". Bystanders asked what was the matter with laughter, laughing and killing shan gong drunk like mud. Cormorant, parrot cup. Thirty-six thousand days in a hundred years, three hundred cups a day. Looking at the green head of the Hanshui duck from a distance, it is just like the first grapes. If this river is transformed into spring wine, the base will build a bad hill platform. Thousands of golden horses for concubines, drunkenly sitting on the saddle song "Falling Plum". A pot of wine hangs on the side of the car, and the Fengsheng Dragon pipe is urged. Xianyang City sighed yellow dog, how to pour gold under the moon? Jun did not see a stone in the Jin Dynasty sheep, and the glans was peeling off raw berry moss. Nor can tears fall for them, nor can the heart mourn for them. Qingfeng Langyue does not need a dollar to buy, Yushan self-pouring inhuman push. Shu Zhouyu, Lux Bell, Li Bai and Er died and died together. Xiang Wang YunYu is now safe? The sound of apes flowing east of the river at night.
Ming Wen Zheng Ming Sit Lu Tu Fan Surface
Qing Zhang Zongcang West Lake map
Zhang Zongcang, born in 1686, died in 1756. The word is silent, and it is now a native of Suzhou, Jiangsu Province. He inherited Huang Ding, a descendant of the Loudong school of painting in the Qing Dynasty. Good at painting landscapes. In 1751 AD, the Qianlong Emperor toured the south, Zhang Zongcangjin presented the album "Sixteen Views of Wuzhong", which was deeply appreciated by the Qianlong Emperor, and later entered the Qing Court Painting Academy to make offerings and paint for the court, and was an important court painter in the Qianlong period. Qing Dynasty court painting in the history of Qing Dynasty painting has an important position, especially in the Qianlong period, the establishment of the Ruyi Pavilion to recruit talents, the creation of a lot of documentary, historical stories, religious and decorative themes of the work, with special historical and artistic value, in the Qianlong Dynasty court painters, Zhang Zongcang is a very important one. Zhang Zongcang's landscape paintings, the painting style is vigorous, with a calm pen. The mountain stone method is mostly accumulated with dry pens, and the combination of light ink, dry pen and rubbing techniques between trees and trees shows a profound artistic conception and profound charm, and the sweet and tender habits of washing the court painting academy are especially loved by the Qianlong Emperor.
Yuan Ma Huan 《Twilight Cloud Poetic Intention》
This image depicts the sunset rain deep in the mountains. Layers of mountains, or hidden or present, Pinggang Pituo on the forest deep show, water pavilions, across the creek board bridge. The whole picture is on the tone of the ink hook, slightly dyed with a faint green, the mountain peak yang face is smudged with thin ochre, and the leaves are dyed with flowers, so that the object appears to present a twilight atmosphere.
Yuan Wuzhen Pine stone chart axis
Wu Zhen (1280-1354), a painter of the Yuan Dynasty, one of the four Yuan families. The word Zhonggui. Meihua Daoist, also known as Meihua Monk, Mei Shami, is a native of Weitang Town, Jiaxing, Zhejiang. People from Jiaxing, Zhejiang. Throughout his life, he lived in seclusion behind closed doors and did not enter the career. He studied Confucianism intensively, bypassed the Buddhist tao, liked to be friends with monks, and entertained himself with poetry, calligraphy and painting. The themes mostly depict fishermen and hermit life, and pin his ideological interest in seclusion and seclusion. Make good use of wet pens to express the lush scenery of mountains and rivers and forests, with strong pen strength and heavy ink. His paintings are imposing, full of vitality and not into the wild.
"Pine Stone Diagram" is only a pine tree protruding from the center of the field of vision, but what he paints is not an upright pine, but a strange pine with a dry trunk like a curved bow and long branches, which stands majestically and looks at all things, showing an indignation that is difficult to be bound by the world and difficult for ordinary people to match. Its arrogance and extraordinary are the self-metaphors of Wu Zhen's anti-Huai lonely personality.
Ming Wen Zhengming 《The SeventeenThs of the Right Army》
The Seventeen Theses are representative works of cursive writing by The Book Saint Wang Xizhi, but the original has long been lost, and we only see the Tuoben now. Successive generations of calligraphers have made inscriptions on it, and this work is the inscription made by Wen Zhengming after the "Seventeen Theses", which is a fine work of his calligraphy.
Wen Zhengming's "Seventeen Posts of the Right Army" --- Wen Zhengming's xiaokai works are serious and neat, meticulous, and extremely respectful. The dot painting is as thin as a strand of hair, and the law is strict, the gestures are graceful, and its free and relaxed demeanor jumps on the paper.
Ming Lanying 《Frost Resisting Autumn Bird Diagram》
In this picture, the lake stone stretches out horizontally, and a hibiscus branch rises obliquely from behind the stone, and a waxbill bird stands on the branch; there are several branches of grass next to the stone, accompanied by two clumps of autumn chrysanthemums. This figure is gathered on the right side and feels stable, the lake stone is hooked with a dry pen, slightly ink moss; the flowers are double hooked with light ink; the leaves are moderately inked, the side pen is horizontal, and then the leaf stem is outlined with deep ink. The wax-billed black on the branches, the ink color is eye-catching, and it is vivid.
Ming Dong Qichang Seven Words Poetry Axis
Interpretation: The Qingtian Shu Dao is not difficult to climb, and the luck is slightly hazy. A little bit to the Yangzi House, still show the Kyushu Mountain.
Ming Anon. East Hedge Autumn Color Map
The old Legend of Li Xiangzuo in the Qing Dynasty. The painting is based on the story of the Eastern Jin Dynasty poet Tao Yuanming's return to the hidden countryside. In the painting, Tao Yuanming sits leisurely on the outdoor bed to watch the chrysanthemums, the child servants and family accompany the service, there are visitors outside the house, and the shepherd children and cattle can be seen between the mountain paths, and the whole painting shows a typical of Coats' reclusive life.
Qing Gong Xian Pine Wood Bamboo House Diagram
Qing Wang Jianzhang《 Landscape Map
This picture is composed in the Pingyuan method, painting landscapes and rivers, fog and mist. The sails drift away, the fishing boats moored on the shore; the mountain waterfalls hang, the springs are rushing; the forests are dense, and the pavilions are occasionally seen. The two people on the mountain path strolled and talked, and one person on the bridge sat alone in Guanlan. Painting masters Dong Yuan and Wang Meng, the pen strength is strong and strong, and the momentum is strong. The whole picture is far away and the style is vigorous.
Qing Shen Quan 《Rabbit Map in the Middle of the Snow》
The picture shows two old plums, plum blossoms in full bloom, dyed with white powder. The trunk of the tree is dyed with ink dots, and the bamboo behind the tree is clustered, and the rabbits and finches echo each other up and down the plum tree, full of life. The sky is painted with light ink to set off the vast white snow. This figure is similar to the northern Song Dynasty Cui Bai's realistic approach, but Shen Quan does not use lines in many places in this painting, and the use of chiaroscuro instead should be related to his experience in Japan.
Qing Jin Ting standard pin quan map
Pictured in the forest spring under the moon, a scribe sits on the weeping tree trunk of the stream sipping tea, like a leisurely, a child squatting in the creek to draw water, a child burning charcoal in a bamboo stove, and the three people's water, tea preparation, and tea sipping action naturally constitute a serial picture of drawing water and drinking tea. On the screen, the bright moon is hanging high, the breeze and the moon shadow, tasting tea and enjoying the scenery, very comfortable. The painting on the cooking tea ceremony has a bamboo stove, a teapot, a four-layer basket (pick box), a water pot, a water spoon, a tea bowl, etc., a bamboo tea stove with a belt tied on all four sides, and a four-layer basket that can accommodate the needs of cooking tea, such as tea leaves, charcoal fire, etc. It is conceivable that the set of tea utensils on the picture is used for travel. The scribe in the picture sits alone sipping tea and meditating, probably conceiving a poem.
Qing Ni Tian Four Red Chart
In this picture, four women from different periods are portrayed with ancient and strange strokes. The lines are rounded and vigorous, the colors are beautiful, and the brushwork is neat and meticulous. The author has recently studied in his bertrand year, far from Chen Hongshou, and has obtained the charm of heavy color, but he is not bound to the law. The character shape is slightly exaggerated, but the proportions are roughly accurate, the face and the front side of the gaze are leaned forward, natural and vivid, endowed with different personality characteristics of the characters, showing the different mental outlooks of the characters or rigid or soft, or exposed or introverted.
Qing Yu Xi 《Duanyang Jingtu》
The painting combines natural scenes such as calamus, marshmallows, dragonflies, toads and frogs in a delicate and delicate brushwork. The composition is simple, dense and appropriate, neat with the pen, strict but not boarded, and slightly wild in the show. The delicate state of the flower, the anyway of the leaf, the flight of the dragonfly, the swimming posture of the frog, the depiction are very meticulous, with texture and momentum, and its realistic skills are relatively deep.